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		<title>Milton Friedman: &#8220;The Social Responsibility of Business is to Increase its Profits&#8221;</title>
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					<description><![CDATA[<p>The Social Responsibility of Business is to Increase its ProfitsMilton FriedmanNew York Times Magazi When I hear businessmen speak eloquently about the “social responsibilities of business in a free‐enterprise system,” I am reminded of the wonderful line about the Frenchman who discovered at, the age of 70 that he had been speaking prose all his &#8230; </p>
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<p>The Social Responsibility of Business is to Increase its Profits<br>Milton Friedman<br>New York Times Magazi</p>



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<p><br>When I hear businessmen speak eloquently about the “social responsibilities of business in a free‐enterprise system,” I am reminded of the wonderful line about the Frenchman who discovered at, the age of 70 that he had been speaking prose all his life. The businessmen believe that they are defending free enterprise when they declaim that business is not concerned “merely” with profit but also with promoting desirable “social” ends; that business has a “social conscience” and takes seriously its responsibilities for providing employment, eliminating discrimination, avoiding pollution and whatever else may be the catchwords of the contemporary crop of reformers. In fact they are—or would be if they or any one else took them seriously— preaching pure and unadulterated socialism. Businessmen who talk this way are unwitting puppets of the intellectual forces that have been undermining the basis of a free society these past decades.</p>



<p>The discussions of the “social responsibilities of business” are notable for their analytical looseness and lack of rigor. What does it mean to say that “business” has responsibilities? Only people can have responsibilities. A corporation is an artificial person and in this sense may have artificial responsibilities, but “business” as a whole cannot be said to have responsibilities, even in this vague sense. The first step toward clarity in examining the doctrine of the social responsibility of business is to ask precisely what it implies for whom.</p>



<p>Presumably, the individuals who are to be responsible are businessmen, which means individual proprietors or corporate executives. Most of the discussion of social responsibility is directed at corporations, so in what follows I shall mostly neglect the individual proprietor and speak of corporate executives.</p>



<p>IN a free‐enterprise, private‐property system, a corporate executive is an employe of the owners of the business. He has direct responsibility to his employers. That responsibility is to conduct the business in accordance with their desires, which generally will be to make as much money as possible while conforming to the basic rules of the society, both those embodied in law and those embodied in ethical custom. Of course, in some cases his employers may have a different objective. A group of persons might establish a corporation for an eleemosynary purpose—for example, a hospital or school. The manager of such a corporation will not have money profit as his objective but the rendering of certain services.</p>



<p>In either case, the key point is that, in his capacity as a corporate executive, the manager is the agent of the individuals who own the corporation or establish the eleemosynary institution, and his primary responsibility is to them.</p>



<p>Needless to say, this does not mean that it is easy to judge how well he is performing his task. But at least the criterion of performance is straightforward, and the persons among whom a voluntary contractual arrangement exists are clearly defined.</p>



<p>Of course, the corporate executive is also a person in his own right. As a person, he may have many other responsibilities that he recognizes or assumes voluntarily—to his family, his conscience, his feelings of charity, his church, his clubs, his city, his country. He may feel impelled by these responsibilities to devote part of his income to causes he regards as worthy, to refuse to work for particular corporations, even to leave his job, for example, to join his country&#8217;s armed forces. If we wish, we may refer to some of these responsibilities as “social responsibilities.” But in these respects he is acting as a principal, not an agent; he is spending his own money or time or energy, not the money of his employers or the time or energy he has contracted to devote to their purposes. If these are “social responsibilities,” they are the social responsibilities of individuals, not of business.</p>



<p>What does it mean to say that the corporate executive has a “social responsibility” in his capacity as businessman? If this statement is not pure rhetoric, it must mean that he is to act in some way that is not in the interest of his employers. For example, that he is to refrain from increasing the price of the product in order to contribute to the social objective of preventing inflation, even though a price increase would be in the best interests of the corporation. Or that he is to make expenditures on reducing pollution beyond the amount that is in the best interests of the corporation or that is required by law in order to contribute to the social objective of improving the en vironment. Or that, at the expense of corporate profits, he is to hire “hard core” unemployed instead of better qualified available workmen to contribute to the social objective of reducing poverty.</p>



<p>In each of these cases, the corporate executive would be spending someone else&#8217;s money for a general social interest. Insofar as his actions in accord with his “social responsibility” reduce returns to stock holders, he is spending their money. Insofar as his actions raise the price to customers, he is spending the customers’ money. Insofar as his actions lower the wages of some employes, he is spending their money.</p>



<p>The stockholders or the customers or the employes could separately spend their own money on the particular action if they wished to do so. The executive is exercising a distinct “social responsibility,” rather than serving as an agent of the stockholders or the customers or the employes, only if he spends the money in a different way than they would have spent it.</p>



<p>But if he does this, he is in effect imposing taxes, on the one hand, and deciding how the tax proceeds shall be spent, on the other.</p>



<p>This process raises political questions on two levels: principle and consequences. On the level of political principle, the imposition of taxes and the expenditure of tax proceeds are governmental functions. We have established elaborate constitutional, parliamentary and judicial provisions to control these functions, to assure that taxes are imposed so far as possible in accordance with the preferences and desires of the public— after all, “taxation without representation” was one of the battle cries of the American Revolution. We have a system of checks and balances to separate the legislative function of imposing taxes and enacting expenditures from the executive function of collecting taxes and administering expenditure programs and from the judicial function of mediating disputes and interpreting the law.</p>



<p>Here the businessman—self‐selected or appointed directly or indirectly by stockholders—is to be simultaneously legislator, executive and jurist. He is to decide whom to tax by how much and for what purpose, and he is to spend the proceeds—all this guided only by general exhortations from on high to restrain inflation, improve the environment, fight poverty and so on and on.</p>



<p>The whole justification for permitting the corporate executive to be selected by the stockholders is that the executive is an agent serving the interests of his principal. This justification disappears when the corporate executive imposes taxes and spends the proceeds for “social” purposes. He becomes in effect a public employe, a civil servant, even though he remains in name an employe of private enterprise. On grounds of political principle, it is intolerable that such civil servants—insofar as their actions in the name of social responsibility are real and not just window‐dressing—should be selected as they are now. If they are to be civil servants, then they must be selected through a political process. If they are to impose taxes and make expenditures to foster “social” objectives, then political machinery must be set up to guide the assessment of taxes and to determine through a political process the objectives to be served.</p>



<p>This is the basic reason why the doctrine of “social responsibility” involves the acceptance of the socialist view that political mechanisms, not market mechanisms, are the appropriate way to determine the allocation of scarce resources to alternative uses.</p>



<p>ON the grounds of consequences, can the corporate executive in fact discharge his alleged “social responsibilities&#8221;? On the one hand, suppose he could get away with spending the stockholders’ or customers’ or employes’ money. How is he to know how to spend it? He is told that he must contribute to fighting inflation. How is he to know what action of his will contribute to that end? He is presumably an expert in running his company—in producing a product or selling it or financing it. But nothing about his selection makes him an expert on inflation. Will his holding down the price of his product reduce inflationary pressure? Or, by leaving more spending power in the hands of his customers, simply divert it elsewhere? Or, by forcing him to produce less because of the lower price, will it simply contribute to shortages? Even if he could answer these questions, how much cost is he justified in imposing on his stockholders, customers and employes for this social purpose? What is his appropriate share and what is the appropriate share of others?</p>



<p>And, whether he wants to or not, can he get away with spending his stockholders, customers’ or employes’ money? Will not the stockholders fire him? (Either the present ones or those who take over when his actions in the name of social responsibility have reduced the corporation&#8217;s profits and the price of its stock.) His customers and his employes can desert him for other producers and employers less scrupulous in exercising their social responsibilities.</p>



<p>This facet of “social responsibility” doctrine is brought into sharp relief when the doctrine is used to justify wage restraint by trade unions. The conflict of interest is naked and clear when union officals are asked to subordinate the interest of their members to some more general social purpose. If the union officials try to enforce wage restraint, the consequence is likely to be wildcat strikes, rank‐and‐file revolts and the emergence of strong competitors for their jobs. We thus have the ironic phenomenon that union leaders—at least in the U.S. —have objected to Government interference with the market far more consistently and courageously than have business leaders.</p>



<p>The difficulty of exercising “social responsibility” illustrates, of course, the great virtue of private competitive enterprise — it forces people to be responsible for their own actions and makes it difficult for them to “exploit” other people for either selfish or unselfish purposes. They can do good—but only at their own expense.</p>



<p>Many a reader who has followed the argument this far may be tempted to remonstrate that it is all well and good to speak of government&#8217;s having the responsibility to impose taxes and determine expenditures for such “social” purposes as controlling pollution or training the hard‐core unemployed, but that the problems are too urgent to wait on the slow course of political processes, that the exercise of social responsibility by businessmen is a quicker and surer way to solve pressing current problems.</p>



<p>Aside from the question of fact—I share Adam Smith&#8217;s skepticism about the benefits that can be expected from “those who affected to trade for the public good”—this argument must be rejected on grounds of principle. What it amounts to is an assertion that those who favor the taxes and expenditures in question have failed to persuade a majority of their fellow citizens to be of like mind and that they are seeking to attain by undemocratic procedures what they cannot attain by democratic procedures. In a free society, it is hard for “good” people to do “good,” but that is a small price to pay for making it hard for “evil” people to do “evil,” especially since one man&#8217;s good is anther&#8217;s evil.</p>



<p>I have, for simplicity, concentrated on the special case of the corporate executive, except only for the brief digression on trade unions. But precisely the same argument applies to the newer phenomenon of calling upon stockholders to require corporations to exercise social responsibility (the recent G.M. crusade, for example). In most of these cases, what is in effect involved is some stockholders trying to get other stockholders (or customers or employes) to contribute against their will to “social” causes favored by the activists. Insofar as they succeed, they are again imposing taxes and spending the proceeds.</p>



<p>The situation of the individual proprietor is somewhat different. If he acts to reduce the returns of his enterprise in order to exercise his “social responsibility,” he is spending his own money, not someone else&#8217;s. If he wishes to spend his money on such purposes, that is his right, and I cannot see that there is any objection to his doing so. In the process, he, too, may impose costs on employes and customers. However, because he is far less likely than a large corporation or union to have monopolistic power, any such side effects will tend to be minor.</p>



<p>Of course, in practice the doctrine of social responsibility is frequently a cloak for actions that are justified on other grounds rather than a reason for those actions.</p>



<p>To illustrate, it may well be in the long‐run interest of a corporation that is a major employer in a small community to devote resources to providing amenities to that community or to improving its government. That may make it easier to at tract desirable employes, it may reduce the wage bill or lessen losses from pilferage and sabotage or have other worthwhile effects. Or it may be that, given the laws about the deductibility of corporate charitable contributions, the stockholders can contribute more to charities they favor by having the corporation make the gift than by doing it them selves, since they can in that way contribute an amount that would otherwise have been paid as corporate taxes.</p>



<p>In each of these—and many similar—cases, there is a strong temptation to rationalize these actions as an exercise of “social responsibility.” In the present climate of opinion, with its widespread aversion to “capitalism,” “profits,” the “soulless corporation” and so on, this is one way for a corporation to generate goodwill as a by‐product of expenditures that are entirely justified in its own self‐interest.</p>



<p>It would be inconsistent of me to call on corporate executives to refrain from this hypocritical window dressing because it harms the foundations of a free society. That would be to call on them to exercise “social responsibility”! If our institutions, and the attitudes of the public make it in their self‐interest to cloak their actions in this way, cannot summon much indignation to denounce them. At the same time, can express admiration for those in dividual proprietors or owners of closely held corporations or stock holders of more broadly held corporations who disdain such tactics as approaching fraud.</p>



<p>Whether blameworthy or not, the use of the cloak of social responsibility, and the nonsense spoken in its name by influential and prestigious businessmen, does clearly harm the foundations of a free society. I have been impressed time and again by the schizophrenic character of many businessmen. They are capable of being extremely far‐sighted and clear‐headed in matters that are internal to their businesses. They are incredibly short sighted and muddle‐headed in mat ters that are outside their businesses but affect the possible survival of business in general. This short sightedness is strikingly exemplified in the calls from many businessmen for wage and price guidelines or controls or incomes policies. There is nothing that could do more in a brief period to destroy a market system and replace it by a centrally controlled system than effective governmental control of prices and wages.</p>



<p>The short‐sightedness is also exemplified in speeches by business men on social responsibility. This may gain them kudos in the short run. But it helps to strengthen the already too prevalent view that the ptirsuit of profits is wicked and im moral and must be curbed and controlled by external forces. Once this view is adopted, the external forces that curb the market will not be the social consciences, however highly developed, of the pontificating executives; it will be the iron fist of Government bureaucrats. Here, as with price and wage controls, business men seem to me to reveal a suicidal impulse.</p>



<p>The political principle that under lies the market mechanism is unanimity. In an ideal free market resting on private property, no individual can coerce any other, all cooperation is voluntary, all parties to such cooperation benefit or they need not participate. There are no “social” values, no “social” responsibilities in any sense other than the shared values and responsibilities of individuals. Society is a collection of individuals and of the various groups they voluntarily form.</p>



<p>The political principle that under lies the political mechanism is conformity. The individual must serve more general social interest— whether that be determined by church or a dictator or a majority. The individual may have a vote and a say in what is to be done, but if he is overruled, he must conform. It is appropriate for some to require others to contribute to a general social purpose whether they wish to or not.</p>



<p>Unfortunately, unanimity is not always feasible. There are some respects in which conformity appears unavoidable, so I do not see how one can avoid the use of the political Mechanism altogether.</p>



<p>But the doctrine of “social responsibility” taken seriously would extend the scope of the political mechanism to every human activity. It does not differ in philosophy from the most explicitly collectivist doctrine. It differs only by professing to believe that collectivist ends can be attained without collectivist means. That is why, in my book “Capitalism and Freedom,” I have called it a “fundamentally subversive doctrine” in a free society, and have said that in such a society, “there is one and only one social responsibility of business—to use its resources and engage in activities designed to increase its profits so long as it stays within the rules of the game, which is to say, engages in open and free competition without deception or fraud.”</p>
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		<title>James &#038; Sartre on Emotion</title>
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		<pubDate>Mon, 18 Dec 2023 18:29:42 +0000</pubDate>
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					<description><![CDATA[<p>William James, Macmillan &#38; Co., 1892 CHAPTER XXIV, EMOTION (excerpt) The Cause of their Varieties.—The trouble with the emotions in psychology is that they are regarded too much as absolutely individual things. So long as they are set down as so many eternal and sacred psychic entities, like the old immutable species in natural history, &#8230; </p>
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<p>William James, Macmillan &amp; Co., 1892</p>



<p><strong>CHAPTER XXIV, EMOTION (excerpt)</strong></p>



<p><strong>The Cause of their Varieties.</strong>—The trouble with the emotions in psychology is that they are regarded too much as absolutely individual things. So long as they are set down as so many eternal and sacred psychic entities, like the old immutable species in natural history, so long all that&nbsp;<em>can</em>&nbsp;be done with them is reverently to catalogue their separate characters, points, and effects. But if we regard them as products of more general causes (as &#8216;species&#8217; are now regarded as products of heredity and variation), the mere distinguishing and cataloguing becomes of subsidiary importance. Having the goose which lays the golden eggs, the description of each egg already laid is a minor matter. I will devote the next few pages to setting forth one very general cause of our emotional feeling, limiting myself in the first instance to what may be called the&nbsp;<em>coarser</em>&nbsp;emotions.</p>



<p><strong>The feeling, in the coarser emotions, results from the bodily expression.</strong>&nbsp;Our natural way of thinking about these coarser emotions is that the mental perception of some fact excites the mental affection called the emotion, and that this latter state of mind gives rise to the bodily expression. My theory, on the contrary, is that&nbsp;<em>the bodily changes follow directly the perception of the exciting fact, and that our feeling of the same changes as they occur</em>&nbsp;IS&nbsp;<em>the emotion</em>. Common-sense says, we lose our fortune, are sorry and weep; we meet a bear, are frightened and run;{376}&nbsp;we are insulted by a rival, are angry and strike. The hypothesis here to be defended says that this order of sequence is incorrect, that the one mental state is not immediately induced by the other, that the bodily manifestations must first be interposed between, and that the more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth. We might then see the bear and judge it best to run, receive the insult and deem it right to strike, but we should not actually&nbsp;<em>feel</em>&nbsp;afraid or angry.</p>



<p>Stated in this crude way, the hypothesis is pretty sure to meet with immediate disbelief. And yet neither many nor far-fetched considerations are required to mitigate its paradoxical character, and possibly to produce conviction of its truth.</p>



<p>To begin with,&nbsp;<em>particular perceptions certainly do produce wide-spread bodily effects by a sort of immediate physical influence, antecedent to the arousal of an emotion or emotional idea</em>. In listening to poetry, drama, or heroic narrative we are often surprised at the cutaneous shiver which like a sudden wave flows over us, and at the heart-swelling and the lachrymal effusion that unexpectedly catch us at intervals. In hearing music the same is even more strikingly true. If we abruptly see a dark moving form in the woods, our heart stops beating, and we catch our breath instantly and before any articulate idea of danger can arise. If our friend goes near to the edge of a precipice, we get the well-known feeling of &#8216;all-overishness,&#8217; and we shrink back, although we positively&nbsp;<em>know</em>&nbsp;him to be safe, and have no distinct imagination of his fall. The writer well remembers his astonishment, when a boy of seven or eight, at fainting when he saw a horse bled. The blood was in a bucket, with a stick in it, and, if memory does not{377}&nbsp;deceive him, he stirred it round and saw it drip from the stick with no feeling save that of childish curiosity. Suddenly the world grew black before his eyes, his ears began to buzz, and he knew no more. He had never heard of the sight of blood producing faintness or sickness, and he had so little repugnance to it, and so little apprehension of any other sort of danger from it, that even at that tender age, as he well remembers, he could not help wondering how the mere physical presence of a pailful of crimson fluid could occasion in him such formidable bodily effects.</p>



<p>The best proof that the immediate cause of emotion is a physical effect on the nerves is furnished by&nbsp;<em>those pathological cases in which the emotion is objectless</em>. One of the chief merits, in fact, of the view which I propose seems to be that we can so easily formulate by its means pathological cases and normal cases under a common scheme. In every asylum we find examples of absolutely unmotived fear, anger, melancholy, or conceit; and others of an equally unmotived apathy which persists in spite of the best of outward reasons why it should give way. In the former cases we must suppose the nervous machinery to be so &#8216;labile&#8217; in some one emotional direction that almost every stimulus (however inappropriate) causes it to upset in that way, and to engender the particular complex of feelings of which the psychic body of the emotion consists. Thus, to take one special instance, if inability to draw deep breath, fluttering of the heart, and that peculiar epigastric change felt as &#8216;precordial anxiety,&#8217; with an irresistible tendency to take a somewhat crouching attitude and to sit still, and with perhaps other visceral processes not now known, all spontaneously occur together in a certain person, his feeling of their combination&nbsp;<em>is</em>&nbsp;the emotion of dread, and he is the victim of what is known as morbid fear. A friend who has had occasional attacks of this most distressing of all maladies tells me that in his case the whole drama seems to centre about the region of the heart and respiratory apparatus, that his main effort during the{378}&nbsp;attacks is to get control of his inspirations and to slow his heart, and that the moment he attains to breathing deeply and to holding himself erect, the dread,&nbsp;<em>ipso facto</em>, seems to depart.</p>



<p>The emotion here is nothing but the feeling of a bodily state, and it has a purely bodily cause.</p>



<p>The next thing to be noticed is this, that&nbsp;<em>every one of the bodily changes, whatsoever it be, is</em>&nbsp;FELT,&nbsp;<em>acutely or obscurely, the moment it occurs</em>. If the reader has never paid attention to this matter, he will be both interested and astonished to learn how many different local bodily feelings he can detect in himself as characteristic of his various emotional moods. It would be perhaps too much to expect him to arrest the tide of any strong gust of passion for the sake of any such curious analysis as this; but he can observe more tranquil states, and that may be assumed here to be true of the greater which is shown to be true of the less. Our whole cubic capacity is sensibly alive; and each morsel of it contributes its pulsations of feeling, dim or sharp, pleasant, painful, or dubious, to that sense of personality that every one of us unfailingly carries with him. It is surprising what little items give accent to these complexes of sensibility. When worried by any slight trouble, one may find that the focus of one&#8217;s bodily consciousness is the contraction, often quite inconsiderable, of the eyes and brows. When momentarily embarrassed, it is something in the pharynx that compels either a swallow, a clearing of the throat, or a slight cough; and so on for as many more instances as might be named. The various permutations of which these organic changes are susceptible make it abstractly possible that no shade of emotion should be without a bodily reverberation as unique, when taken in its totality, as is the mental mood itself. The immense number of parts modified is what makes it so difficult for us to reproduce in cold blood the total and integral expression of any one emotion. We may catch the trick with the voluntary muscles, but fail{379}&nbsp;with the skin, glands, heart, and other viscera. Just as an artificially imitated sneeze lacks something of the reality, so the attempt to imitate grief or enthusiasm in the absence of its normal instigating cause is apt to be rather &#8216;hollow.&#8217;</p>



<p>I now proceed to urge the vital point of my whole theory, which is this:&nbsp;<em>If we fancy some strong emotion, and then try to abstract from our consciousness of it all the feelings of its bodily symptoms, we find we have nothing left behind</em>, no &#8216;mind-stuff&#8217; out of which the emotion can be constituted, and that a cold and neutral state of intellectual perception is all that remains. It is true that, although most people, when asked, say that their introspection verifies this statement, some persist in saying theirs does not. Many cannot be made to understand the question. When you beg them to imagine away every feeling of laughter and of tendency to laugh from their consciousness of the ludicrousness of an object, and then to tell you what the feeling of its ludicrousness would be like, whether it be anything more than the perception that the object belongs to the class &#8216;funny,&#8217; they persist in replying that the thing proposed is a physical impossibility, and that they always&nbsp;<em>must</em>&nbsp;laugh if they see a funny object. Of course the task proposed is not the practical one of seeing a ludicrous object and annihilating one&#8217;s tendency to laugh. It is the purely speculative one of subtracting certain elements of feeling from an emotional state supposed to exist in its fulness, and saying what the residual elements are. I cannot help thinking that all who rightly apprehend this problem will agree with the proposition above laid down. What kind of an emotion of fear would be left if the feeling neither of quickened heart-beats nor of shallow breathing, neither of trembling lips nor of weakened limbs, neither of goose-flesh nor of visceral stirrings, were present, it is quite impossible for me to think. Can one fancy the state of rage and picture no ebullition in the chest, no flushing of the face, no dilatation of the nostrils, no clenching{380}&nbsp;of the teeth, no impulse to vigorous action, but in their stead limp muscles, calm breathing, and a placid face? The present writer, for one, certainly cannot. The rage is as completely evaporated as the sensation of its so-called manifestations, and the only thing that can possibly be supposed to take its place is some cold-blooded and dispassionate judicial sentence, confined entirely to the intellectual realm, to the effect that a certain person or persons merit chastisement for their sins. In like manner of grief: what would it be without its tears, its sobs, its suffocation of the heart, its pang in the breast-bone? A feelingless cognition that certain circumstances are deplorable, and nothing more. Every passion in turn tells the same story. A disembodied human emotion is a sheer nonentity. I do not say that it is a contradiction in the nature of things, or that pure spirits are necessarily condemned to cold intellectual lives; but I say that for&nbsp;<em>us</em>&nbsp;emotion dissociated from all bodily feeling is inconceivable. The more closely I scrutinize my states, the more persuaded I become that whatever &#8216;coarse&#8217; affections and passions I have are in very truth constituted by, and made up of, those bodily changes which we ordinarily call their expression or consequence; and the more it seems to me that, if I were to become corporeally anæsthetic, I should be excluded from the life of the affections, harsh and tender alike, and drag out an existence of merely cognitive or intellectual form. Such an existence, although it seems to have been the ideal of ancient sages, is too apathetic to be keenly sought after by those born after the revival of the worship of sensibility, a few generations ago.</p>



<p><strong>Let not this view be called materialistic.</strong>&nbsp;It is neither more nor less materialistic than any other view which says that our emotions are conditioned by nervous processes. No reader of this hook is likely to rebel against such a saying so long as it is expressed in general terms; and if any one still finds materialism in the thesis now defended, that must be because of the special processes invoked.{381}&nbsp;They are&nbsp;<em>sensational</em>&nbsp;processes, processes due to inward currents set up by physical happenings. Such processes have, it is true, always been regarded by the platonizers in psychology as having something peculiarly base about them. But our emotions must always be&nbsp;<em>inwardly</em>&nbsp;what they are, whatever be the physiological ground of their apparition. If they are deep, pure, worthy, spiritual facts on any conceivable theory of their physiological source, they remain no less deep, pure, spiritual, and worthy of regard on this present sensational theory. They carry their own inner measure of worth with them; and it is just as logical to use the present theory of the emotions for proving that sensational processes need not be vile and material, as to use their vileness and materiality as a proof that such a theory cannot be true.</p>



<p><strong>This view explains the great variability of emotion.</strong>&nbsp;If such a theory is true, then each emotion is the resultant of a sum of elements, and each element is caused by a physiological process of a sort already well known. The elements are all organic changes, and each of them is the reflex effect of the exciting object. Definite questions now immediately arise—questions very different from those which were the only possible ones without this view. Those were questions of classification: &#8220;Which are the proper genera of emotion, and which the species under each?&#8221;—or of description: &#8220;By what expression is each emotion characterized?&#8221; The questions now are&nbsp;<em>causal</em>: &#8220;Just what changes does this object and what changes does that object excite?&#8221; and &#8220;How come they to excite these particular changes and not others?&#8221; We step from a superficial to a deep order of inquiry. Classification and description are the lowest stage of science. They sink into the background the moment questions of causation are formulated, and remain important only so far as they facilitate our answering these. Now the moment an emotion is causally accounted for, as the arousal by an object of a lot of reflex acts which are forthwith felt,&nbsp;<em>we immediately</em>{382}<em>&nbsp;see why there is no limit to the number of possible different emotions which may exist, and why the emotions of different individuals may vary indefinitely</em>, both as to their constitution and as to the objects which call them forth. For there is nothing sacramental or eternally fixed in reflex action. Any sort of reflex effect is possible, and reflexes actually vary indefinitely, as we know.</p>



<p>In short,&nbsp;<em>any classification of the emotions is seen to be as true and as &#8216;natural&#8217; as any other</em>, if it only serves some purpose; and such a question as &#8220;What is the &#8216;real&#8217; or &#8216;typical&#8217; expression of anger, or fear?&#8221; is seen to have no objective meaning at all. Instead of it we now have the question as to how any given &#8216;expression&#8217; of anger or fear may have come to exist; and that is a real question of physiological mechanics on the one hand, and of history on the other, which (like all real questions) is in essence answerable, although the answer may be hard to find. On a later page I shall mention the attempts to answer it which have been made.</p>



<p><strong>A Corollary verified.</strong>—If our theory be true, a necessary corollary of it ought to be this: that any voluntary and cold-blooded arousal of the so-called manifestations of a special emotion should give us the emotion itself. Now within the limits in which it can be verified, experience corroborates rather than disproves this inference. Everyone knows how panic is increased by flight, and how the giving way to the symptoms of grief or anger increases those passions themselves. Each fit of sobbing makes the sorrow more acute, and calls forth another fit stronger still, until at last repose only ensues with lassitude and with the apparent exhaustion of the machinery. In rage, it is notorious how we &#8216;work ourselves up&#8217; to a climax by repeated outbreaks of expression. Refuse to express a passion, and it dies. Count ten before venting your anger, and its occasion seems ridiculous. Whistling to keep up courage is no mere figure of speech. On the other hand, sit all day in a moping posture, sigh, and reply to everything{383}&nbsp;with a dismal voice, and your melancholy lingers. There is no more valuable precept in moral education than this, as all who have experience know: if we wish to conquer undesirable emotional tendencies in ourselves, we must assiduously, and in the first instance cold-bloodedly, go through the&nbsp;<em>outward movements</em>&nbsp;of those contrary dispositions which we prefer to cultivate. The reward of persistency will infallibly come, in the fading out of the sullenness or depression, and the advent of real cheerfulness and kindliness in their stead. Smooth the brow, brighten the eye, contract the dorsal rather than the ventral aspect of the frame, and speak in a major key, pass the genial compliment, and your heart must be frigid indeed if it do not gradually thaw!</p>



<p>Against this it is to be said that many actors who perfectly mimic the outward appearances of emotion in face, gait, and voice declare that they feel no emotion at all. Others, however, according to Mr. Wm. Archer, who has made a very instructive statistical inquiry among them, say that the emotion of the part masters them whenever they play it well. The explanation for the discrepancy amongst actors is probably simple. The <em>visceral and organic</em> part of the expression can be suppressed in some men, but not in others, and on this it must be that the chief part of the felt emotion depends. Those actors who feel the emotion are probably unable, those who are inwardly cold are probably able, to affect the dissociation in a complete way.</p>



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<p><strong>The Emotions; Outline of a Theory</strong></p>



<p>Jean-Paul Sartre, Philosophical Library, 1948</p>



<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; At present, we can conceive of what an emotion is. It is a transformation of the world.&nbsp; When the paths traced out become too difficult, or when we see no path, we can no longer live in so urgent and difficult a world.&nbsp; All the ways are barred. However, we must act. So we try to change the world, that is, to live as if the connection between things and their potentialities were not ruled by deterministic processes, but by magic. Let it be clearly understood that this is not a game; we are driven against a wall, and we throw ourselves into this new attitude with all the strength we can muster.&nbsp; Let it also be understood that this attempt is not conscious of being such, for it would then be the object of a reflection. Before anything else, it is the seizure of new connections and new exigences. The seizure of an object being impossible or giving rise to a tension which cannot be sustained, consciousness simply seizes it or tries to seize it otherwise.&nbsp; In itself , there is nothing strange about change in the direction of consciousness. We find a thousand examples of similar transformations in activity and perception.&nbsp; For example, to look for a face concealed in a picture puzzle. (“where is the gun?”) is to lead ourselves perceptibly into the picture in a new way, to behave before the branches, the telegraph poles and the image <em>as</em> in front of a gun, to realize the eye movements which we would make in front of a gun. But we do not grasp these movements as such. An intention which transcends them and whose hyle they constitute directs itself through them upon the trees and the poles which are seized as “possible guns” until suddenly the perception crystallizes and the gun appears.&nbsp; Thus, through a change of intention, as in a change of behavior, we apprehend a new object, or an old object in a new way.&nbsp; There is no need to start by placing ourselves on the reflective plane. The vignette’s inscription serves directly as motivation.&nbsp; We seek the gun without leaving the unreflective plane.&nbsp; That is, a potential gun appears — vaguely localized in the image.&nbsp; The change of intention and behavior which characterizes the emotion must be conceived in the same manner.&nbsp; The impossibility of finding a solution to the problem objectively apprehended as a quality of the world serves as motivation for the new unreflective consciousness which now perceives the world otherwise and with a new aspect, and which requires a new behavior — through which this aspect is perceived — and which serves as hyle for the new intention. But the emotive behavior is not on the same plane as other behaviors; it is not <em>effective</em>. Its end is not really to act upon the object as such through the agency of particular means.&nbsp; It seeks by itself to confer upon the object, and without modifying it in its actual structure, another quality, a lesser existence, or a lesser presence (or a greater existence, etc.). In short, in emotion it is the body which, directed by consciousness, changes its relations with the world in order that the world may change its qualities. If emotion is a joke, it is a joke we believe in. A simple example will make this emotive structure clear: I extend my hand to take a bunch of grapes. I can’t get it; it’s beyond my reach. I shrug my shoulders, I let my hand drop, I mumble, “They’re too green,” and I move on. All these gestures, these words, this behavior are not seized upon for their own sake. We are dealing with a little comedy which I am playing <em>under</em> the bunch of grapes, through which I confer upon the grapes the character of being “too green” which can serve as a substitute for the behavior which I am unable to keep up. At first, they presented themselves as “having to be picked.” But this urgent quality very soon becomes unbearable because the potentiality cannot be realized. This unbearable tension becomes, in turn, a motive for foisting upon the grapes the new quality “too green,” which will resolve the conflict and eliminate the tension. Only I cannot confer this quality on the grapes chemically. I cannot act upon the bunch in the ordinary ways. So I seize upon this sourness of the too green grapes by acting disgusted. I magically confer upon the grapes the quality I desire. Here the comedy is only half sincere. But let the situation be more urgent, let the incantatory behavior be carried out with seriousness; there we have emotion.</p>



<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; For example take passive fear. I see a wild animal coming toward me. My legs give way, my heart beats more feebly, I turn pale, I fall and faint. Nothing seems less adapted than this behavior which hands me over defenseless to the danger. And yet it is a behavior of <em>escape</em>. Here the fainting is a refuge. Let it not be thought that this is a refuge <em>for me</em>, that I am trying to save <em>myself</em> in order not to <em>see</em> the animal <em>any more</em>. I did not leave the unreflective level, but, lacking power to avoid the danger by the normal methods and the deterministic links, I denied it. I wanted to annihilate it. The urgency of the danger served as motive for an annihilating intention which demanded magical behavior. And, by virtue of this fact, I did annihilate it as far as was in my power. These are the limits of my magical action upon the world; I can eliminate it as an object of consciousness, but I can do so only by eliminating consciousness* itself. Let it not be thought that the physiological behavior of passive fear is pure disorder. It represents the abrupt realization of the bodily conditions which ordinarily accompany the transition from being awake to sleeping.</p>



<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The flight into active fear is mistakenly considered as rational behavior. Calculation is seen in such behavior — quick calculation, to be sure— the calculation of someone who wants to put the greatest possible distance between himself and danger. But this is to misunderstand such behavior, which would then be only prudence. We do not flee in order to take shelter; we flee for lack of power to annihilate ourselves in the state of fainting. Flight is a fainting which is enacted; it is a magical behavior which consists of denying the dangerous object with our whole body by subverting the vectorial structure of the space we live in by abruptly creating a potential direction on the <em>other side</em>. It is a way of forgetting it, of denying it. It is the same way that novices in boxing shut their eyes and throw themselves at their opponent. They want to eliminate the existence of his fists; they refuse to perceive them and by so doing symbolically eliminate their efficacy. Thus, the true meaning of fear is apparent; it is a consciousness which, through magical behavior, aims at denying an object of the external world, and which will go so far as to annihilate itself in order to annihilate the object with it.</p>



<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Passive sadness is characterized, as is well known, by a behavior of oppression; there is muscular resolution, pallor, coldness at the extremities; one turns toward a corner and remains seated, motionless, offering the least possible surface to the world. One prefers the shade to broad daylight, silence to noise, the solitude of a room to crowds in public places or the streets. “To be alone with one’s sorrow,” as they say. That is not the truth at all. It is a mark of good character to seem to meditate profoundly on one’s grief. But the cases in which one really&nbsp;</p>



<p>* Or at least by modifying it; fainting is the transition to a dream consciousness, that is, “unrealizing.”</p>



<p>cherishes his sorrow are rather rare. The reason is quite otherwise: one of the ordinary conditions of our action having disappeared, the world requires that we act in it and on it <em>without that condition</em>. Most of the potentialities which throng it (tasks <em>to</em> do, people <em>to</em> see, acts of daily life&nbsp;</p>



<p><em>to</em> carry out) have remained the same. Only the means of realizing them, the ways which cut</p>



<p>through our “hodological space” have changed. For example, if I have learned that I am ruined, I</p>



<p>no longer have the same means at my disposal (private auto, etc.) to carry them out. I have to&nbsp;</p>



<p>substitute new media for them (to take the bus, etc.); that is precisely what I do not want. Sadness aims at eliminating the obligation to seek new ways, to transform the structure of the world by a totally undifferentiated structure. In short, it is a question of making of the world an affectively neutral reality, a system in total affective equilibrium, of discharging the strong affective charge from objects, of reducing them all to affective zero, and, by the same token, of apprehending them as perfectly equivalent and interchangeable.&nbsp; In other words, lacking the power and will to accomplish the acts which we had been planning, we behave in such a way that the universe no longer requires anything of us. To bring that about we can only act upon our self, only &#8221;dim the light,” and the noematical correlative of this attitude is what we call <em>Gloom</em>; the universe is gloomy, that is, undifferentiated in structure. At the same time, however, we naturally take the cowering position, we “withdraw into ourselves.” The noematical correlative of this attitude is <em>Refuge</em>. All the universe is gloomy, but precisely because we want to protect ourselves from its frightening and limitless monotony, we constitute any place whatever as a “corner.” It is the only differentiation in the total monotony of the world: a stretch of wall, a bit of darkness which hides its gloomy immensity from us.</p>



<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Active sadness can take many forms. But the one cited by Janet (the psychasthenic who became hysterical because she did not want to confess) can be characterized as a <em>refusal</em>. The question is, above all, one of a negative behavior which aims at denying the urgency of certain problems and substituting others. The sick person wanted Janet’s feelings to be moved. That means she wanted to replace the attitude of impassive waiting which he adopted by one of affectionate concern. That was what she wanted, and she used her body to bring it about. At the same time, by putting herself into a state which made confession impossible, she cast the act to be performed out of her range. Thus, as long as she was shaken with tears and hiccups, any possibility of talking was removed. Therefore, the potentiality was not eliminated in this case; the confession remained “to be made.” But she had withdrawn from the sick person; she could no longer <em>want</em> io do it, but only <em>wish</em> to do it some day. Thus, the sick person had delivered herself from the painful feeling that the act was <em>in her power</em>, that she was free to do it or not. Here the emotional crisis is the abandoning of responsibility. There is magical exaggeration of the difficulties of the world. Thus, the world preserves its differentiated structure, but it appears as unjust and hostile, because it demands <em>too much</em> of us, that is, more than it is humanly possible to give it. The emotion of active sadness in this case is therefore a magical comedy of impotence; the sick person resembles servants who having brought thieves into their master’s home, have themselves tied up so that it can be clearly seen that they could not have prevented the theft. Only, here, the sick person is tied up by himself and by a thousand tenuous bonds. Perhaps it will be said that this painful feeling of freedom which he wants to get rid of is necessarily of a reflective nature. But we do not believe it, and all one need do is observe himself to be aware of this: it is the object which is given as having to be created <em>freely</em>, the confession which is given as both <em>having</em> to and <em>being able</em> to be made.</p>



<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Of course, there are other functions and other forms of active sadness. We shall not insist upon anger, which we have already spoken of at some length and which, of all the emotions, is perhaps the one whose functional role is most evident. But what is to be said about joy? Does it enter into our description? At first it does not seem to, since the joyous subject does not have to defend himself against a change which belittles him, against a peril. But at the very beginning, we must first distinguish between joy-feeling, which represents a balance, an adapted state, and joy-emotion. But the latter, if we consider it closely, is characterized by a certain impatience. Let it be understood that we mean by that that the joyous subject behaves rather exactly like a man in a state of impatience. He does not stay in one place, makes a thousand plans which he immediately abandons, etc. In effect, it is because his joy has been aroused by the appearance of the object of his desires. He is informed that he has acquired a considerable sum of money or that he is going to see again someone he loves and whom he has not seen for a long time. But although the object is “imminent,” it is not yet there, and it is not yet <em>his</em>. A certain amount of time separates him from the object. And even if it is there, even if the longed-for friend appears on the platform of the station, still it is an object which only yields itself little by little, though the pleasure we have in seeing it is going to lose its edge; we shall never get to the point of holding it there before us as our absolute property, of seizing it at one swoop as a totality (nor will we ever, at one swoop, realize our new wealth as an instantaneous totality. It will yield itself through a thousand details and, so to speak, by “abschattungen”). Joy is a magical behavior which tends by incantation to realize the possession of the desired object as instantaneous totality. This behavior is accompanied by the certainty that the possession will be realized sooner or later, but it seeks to anticipate this possession. The diverse activities of joy, as well as muscular hypertension and slight vaso-dilatation, are animated and transcended by an intention which aims through them at the world. This seems easy; the object of our desires appears near and easy to possess. Each gesture is a further approbation. To dance and sing for joy represent symbolically approximate behavior, incantations. By means of these the object, which one could really possess only by prudent and, in spite of everything, difficult behavior, is possessed in one swoop — symbolically. Thus it is, for example, that a man who has just been told by a woman that she loves him, can start dancing and singing. By doing this he abandons the prudent and difficult behavior which he would have to practice, to deserve this love and make it grow, to realize slowly and through a thousand little details (smiles, little acts of attentiveness, etc.) that he possesses it. He even abandons the woman who, as a living reality, represents precisely the pole of all his delicate behavior. He grants himself a respite; he will practice them later. For the moment, he possesses the object by magic; the dance mimics the possession.</p>



<p><strong>Saint Genet, Actor and Martyr</strong></p>



<p>Jean-Paul Sartre, George Braziller, 1963</p>



<p>A young woman, for example, is having marital difficulties. She is not accepted unreservedly by her in-laws; she feels that her husband is slipping away from her. Tact, patience and a great deal of experience are required in order to keep him, in order to overcome the family&#8217;s bias. Since she lacks these qualities, she feels that she is drowning. She flounders about. The difficulties are too great. She lives in a state of anxiety. And, as is to be expected, she reacts with anger, for anger is merely a blind and magical attempt to simplify situations that are too complex. Her consciousness will teach her all this if she observes herself with sufficient perseverance. She will become aware that she is trying to discard all rules by plunging into violence. She will therefore realize that anger is not a hereditary curse or a destiny but simply an inept reaction to a too complicated problem.</p>
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					<description><![CDATA[<p>The MeditationsBy Marcus AureliusWritten 167 A.C.E.Translated by George Long Book One From my grandfather Verus I learned good morals and the government of my&#160;temper. From the reputation and remembrance of my father, modesty and a&#160;manly character. From my mother, piety and beneficence, and abstinence, not only&#160;from evil deeds, but even from evil thoughts; and further, &#8230; </p>
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<p><strong>The Meditations</strong><br>By Marcus Aurelius<br>Written 167 A.C.E.<br>Translated by George Long</p>



<p></p>



<p><strong>Book One</strong></p>



<p>From my grandfather Verus I learned good morals and the government of my&nbsp;temper.</p>



<p>From the reputation and remembrance of my father, modesty and a&nbsp;<a></a>manly character.<a></a></p>



<p>From my mother, piety and beneficence, and abstinence, not only&nbsp;<a></a>from evil deeds, but even from evil thoughts; and further, simplicity in&nbsp;<a></a>my way of living, far removed from the habits of the&nbsp;<a></a>rich.<a></a></p>



<p>From my great-grandfather, not to have frequented public schools,&nbsp;and to have had good teachers at home, and to know that on such things&nbsp;a man should spend liberally.</p>



<p>From my governor, to be neither of the green nor of the blue party&nbsp;at the games in the Circus, nor a partizan either of the Parmularius or&nbsp;the Scutarius at the gladiators&#8217; fights; from him too I learned endurance&nbsp;of labour, and to want little, and to work with my own hands, and not to&nbsp;meddle with other people&#8217;s affairs, and not to be ready to listen to&nbsp;slander&#8230;</p>



<p>From Rusticus I received the impression that my character required&nbsp;<a></a>improvement and discipline; and from him I learned not to be led astray&nbsp;<a></a>to sophistic emulation, nor to writing on speculative matters, nor to delivering&nbsp;<a></a>little hortatory orations, nor to showing myself off as a man who practises&nbsp;<a></a>much discipline, or does benevolent acts in order to make a display; and&nbsp;<a></a>to abstain from rhetoric, and poetry, and fine writing; and not to walk&nbsp;<a></a>about in the house in my outdoor dress, nor to do other things of the kind;&nbsp;<a></a>and to write my letters with simplicity, like the letter which Rusticus&nbsp;<a></a>wrote from Sinuessa to my mother; and with respect to those who have offended&nbsp;<a></a>me by words, or done me wrong, to be easily disposed to be pacified and&nbsp;<a></a>reconciled, as soon as they have shown a readiness to be reconciled; and&nbsp;<a></a>to read carefully, and not to be satisfied with a superficial understanding&nbsp;<a></a>of a book; nor hastily to give my assent to those who talk overmuch; and&nbsp;<a></a>I am indebted to him for being acquainted with the discourses of Epictetus,&nbsp;<a></a>which he communicated to me out of his own collection.<a></a></p>



<p>From Apollonius I learned freedom of will and undeviating steadiness&nbsp;<a></a>of purpose; and to look to nothing else, not even for a moment, except&nbsp;<a></a>to reason; and to be always the same, in sharp pains, on the occasion of&nbsp;<a></a>the loss of a child, and in long illness; and to see clearly in a living&nbsp;<a></a>example that the same man can be both most resolute and yielding, and not&nbsp;<a></a>peevish in giving his instruction; and to have had before my eyes a man&nbsp;<a></a>who clearly considered his experience and his skill in expounding philosophical&nbsp;<a></a>principles as the smallest of his merits; and from him I learned how to&nbsp;<a></a>receive from friends what are esteemed favours, without being either humbled&nbsp;<a></a>by them or letting them pass unnoticed.<a></a></p>



<p>From Sextus, a benevolent disposition, and the example of a family&nbsp;<a></a>governed in a fatherly manner, and the idea of living conformably to nature;&nbsp;<a></a>and gravity without affectation, and to look carefully after the interests&nbsp;<a></a>of friends, and to tolerate ignorant persons, and those who form opinions&nbsp;<a></a>without consideration: he had the power of readily accommodating himself&nbsp;<a></a>to all, so that intercourse with him was more agreeable than any flattery;&nbsp;<a></a>and at the same time he was most highly venerated by those who associated&nbsp;<a></a>with him: and he had the faculty both of discovering and ordering, in an&nbsp;<a></a>intelligent and methodical way, the principles necessary for life; and&nbsp;<a></a>he never showed anger or any other passion, but was entirely free from&nbsp;<a></a>passion, and also most affectionate; and he could express approbation without&nbsp;<a></a>noisy display, and he possessed much knowledge without&nbsp;<a></a>ostentation.<a></a></p>



<p>From Alexander the grammarian, to refrain from fault-finding, and&nbsp;<a></a>not in a reproachful way to chide those who uttered any barbarous or solecistic&nbsp;<a></a>or strange-sounding expression; but dexterously to introduce the very expression&nbsp;<a></a>which ought to have been used, and in the way of answer or giving confirmation,&nbsp;<a></a>or joining in an inquiry about the thing itself, not about the word, or&nbsp;<a></a>by some other fit suggestion.<a></a></p>



<p>From Fronto I learned to observe what envy, and duplicity, and&nbsp;<a></a>hypocrisy are in a tyrant, and that generally those among us who are called&nbsp;<a></a>Patricians are rather deficient in paternal affection.<a></a></p>



<p>From Alexander the Platonic, not frequently nor without necessity&nbsp;<a></a>to say to any one, or to write in a letter, that I have no leisure; nor&nbsp;<a></a>continually to excuse the neglect of duties required by our relation to&nbsp;<a></a>those with whom we live, by alleging urgent occupations.<a></a></p>



<p>From Catulus, not to be indifferent when a friend finds fault,&nbsp;<a></a>even if he should find fault without reason, but to try to restore him&nbsp;<a></a>to his usual disposition; and to be ready to speak well of teachers, as&nbsp;<a></a>it is reported of Domitius and Athenodotus; and to love my children&nbsp;<a></a>truly.<a></a></p>



<p>From my brother Severus, to love my kin, and to love truth, and&nbsp;<a></a>to love justice; and through him I learned to know Thrasea, Helvidius,&nbsp;<a></a>Cato, Dion, Brutus; and from him I received the idea of a polity in which&nbsp;<a></a>there is the same law for all, a polity administered with regard to equal&nbsp;<a></a>rights and equal freedom of speech, and the idea of a kingly government&nbsp;<a></a>which respects most of all the freedom of the governed; I learned from&nbsp;<a></a>him also consistency and undeviating steadiness in my regard for philosophy;&nbsp;<a></a>and a disposition to do good, and to give to others readily, and to cherish&nbsp;<a></a>good hopes, and to believe that I am loved by my friends; and in him I&nbsp;<a></a>observed no concealment of his opinions with respect to those whom he condemned,&nbsp;<a></a>and that his friends had no need to conjecture what he wished or did not&nbsp;<a></a>wish, but it was quite plain.<a></a></p>



<p>From Maximus I learned self-government, and not to be led aside&nbsp;<a></a>by anything; and cheerfulness in all circumstances, as well as in illness;&nbsp;<a></a>and a just admixture in the moral character of sweetness and dignity, and&nbsp;<a></a>to do what was set before me without complaining. I observed that everybody&nbsp;<a></a>believed that he thought as he spoke, and that in all that he did he never&nbsp;<a></a>had any bad intention; and he never showed amazement and surprise, and&nbsp;<a></a>was never in a hurry, and never put off doing a thing, nor was perplexed&nbsp;<a></a>nor dejected, nor did he ever laugh to disguise his vexation, nor, on the&nbsp;<a></a>other hand, was he ever passionate or suspicious. He was accustomed to&nbsp;<a></a>do acts of beneficence, and was ready to forgive, and was free from all&nbsp;<a></a>falsehood; and he presented the appearance of a man who could not be diverted&nbsp;<a></a>from right rather than of a man who had been improved. I observed, too,&nbsp;<a></a>that no man could ever think that he was despised by Maximus, or ever venture&nbsp;<a></a>to think himself a better man. He had also the art of being humorous in&nbsp;<a></a>an agreeable way.<a></a></p>



<p>In my father I observed mildness of temper, and unchangeable resolution&nbsp;<a></a>in the things which he had determined after due deliberation; and no vainglory&nbsp;<a></a>in those things which men call honours; and a love of labour and perseverance;&nbsp;<a></a>and a readiness to listen to those who had anything to propose for the&nbsp;<a></a>common weal; and undeviating firmness in giving to every man according&nbsp;<a></a>to his deserts; and a knowledge derived from experience of the occasions&nbsp;<a></a>for vigorous action and for remission. And I observed that he had overcome&nbsp;<a></a>all passion for boys; and he considered himself no more than any other&nbsp;<a></a>citizen; and he released his friends from all obligation to sup with him&nbsp;<a></a>or to attend him of necessity when he went abroad, and those who had failed&nbsp;<a></a>to accompany him, by reason of any urgent circumstances, always found him&nbsp;<a></a>the same. I observed too his habit of careful inquiry in all matters of&nbsp;<a></a>deliberation, and his persistency, and that he never stopped his investigation&nbsp;<a></a>through being satisfied with appearances which first present themselves;&nbsp;<a></a>and that his disposition was to keep his friends, and not to be soon tired&nbsp;<a></a>of them, nor yet to be extravagant in his affection; and to be satisfied&nbsp;<a></a>on all occasions, and cheerful; and to foresee things a long way off, and&nbsp;<a></a>to provide for the smallest without display; and to check immediately popular&nbsp;<a></a>applause and all flattery; and to be ever watchful over the things which&nbsp;<a></a>were necessary for the administration of the empire, and to be a good manager&nbsp;<a></a>of the expenditure, and patiently to endure the blame which he got for&nbsp;<a></a>such conduct; and he was neither superstitious with respect to the gods,&nbsp;<a></a>nor did he court men by gifts or by trying to please them, or by flattering&nbsp;<a></a>the populace; but he showed sobriety in all things and firmness, and never&nbsp;<a></a>any mean thoughts or action, nor love of novelty. And the things which&nbsp;<a></a>conduce in any way to the commodity of life, and of which fortune gives&nbsp;<a></a>an abundant supply, he used without arrogance and without excusing himself;&nbsp;<a></a>so that when he had them, he enjoyed them without affectation, and when&nbsp;<a></a>he had them not, he did not want them. No one could ever say of him that&nbsp;<a></a>he was either a sophist or a home-bred flippant slave or a pedant; but&nbsp;<a></a>every one acknowledged him to be a man ripe, perfect, above flattery, able&nbsp;<a></a>to manage his own and other men&#8217;s affairs. Besides this, he honoured those&nbsp;<a></a>who were true philosophers, and he did not reproach those who pretended&nbsp;<a></a>to be philosophers, nor yet was he easily led by them. He was also easy&nbsp;<a></a>in conversation, and he made himself agreeable without any offensive affectation.&nbsp;<a></a>He took a reasonable care of his body&#8217;s health, not as one who was greatly&nbsp;<a></a>attached to life, nor out of regard to personal appearance, nor yet in&nbsp;<a></a>a careless way, but so that, through his own attention, he very seldom&nbsp;<a></a>stood in need of the physician&#8217;s art or of medicine or external applications.&nbsp;<a></a>He was most ready to give way without envy to those who possessed any particular&nbsp;<a></a>faculty, such as that of eloquence or knowledge of the law or of morals,&nbsp;<a></a>or of anything else; and he gave them his help, that each might enjoy reputation&nbsp;<a></a>according to his deserts; and he always acted conformably to the institutions&nbsp;<a></a>of his country, without showing any affectation of doing so. Further, he&nbsp;<a></a>was not fond of change nor unsteady, but he loved to stay in the same places,&nbsp;<a></a>and to employ himself about the same things; and after his paroxysms of&nbsp;<a></a>headache he came immediately fresh and vigorous to his usual occupations.&nbsp;<a></a>His secrets were not but very few and very rare, and these only about public&nbsp;<a></a>matters; and he showed prudence and economy in the exhibition of the public&nbsp;<a></a>spectacles and the construction of public buildings, his donations to the&nbsp;<a></a>people, and in such things, for he was a man who looked to what ought to&nbsp;<a></a>be done, not to the reputation which is got by a man&#8217;s acts. He did not&nbsp;<a></a>take the bath at unseasonable hours; he was not fond of building houses,&nbsp;<a></a>nor curious about what he ate, nor about the texture and colour of his&nbsp;<a></a>clothes, nor about the beauty of his slaves. His dress came from Lorium,&nbsp;<a></a>his villa on the coast, and from Lanuvium generally. We know how he behaved&nbsp;<a></a>to the toll-collector at Tusculum who asked his pardon; and such was all&nbsp;<a></a>his behaviour. There was in him nothing harsh, nor implacable, nor violent,&nbsp;<a></a>nor, as one may say, anything carried to the sweating point; but he examined&nbsp;<a></a>all things severally, as if he had abundance of time, and without confusion,&nbsp;<a></a>in an orderly way, vigorously and consistently. And that might be applied&nbsp;<a></a>to him which is recorded of Socrates, that he was able both to abstain&nbsp;<a></a>from, and to enjoy, those things which many are too weak to abstain from,&nbsp;<a></a>and cannot enjoy without excess. But to be strong enough both to bear the&nbsp;<a></a>one and to be sober in the other is the mark of a man who has a perfect&nbsp;<a></a>and invincible soul, such as he showed in the illness of&nbsp;<a></a>Maximus.<a></a></p>



<p>To the gods I am indebted for having good grandfathers, good parents,&nbsp;a good sister, good teachers, good associates, good kinsmen and friends,&nbsp;nearly everything good. Further, I owe it to the gods that I was not hurried&nbsp;into any offence against any of them, though I had a disposition which,&nbsp;if opportunity had offered, might have led me to do something of this kind;&nbsp;but, through their favour, there never was such a concurrence of circumstances&nbsp;as put me to the trial. Further, I am thankful to the gods that I was not&nbsp;longer brought up with my grandfather&#8217;s concubine, and that I preserved&nbsp;the flower of my youth, and that I did not make proof of my virility before&nbsp;the proper season, but even deferred the time; that I was subjected to&nbsp;a ruler and a father who was able to take away all pride from me, and to&nbsp;bring me to the knowledge that it is possible for a man to live in a palace&nbsp;without wanting either guards or embroidered dresses, or torches and statues,&nbsp;and such-like show; but that it is in such a man&#8217;s power to bring himself&nbsp;very near to the fashion of a private person, without being for this reason&nbsp;either meaner in thought, or more remiss in action, with respect to the&nbsp;things which must be done for the public interest in a manner that befits&nbsp;a ruler. I thank the gods for giving me such a brother, who was able by&nbsp;his moral character to rouse me to vigilance over myself, and who, at the&nbsp;same time, pleased me by his respect and affection; that my children have&nbsp;not been stupid nor deformed in body; that I did not make more proficiency&nbsp;in rhetoric, poetry, and the other studies, in which I should perhaps have&nbsp;been completely engaged, if I had seen that I was making progress in them;&nbsp;that I made haste to place those who brought me up in the station of honour,&nbsp;which they seemed to desire, without putting them off with hope of my doing&nbsp;it some time after, because they were then still young; that I knew Apollonius,&nbsp;Rusticus, Maximus; that I received clear and frequent impressions about&nbsp;living according to nature, and what kind of a life that is, so that, so&nbsp;far as depended on the gods, and their gifts, and help, and inspirations,&nbsp;nothing hindered me from forthwith living according to nature, though I&nbsp;still fall short of it through my own fault, and through not observing&nbsp;the admonitions of the gods, and, I may almost say, their direct instructions;&nbsp;that my body has held out so long in such a kind of life; that I never&nbsp;touched either Benedicta or Theodotus, and that, after having fallen into&nbsp;amatory passions, I was cured; and, though I was often out of humour with&nbsp;Rusticus, I never did anything of which I had occasion to repent; that,&nbsp;though it was my mother&#8217;s fate to die young, she spent the last years of&nbsp;her life with me; that, whenever I wished to help any man in his need,&nbsp;or on any other occasion, I was never told that I had not the means of&nbsp;doing it; and that to myself the same necessity never happened, to receive&nbsp;anything from another; that I have such a wife, so obedient, and so affectionate,&nbsp;and so simple; that I had abundance of good masters for my children; and&nbsp;that remedies have been shown to me by dreams, both others, and against&nbsp;bloodspitting and giddiness&#8230;; and that, when I had an inclination to&nbsp;philosophy, I did not fall into the hands of any sophist, and that I did&nbsp;not waste my time on writers of histories, or in the resolution of syllogisms,&nbsp;or occupy myself about the investigation of appearances in the heavens;&nbsp;for all these things require the help of the gods and&nbsp;fortune.</p>



<p><strong>Book Two</strong></p>



<p>Begin the morning by saying to thyself, I shall meet with the busy-body,&nbsp;<a></a>the ungrateful, arrogant, deceitful, envious, unsocial. All these things&nbsp;<a></a>happen to them by reason of their ignorance of what is good and evil. But&nbsp;<a></a>I who have seen the nature of the good that it is beautiful, and of the&nbsp;<a></a>bad that it is ugly, and the nature of him who does wrong, that it is akin&nbsp;<a></a>to me, not only of the same blood or seed, but that it participates in&nbsp;<a></a>the same intelligence and the same portion of the divinity, I can neither&nbsp;<a></a>be injured by any of them, for no one can fix on me what is ugly, nor can&nbsp;<a></a>I be angry with my kinsman, nor hate him, For we are made for co-operation,&nbsp;<a></a>like feet, like hands, like eyelids, like the rows of the upper and lower&nbsp;<a></a>teeth. To act against one another then is contrary to nature; and it is&nbsp;<a></a>acting against one another to be vexed and to turn away.<a></a></p>



<p>Whatever this is that I am, it is a little flesh and breath, and&nbsp;<a></a>the ruling part. Throw away thy books; no longer distract thyself: it is&nbsp;<a></a>not allowed; but as if thou wast now dying, despise the flesh; it is blood&nbsp;<a></a>and bones and a network, a contexture of nerves, veins, and arteries. See&nbsp;<a></a>the breath also, what kind of a thing it is, air, and not always the same,&nbsp;<a></a>but every moment sent out and again sucked in. The third then is the ruling&nbsp;<a></a>part: consider thus: Thou art an old man; no longer let this be a slave,&nbsp;<a></a>no longer be pulled by the strings like a puppet to unsocial movements,&nbsp;<a></a>no longer either be dissatisfied with thy present lot, or shrink from the&nbsp;<a></a>future.<a></a></p>



<p>All that is from the gods is full of Providence. That which is&nbsp;<a></a>from fortune is not separated from nature or without an interweaving and&nbsp;<a></a>involution with the things which are ordered by Providence. From thence&nbsp;<a></a>all things flow; and there is besides necessity, and that which is for&nbsp;<a></a>the advantage of the whole universe, of which thou art a part. But that&nbsp;<a></a>is good for every part of nature which the nature of the whole brings,&nbsp;<a></a>and what serves to maintain this nature. Now the universe is preserved,&nbsp;<a></a>as by the changes of the elements so by the changes of things compounded&nbsp;<a></a>of the elements. Let these principles be enough for thee, let them always&nbsp;<a></a>be fixed opinions. But cast away the thirst after books, that thou mayest&nbsp;<a></a>not die murmuring, but cheerfully, truly, and from thy heart thankful to&nbsp;<a></a>the gods.<a></a></p>



<p>Remember how long thou hast been putting off these things, and&nbsp;<a></a>how often thou hast received an opportunity from the gods, and yet dost&nbsp;<a></a>not use it. Thou must now at last perceive of what universe thou art a&nbsp;<a></a>part, and of what administrator of the universe thy existence is an efflux,&nbsp;<a></a>and that a limit of time is fixed for thee, which if thou dost not use&nbsp;<a></a>for clearing away the clouds from thy mind, it will go and thou wilt go,&nbsp;<a></a>and it will never return.<a></a></p>



<p>Every moment think steadily as a Roman and a man to do what thou&nbsp;<a></a>hast in hand with perfect and simple dignity, and feeling of affection,&nbsp;<a></a>and freedom, and justice; and to give thyself relief from all other thoughts.&nbsp;<a></a>And thou wilt give thyself relief, if thou doest every act of thy life&nbsp;<a></a>as if it were the last, laying aside all carelessness and passionate aversion&nbsp;<a></a>from the commands of reason, and all hypocrisy, and self-love, and discontent&nbsp;<a></a>with the portion which has been given to thee. Thou seest how few the things&nbsp;<a></a>are, the which if a man lays hold of, he is able to live a life which flows&nbsp;<a></a>in quiet, and is like the existence of the gods; for the gods on their&nbsp;<a></a>part will require nothing more from him who observes these&nbsp;<a></a>things.<a></a></p>



<p>Do wrong to thyself, do wrong to thyself, my soul; but thou wilt&nbsp;no longer have the opportunity of honouring thyself. Every man&#8217;s life is&nbsp;sufficient. But thine is nearly finished, though thy soul reverences not&nbsp;itself but places thy felicity in the souls of others&#8230;</p>



<p>How quickly all things disappear, in the universe the bodies themselves,&nbsp;but in time the remembrance of them; what is the nature of all sensible&nbsp;things, and particularly those which attract with the bait of pleasure&nbsp;or terrify by pain, or are noised abroad by vapoury fame; how worthless,&nbsp;and contemptible, and sordid, and perishable, and dead they are- all this&nbsp;it is the part of the intellectual faculty to observe. To observe too who&nbsp;these are whose opinions and voices give reputation; what death is, and&nbsp;the fact that, if a man looks at it in itself, and by the abstractive power&nbsp;of reflection resolves into their parts all the things which present themselves&nbsp;to the imagination in it, he will then consider it to be nothing else than&nbsp;an operation of nature; and if any one is afraid of an operation of nature,&nbsp;he is a child. This, however, is not only an operation of nature, but it&nbsp;is also a thing which conduces to the purposes of nature. To observe too&nbsp;how man comes near to the deity, and by what part of him, and when this&nbsp;part of man is so disposed&#8230;</p>



<p>Remember that all is opinion. For what was said by the Cynic Monimus&nbsp;<a></a>is manifest: and manifest too is the use of what was said, if a man receives&nbsp;<a></a>what may be got out of it as far as it is true.<a></a></p>



<p>The soul of man does violence to itself, first of all, when it&nbsp;<a></a>becomes an abscess and, as it were, a tumour on the universe, so far as&nbsp;<a></a>it can. For to be vexed at anything which happens is a separation of ourselves&nbsp;<a></a>from nature, in some part of which the natures of all other things are&nbsp;<a></a>contained. In the next place, the soul does violence to itself when it&nbsp;<a></a>turns away from any man, or even moves towards him with the intention of&nbsp;<a></a>injuring, such as are the souls of those who are angry. In the third place,&nbsp;<a></a>the soul does violence to itself when it is overpowered by pleasure or&nbsp;<a></a>by pain. Fourthly, when it plays a part, and does or says anything insincerely&nbsp;<a></a>and untruly. Fifthly, when it allows any act of its own and any movement&nbsp;<a></a>to be without an aim, and does anything thoughtlessly and without considering&nbsp;<a></a>what it is, it being right that even the smallest things be done with reference&nbsp;<a></a>to an end; and the end of rational animals is to follow the reason and&nbsp;<a></a>the law of the most ancient city and polity.<a></a></p>



<p>Of human life the time is a point, and the substance is in a flux,&nbsp;<a></a>and the perception dull, and the composition of the whole body subject&nbsp;<a></a>to putrefaction, and the soul a whirl, and fortune hard to divine, and&nbsp;<a></a>fame a thing devoid of judgement. And, to say all in a word, everything&nbsp;<a></a>which belongs to the body is a stream, and what belongs to the soul is&nbsp;<a></a>a dream and vapour, and life is a warfare and a stranger&#8217;s sojourn, and&nbsp;<a></a>after-fame is oblivion. What then is that which is able to conduct a man?&nbsp;<a></a>One thing and only one, philosophy. But this consists in keeping the daemon&nbsp;<a></a>within a man free from violence and unharmed, superior to pains and pleasures,&nbsp;<a></a>doing nothing without purpose, nor yet falsely and with hypocrisy, not&nbsp;<a></a>feeling the need of another man&#8217;s doing or not doing anything; and besides,&nbsp;<a></a>accepting all that happens, and all that is allotted, as coming from thence,&nbsp;<a></a>wherever it is, from whence he himself came; and, finally, waiting for&nbsp;<a></a>death with a cheerful mind, as being nothing else than a dissolution of&nbsp;<a></a>the elements of which every living being is compounded. But if there is&nbsp;<a></a>no harm to the elements themselves in each continually changing into another,&nbsp;<a></a>why should a man have any apprehension about the change and dissolution&nbsp;<a></a>of all the elements? For it is according to nature, and nothing is evil&nbsp;<a></a>which is according to nature.<a></a></p>



<p>This in Carnuntum.<a></a></p>



<hr class="wp-block-separator"/>



<p><strong>Book Three</strong></p>



<p>Do not waste the remainder of thy life in thoughts about others, when thou dost not refer thy thoughts to some object of common utility. For thou losest the opportunity of doing something else when thou hast such thoughts as these, What is such a person doing, and why, and what is he saying, and what is he thinking of, and what is he contriving, and whatever else of the kind makes us wander away from the observation of our own ruling power. We ought then to check in the series of our thoughts everything that is without a purpose and useless, but most of all the over-curious feeling and the malignant; and a man should use himself to think of those things only about which if one should suddenly ask, What hast thou now in thy thoughts? With perfect openness thou mightest, immediately answer, This or That; so that from thy words it should be plain that everything in thee is simple and benevolent, and such as befits a social animal, and one that cares not for thoughts about pleasure or sensual enjoyments at all, nor has any rivalry or envy and suspicion, or anything else for which thou wouldst blush if thou shouldst say that thou hadst it in thy mind. For the man who is such and no longer delays being among the number of the best, is like a priest and minister of the gods, using too the deity which is planted within him, which makes the man uncontaminated by pleasure, unharmed by any pain, untouched by any insult, feeling no wrong, a fighter in the noblest fight, one who cannot be overpowered by any passion, dyed deep with justice, accepting with all his soul everything which happens and is assigned to him as his portion; and not often, nor yet without great necessity and for the general interest, imagining what another says, or does, or thinks. For it is only what belongs to himself that he makes the matter for his activity; and he constantly thinks of that which is allotted to himself out of the sum total of things, and he makes his own acts fair, and he is persuaded that his own portion is good. For the lot which is assigned to each man is carried along with him and carries him along with it. And he remembers also that every rational animal is his kinsman, and that to care for all men is according to man&#8217;s nature; and a man should hold on to the opinion not of all, but of those only who confessedly live according to nature. But as to those who live not so, he always bears in mind what kind of men they are both at home and from home, both by night and by day, and what they are, and with what men they live an impure life. Accordingly, he does not value at all the praise which comes from such men, since they are not even satisfied with themselves.</p>



<p>Labour not unwillingly, nor without regard to the common interest,&nbsp;<a></a>nor without due consideration, nor with distraction; nor let studied ornament&nbsp;<a></a>set off thy thoughts, and be not either a man of many words, or busy about&nbsp;<a></a>too many things. And further, let the deity which is in thee be the guardian&nbsp;<a></a>of a living being, manly and of ripe age, and engaged in matter political,&nbsp;<a></a>and a Roman, and a ruler, who has taken his post like a man waiting for&nbsp;<a></a>the signal which summons him from life, and ready to go, having need neither&nbsp;<a></a>of oath nor of any man&#8217;s testimony. Be cheerful also, and seek not external&nbsp;<a></a>help nor the tranquility which others give. A man then must stand erect,&nbsp;<a></a>not be kept erect by others.<a></a></p>



<p>If thou findest in human life anything better than justice, truth,&nbsp;<a></a>temperance, fortitude, and, in a word, anything better than thy own mind&#8217;s&nbsp;<a></a>self-satisfaction in the things which it enables thee to do according to&nbsp;<a></a>right reason, and in the condition that is assigned to thee without thy&nbsp;<a></a>own choice; if, I say, thou seest anything better than this, turn to it&nbsp;<a></a>with all thy soul, and enjoy that which thou hast found to be the best.&nbsp;<a></a>But if nothing appears to be better than the deity which is planted in&nbsp;<a></a>thee, which has subjected to itself all thy appetites, and carefully examines&nbsp;<a></a>all the impressions, and, as Socrates said, has detached itself from the&nbsp;<a></a>persuasions of sense, and has submitted itself to the gods, and cares for&nbsp;<a></a>mankind; if thou findest everything else smaller and of less value than&nbsp;<a></a>this, give place to nothing else, for if thou dost once diverge and incline&nbsp;<a></a>to it, thou wilt no longer without distraction be able to give the preference&nbsp;<a></a>to that good thing which is thy proper possession and thy own; for it is&nbsp;<a></a>not right that anything of any other kind, such as praise from the many,&nbsp;<a></a>or power, or enjoyment of pleasure, should come into competition with that&nbsp;<a></a>which is rationally and politically or practically good. All these things,&nbsp;<a></a>even though they may seem to adapt themselves to the better things in a&nbsp;<a></a>small degree, obtain the superiority all at once, and carry us away. But&nbsp;<a></a>do thou, I say, simply and freely choose the better, and hold to it.- But&nbsp;<a></a>that which is useful is the better.- Well then, if it is useful to thee&nbsp;<a></a>as a rational being, keep to it; but if it is only useful to thee as an&nbsp;<a></a>animal, say so, and maintain thy judgement without arrogance: only take&nbsp;<a></a>care that thou makest the inquiry by a sure method.<a></a></p>



<p>Never value anything as profitable to thyself which shall compel&nbsp;thee to break thy promise, to lose thy self-respect, to hate any man, to&nbsp;suspect, to curse, to act the hypocrite, to desire anything which needs&nbsp;walls and curtains: for he who has preferred to everything intelligence&nbsp;and daemon and the worship of its excellence, acts no tragic part, does&nbsp;not groan, will not need either solitude or much company; and, what is&nbsp;chief of all, he will live without either pursuing or flying from death;&nbsp;but whether for a longer or a shorter time he shall have the soul inclosed&nbsp;in the body, he cares not at all: for even if he must depart immediately,&nbsp;he will go as readily as if he were going to do anything else which can&nbsp;be done with decency and order; taking care of this only all through life,&nbsp;that his thoughts turn not away from anything which belongs to an intelligent&nbsp;animal and a member of a civil community&#8230;</p>



<p>Throwing away then all things, hold to these only which are few;&nbsp;and besides bear in mind that every man lives only this present time, which&nbsp;is an indivisible point, and that all the rest of his life is either past&nbsp;or it is uncertain. Short then is the time which every man lives, and small&nbsp;the nook of the earth where he lives; and short too the longest posthumous&nbsp;fame, and even this only continued by a succession of poor human beings,&nbsp;who will very soon die, and who know not even themselves, much less him&nbsp;who died long ago&#8230;</p>



<p>As physicians have always their instruments and knives ready for&nbsp;cases which suddenly require their skill, so do thou have principles ready&nbsp;for the understanding of things divine and human, and for doing everything,&nbsp;even the smallest, with a recollection of the bond which unites the divine&nbsp;and human to one another. For neither wilt thou do anything well which&nbsp;pertains to man without at the same time having a reference to things divine;&nbsp;nor the contrary.</p>



<p>No longer wander at hazard; for neither wilt thou read thy own&nbsp;<a></a>memoirs, nor the acts of the ancient Romans and Hellenes, and the selections&nbsp;<a></a>from books which thou wast reserving for thy old age. Hasten then to the&nbsp;<a></a>end which thou hast before thee, and throwing away idle hopes, come to&nbsp;<a></a>thy own aid, if thou carest at all for thyself, while it is in thy&nbsp;<a></a>power.<a></a></p>



<p>They know not how many things are signified by the words stealing,&nbsp;<a></a>sowing, buying, keeping quiet, seeing what ought to be done; for this is&nbsp;<a></a>not effected by the eyes, but by another kind of vision.<a></a></p>



<p>Body, soul, intelligence: to the body belong sensations, to the&nbsp;soul appetites, to the intelligence principles. To receive the impressions&nbsp;of forms by means of appearances belongs even to animals; to be pulled&nbsp;by the strings of desire belongs both to wild beasts and to men who have&nbsp;made themselves into women, and to a Phalaris and a Nero: and to have the&nbsp;intelligence that guides to the things which appear suitable belongs also&nbsp;to those who do not believe in the gods, and who betray their country,&nbsp;and do their impure deeds when they have shut the doors. If then everything&nbsp;else is common to all that I have mentioned, there remains that which is&nbsp;peculiar to the good man, to be pleased and content with what happens,&nbsp;and with the thread which is spun for him; and not to defile the divinity&nbsp;which is planted in his breast, nor disturb it by a crowd of images, but&nbsp;to preserve it tranquil, following it obediently as a god, neither saying&nbsp;anything contrary to the truth, nor doing anything contrary to justice.&nbsp;And if all men refuse to believe that he lives a simple, modest, and contented&nbsp;life, he is neither angry with any of them, nor does he deviate from the&nbsp;way which leads to the end of life, to which a man ought to come pure,&nbsp;tranquil, ready to depart, and without any compulsion perfectly reconciled&nbsp;to his lot.</p>



<p><strong>Book Four</strong></p>



<p>That which rules within, when it is according to nature, is so affected&nbsp;<a></a>with respect to the events which happen, that it always easily adapts itself&nbsp;<a></a>to that which is and is presented to it. For it requires no definite material,&nbsp;<a></a>but it moves towards its purpose, under certain conditions however; and&nbsp;<a></a>it makes a material for itself out of that which opposes it, as fire lays&nbsp;<a></a>hold of what falls into it, by which a small light would have been extinguished:&nbsp;<a></a>but when the fire is strong, it soon appropriates to itself the matter&nbsp;<a></a>which is heaped on it, and consumes it, and rises higher by means of this&nbsp;<a></a>very material.<a></a></p>



<p>Let no act be done without a purpose, nor otherwise than according&nbsp;<a></a>to the perfect principles of art.<a></a></p>



<p>Men seek retreats for themselves, houses in the country, sea-shores,&nbsp;and mountains; and thou too art wont to desire such things very much. But&nbsp;this is altogether a mark of the most common sort of men, for it is in&nbsp;thy power whenever thou shalt choose to retire into thyself. For nowhere&nbsp;either with more quiet or more freedom from trouble does a man retire than&nbsp;into his own soul, particularly when he has within him such thoughts that&nbsp;by looking into them he is immediately in perfect tranquility; and I affirm&nbsp;that tranquility is nothing else than the good ordering of the mind. Constantly&nbsp;then give to thyself this retreat, and renew thyself; and let thy principles&nbsp;be brief and fundamental, which, as soon as thou shalt recur to them, will&nbsp;be sufficient to cleanse the soul completely, and to send thee back free&nbsp;from all discontent with the things to which thou returnest. For with what&nbsp;art thou discontented? With the badness of men? Recall to thy mind this&nbsp;conclusion, that rational animals exist for one another, and that to endure&nbsp;is a part of justice, and that men do wrong involuntarily; and consider&nbsp;how many already, after mutual enmity, suspicion, hatred, and fighting,&nbsp;have been stretched dead, reduced to ashes; and be quiet at last.- But&nbsp;perhaps thou art dissatisfied with that which is assigned to thee out of&nbsp;the universe.- Recall to thy recollection this alternative; either there&nbsp;is providence or atoms, fortuitous concurrence of things; or remember the&nbsp;arguments by which it has been proved that the world is a kind of political&nbsp;community, and be quiet at last. But perhaps corporeal things will still&nbsp;fasten upon thee. Consider then further that the mind mingles not with&nbsp;the breath, whether moving gently or violently, when it has once drawn&nbsp;itself apart and discovered its own power, and think also of all that thou&nbsp;hast heard and assented to about pain and pleasure, and be quiet at last. But perhaps the desire of the thing called fame will torment thee. See&nbsp;how soon everything is forgotten, and look at the chaos of infinite time&nbsp;on each side of the present, and the emptiness of applause, and the changeableness&nbsp;and want of judgement in those who pretend to give praise, and the narrowness&nbsp;of the space within which it is circumscribed, and be quiet at last. For&nbsp;the whole earth is a point, and how small a nook in it is this thy dwelling,&nbsp;and how few are there in it, and what kind of people are they who will&nbsp;praise thee.</p>



<p>This then remains: Remember to retire into this little territory&nbsp;<a></a>of thy own, and above all do not distract or strain thyself, but be free,&nbsp;<a></a>and look at things as a man, as a human being, as a citizen, as a mortal.&nbsp;<a></a>But among the things readiest to thy hand to which thou shalt turn, let&nbsp;<a></a>there be these, which are two. One is that things do not touch the soul,&nbsp;<a></a>for they are external and remain immovable; but our perturbations come&nbsp;<a></a>only from the opinion which is within. The other is that all these things,&nbsp;<a></a>which thou seest, change immediately and will no longer be; and constantly&nbsp;<a></a>bear in mind how many of these changes thou hast already witnessed. The&nbsp;<a></a>universe is transformation: life is opinion.<a></a></p>



<p>If our intellectual part is common, the reason also, in respect&nbsp;<a></a>of which we are rational beings, is common: if this is so, common also&nbsp;<a></a>is the reason which commands us what to do, and what not to do; if this&nbsp;<a></a>is so, there is a common law also; if this is so, we are fellow-citizens;&nbsp;<a></a>if this is so, we are members of some political community; if this is so,&nbsp;<a></a>the world is in a manner a state. For of what other common political community&nbsp;<a></a>will any one say that the whole human race are members? And from thence,&nbsp;<a></a>from this common political community comes also our very intellectual faculty&nbsp;<a></a>and reasoning faculty and our capacity for law; or whence do they come?&nbsp;<a></a>For as my earthly part is a portion given to me from certain earth, and&nbsp;<a></a>that which is watery from another element, and that which is hot and fiery&nbsp;<a></a>from some peculiar source (for nothing comes out of that which is nothing,&nbsp;<a></a>as nothing also returns to non-existence), so also the intellectual part&nbsp;<a></a>comes from some source.<a></a></p>



<p>Death is such as generation is, a mystery of nature; a composition&nbsp;<a></a>out of the same elements, and a decomposition into the same; and altogether&nbsp;<a></a>not a thing of which any man should be ashamed, for it is not contrary&nbsp;<a></a>to the nature of a reasonable animal, and not contrary to the reason of&nbsp;<a></a>our constitution.<a></a></p>



<p>It is natural that these things should be done by such persons,&nbsp;<a></a>it is a matter of necessity; and if a man will not have it so, he will&nbsp;<a></a>not allow the fig-tree to have juice. But by all means bear this in mind,&nbsp;<a></a>that within a very short time both thou and he will be dead; and soon not&nbsp;<a></a>even your names will be left behind.<a></a></p>



<p>Take away thy opinion, and then there is taken away the complaint,&nbsp;<a></a>&#8220;I have been harmed.&#8221; Take away the complaint, &#8220;I have been harmed,&#8221; and&nbsp;<a></a>the harm is taken away.<a></a></p>



<p>That which does not make a man worse than he was, also does not&nbsp;<a></a>make his life worse, nor does it harm him either from without or from&nbsp;<a></a>within.<a></a></p>



<p>The nature of that which is universally useful has been compelled&nbsp;<a></a>to do this.<a></a></p>



<p>Consider that everything which happens, happens justly, and if&nbsp;<a></a>thou observest carefully, thou wilt find it to be so. I do not say only&nbsp;<a></a>with respect to the continuity of the series of things, but with respect&nbsp;<a></a>to what is just, and as if it were done by one who assigns to each thing&nbsp;<a></a>its value. Observe then as thou hast begun; and whatever thou doest, do&nbsp;<a></a>it in conjunction with this, the being good, and in the sense in which&nbsp;<a></a>a man is properly understood to be good. Keep to this in every&nbsp;<a></a>action.<a></a></p>



<p>Do not have such an opinion of things as he has who does thee wrong,&nbsp;<a></a>or such as he wishes thee to have, but look at them as they are in&nbsp;<a></a>truth.<a></a></p>



<p>A man should always have these two rules in readiness; the one,&nbsp;<a></a>to do only whatever the reason of the ruling and legislating faculty may&nbsp;<a></a>suggest for the use of men; the other, to change thy opinion, if there&nbsp;<a></a>is any one at hand who sets thee right and moves thee from any opinion.&nbsp;<a></a>But this change of opinion must proceed only from a certain persuasion,&nbsp;<a></a>as of what is just or of common advantage, and the like, not because it&nbsp;<a></a>appears pleasant or brings reputation.<a></a></p>



<p>Hast thou reason? I have. Why then dost not thou use it? For if&nbsp;this does its own work, what else dost thou wish?</p>



<p>Thou hast existed as a part. Thou shalt disappear in that which&nbsp;<a></a>produced thee; but rather thou shalt be received back into its seminal&nbsp;<a></a>principle by transmutation.<a></a></p>



<p>Many grains of frankincense on the same altar: one falls before,&nbsp;another falls after; but it makes no difference&#8230;</p>



<p>Do not act as if thou wert going to live ten thousand years. Death&nbsp;hangs over thee. While thou livest, while it is in thy power, be&nbsp;good&#8230;</p>



<p>He who has a vehement desire for posthumous fame does not consider&nbsp;<a></a>that every one of those who remember him will himself also die very soon;&nbsp;<a></a>then again also they who have succeeded them, until the whole remembrance&nbsp;<a></a>shall have been extinguished as it is transmitted through men who foolishly&nbsp;<a></a>admire and perish. But suppose that those who will remember are even immortal,&nbsp;<a></a>and that the remembrance will be immortal, what then is this to thee? And&nbsp;<a></a>I say not what is it to the dead, but what is it to the living? What is&nbsp;<a></a>praise except indeed so far as it has a certain utility? For thou now rejectest&nbsp;<a></a>unseasonably the gift of nature, clinging to something&nbsp;<a></a>else&#8230;<a></a></p>



<p>Everything which is in any way beautiful is beautiful in itself,&nbsp;<a></a>and terminates in itself, not having praise as part of itself. Neither&nbsp;<a></a>worse then nor better is a thing made by being praised. I affirm this also&nbsp;<a></a>of the things which are called beautiful by the vulgar, for example, material&nbsp;<a></a>things and works of art. That which is really beautiful has no need of&nbsp;<a></a>anything; not more than law, not more than truth, not more than benevolence&nbsp;<a></a>or modesty. Which of these things is beautiful because it is praised, or&nbsp;<a></a>spoiled by being blamed? Is such a thing as an emerald made worse than&nbsp;<a></a>it was, if it is not praised? Or gold, ivory, purple, a lyre, a little&nbsp;<a></a>knife, a flower, a shrub?<a></a></p>



<p>If souls continue to exist, how does the air contain them from&nbsp;eternity?- But how does the earth contain the bodies of those who have&nbsp;been buried from time so remote? For as here the mutation of these bodies&nbsp;after a certain continuance, whatever it may be, and their dissolution&nbsp;make room for other dead bodies; so the souls which are removed into the&nbsp;air after subsisting for some time are transmuted and diffused, and assume&nbsp;a fiery nature by being received into the seminal intelligence of the universe,&nbsp;and in this way make room for the fresh souls which come to dwell there.&nbsp;And this is the answer which a man might give on the hypothesis of souls&nbsp;continuing to exist. But we must not only think of the number of bodies&nbsp;which are thus buried, but also of the number of animals which are daily&nbsp;eaten by us and the other animals. For what a number is consumed, and thus&nbsp;in a manner buried in the bodies of those who feed on them! And nevertheless&nbsp;this earth receives them by reason of the changes of these bodies into&nbsp;blood, and the transformations into the aerial or the fiery&nbsp;element&#8230;</p>



<p>Do not be whirled about, but in every movement have respect to&nbsp;<a></a>justice, and on the occasion of every impression maintain the faculty of&nbsp;<a></a>comprehension or understanding.<a></a></p>



<p>Everything harmonizes with me, which is harmonious to thee, O Universe.&nbsp;Nothing for me is too early nor too late, which is in due time for thee.&nbsp;Everything is fruit to me which thy seasons bring, O Nature: from thee&nbsp;are all things, in thee are all things, to thee all things return&#8230;</p>



<p>Occupy thyself with few things, says the philosopher, if thou wouldst&nbsp;<a></a>be tranquil.- But consider if it would not be better to say, Do what is&nbsp;<a></a>necessary, and whatever the reason of the animal which is naturally social&nbsp;<a></a>requires, and as it requires. For this brings not only the tranquility&nbsp;<a></a>which comes from doing well, but also that which comes from doing few things.&nbsp;<a></a>For the greatest part of what we say and do being unnecessary, if a man&nbsp;<a></a>takes this away, he will have more leisure and less uneasiness. Accordingly&nbsp;<a></a>on every occasion a man should ask himself, Is this one of the unnecessary&nbsp;<a></a>things? Now a man should take away not only unnecessary acts, but also,&nbsp;<a></a>unnecessary thoughts, for thus superfluous acts will not follow&nbsp;<a></a>after.<a></a></p>



<p>Try how the life of the good man suits thee, the life of him who&nbsp;is satisfied with his portion out of the whole, and satisfied with his&nbsp;own just acts and benevolent disposition&#8230;</p>



<p>A black character, a womanish character, a stubborn character,&nbsp;bestial, childish, animal, stupid, counterfeit, scurrilous, fraudulent,&nbsp;tyrannical.</p>



<p>If he is a stranger to the universe who does not know what is in&nbsp;<a></a>it, no less is he a stranger who does not know what is going on in it.&nbsp;<a></a>He is a runaway, who flies from social reason; he is blind, who shuts the&nbsp;<a></a>eyes of the understanding; he is poor, who has need of another, and has&nbsp;<a></a>not from himself all things which are useful for life. He is an abscess&nbsp;<a></a>on the universe who withdraws and separates himself from the reason of&nbsp;<a></a>our common nature through being displeased with the things which happen,&nbsp;<a></a>for the same nature produces this, and has produced thee too: he is a piece&nbsp;<a></a>rent asunder from the state, who tears his own soul from that of reasonable&nbsp;<a></a>animals, which is one.<a></a></p>



<p>The one is a philosopher without a tunic, and the other without&nbsp;<a></a>a book: here is another half naked: Bread I have not, he says, and I abide&nbsp;<a></a>by reason.- And I do not get the means of living out of my learning, and&nbsp;<a></a>I abide by my reason.<a></a></p>



<p>Love the art, poor as it may be, which thou hast learned, and be&nbsp;<a></a>content with it; and pass through the rest of life like one who has intrusted&nbsp;<a></a>to the gods with his whole soul all that he has, making thyself neither&nbsp;<a></a>the tyrant nor the slave of any man.<a></a></p>



<p>Consider, for example, the times of Vespasian. Thou wilt see all&nbsp;<a></a>these things, people marrying, bringing up children, sick, dying, warring,&nbsp;<a></a>feasting, trafficking, cultivating the ground, flattering, obstinately&nbsp;<a></a>arrogant, suspecting, plotting, wishing for some to die, grumbling about&nbsp;<a></a>the present, loving, heaping up treasure, desiring counsulship, kingly&nbsp;<a></a>power. Well then, that life of these people no longer exists at all. Again,&nbsp;<a></a>remove to the times of Trajan. Again, all is the same. Their life too is&nbsp;<a></a>gone. In like manner view also the other epochs of time and of whole nations,&nbsp;<a></a>and see how many after great efforts soon fell and were resolved into the&nbsp;<a></a>elements. But chiefly thou shouldst think of those whom thou hast thyself&nbsp;<a></a>known distracting themselves about idle things, neglecting to do what was&nbsp;<a></a>in accordance with their proper constitution, and to hold firmly to this&nbsp;<a></a>and to be content with it. And herein it is necessary to remember that&nbsp;<a></a>the attention given to everything has its proper value and proportion.&nbsp;<a></a>For thus thou wilt not be dissatisfied, if thou appliest thyself to smaller&nbsp;<a></a>matters no further than is fit.<a></a></p>



<p>The words which were formerly familiar are now antiquated: so also&nbsp;<a></a>the names of those who were famed of old, are now in a manner antiquated,&nbsp;<a></a>Camillus, Caeso, Volesus, Leonnatus, and a little after also Scipio and&nbsp;<a></a>Cato, then Augustus, then also Hadrian and Antoninus. For all things soon&nbsp;<a></a>pass away and become a mere tale, and complete oblivion soon buries them.&nbsp;<a></a>And I say this of those who have shone in a wondrous way. For the rest,&nbsp;<a></a>as soon as they have breathed out their breath, they are gone, and no man&nbsp;<a></a>speaks of them. And, to conclude the matter, what is even an eternal remembrance?&nbsp;<a></a>A mere nothing. What then is that about which we ought to employ our serious&nbsp;<a></a>pains? This one thing, thoughts just, and acts social, and words which&nbsp;<a></a>never lie, and a disposition which gladly accepts all that happens, as&nbsp;<a></a>necessary, as usual, as flowing from a principle and source of the same&nbsp;<a></a>kind.<a></a></p>



<p>Willingly give thyself up to Clotho, one of the Fates, allowing&nbsp;<a></a>her to spin thy thread into whatever things she pleases.<a></a></p>



<p>Everything is only for a day, both that which remembers and that&nbsp;<a></a>which is remembered.<a></a></p>



<p>Observe constantly that all things take place by change, and accustom&nbsp;<a></a>thyself to consider that the nature of the Universe loves nothing so much&nbsp;<a></a>as to change the things which are and to make new things like them. For&nbsp;<a></a>everything that exists is in a manner the seed of that which will be. But&nbsp;<a></a>thou art thinking only of seeds which are cast into the earth or into a&nbsp;<a></a>womb: but this is a very vulgar notion.<a></a></p>



<p>Thou wilt soon die, and thou art not yet simple, not free from&nbsp;<a></a>perturbations, nor without suspicion of being hurt by external things,&nbsp;<a></a>nor kindly disposed towards all; nor dost thou yet place wisdom only in&nbsp;<a></a>acting justly.<a></a></p>



<p>Examine men&#8217;s ruling principles, even those of the wise, what kind&nbsp;of things they avoid, and what kind they pursue&#8230;</p>



<p>Constantly regard the universe as one living being, having one&nbsp;<a></a>substance and one soul; and observe how all things have reference to one&nbsp;<a></a>perception, the perception of this one living being; and how all things&nbsp;<a></a>act with one movement; and how all things are the cooperating causes of&nbsp;<a></a>all things which exist; observe too the continuous spinning of the thread&nbsp;<a></a>and the contexture of the web.<a></a></p>



<p>Thou art a little soul bearing about a corpse, as Epictetus used&nbsp;<a></a>to say.<a></a></p>



<p>It is no evil for things to undergo change, and no good for things&nbsp;<a></a>to subsist in consequence of change.<a></a></p>



<p>Time is like a river made up of the events which happen, and a&nbsp;<a></a>violent stream; for as soon as a thing has been seen, it is carried away,&nbsp;<a></a>and another comes in its place, and this will be carried away&nbsp;<a></a>too.<a></a></p>



<p>Everything which happens is as familiar and well known as the rose&nbsp;<a></a>in spring and the fruit in summer; for such is disease, and death, and&nbsp;<a></a>calumny, and treachery, and whatever else delights fools or vexes&nbsp;<a></a>them.<a></a></p>



<p>In the series of things those which follow are always aptly fitted&nbsp;<a></a>to those which have gone before; for this series is not like a mere enumeration&nbsp;<a></a>of disjointed things, which has only a necessary sequence, but it is a&nbsp;<a></a>rational connection: and as all existing things are arranged together harmoniously,&nbsp;<a></a>so the things which come into existence exhibit no mere succession, but&nbsp;<a></a>a certain wonderful relationship.<a></a></p>



<p>Always remember the saying of Heraclitus, that the death of earth&nbsp;<a></a>is to become water, and the death of water is to become air, and the death&nbsp;<a></a>of air is to become fire, and reversely. And think too of him who forgets&nbsp;<a></a>whither the way leads, and that men quarrel with that with which they are&nbsp;<a></a>most constantly in communion, the reason which governs the universe; and&nbsp;<a></a>the things which daily meet with seem to them strange: and consider that&nbsp;<a></a>we ought not to act and speak as if we were asleep, for even in sleep we&nbsp;<a></a>seem to act and speak; and that we ought not, like children who learn from&nbsp;<a></a>their parents, simply to act and speak as we have been&nbsp;<a></a>taught.<a></a></p>



<p>If any god told thee that thou shalt die to-morrow, or certainly&nbsp;<a></a>on the day after to-morrow, thou wouldst not care much whether it was on&nbsp;<a></a>the third day or on the morrow, unless thou wast in the highest degree&nbsp;<a></a>mean-spirited- for how small is the difference?- So think it no great thing&nbsp;<a></a>to die after as many years as thou canst name rather than&nbsp;<a></a>to-morrow.<a></a></p>



<p>Think continually how many physicians are dead after often contracting&nbsp;<a></a>their eyebrows over the sick; and how many astrologers after predicting&nbsp;<a></a>with great pretensions the deaths of others; and how many philosophers&nbsp;<a></a>after endless discourses on death or immortality; how many heroes after&nbsp;<a></a>killing thousands; and how many tyrants who have used their power over&nbsp;<a></a>men&#8217;s lives with terrible insolence as if they were immortal; and how many&nbsp;<a></a>cities are entirely dead, so to speak, Helice and Pompeii and Herculaneum,&nbsp;<a></a>and others innumerable. Add to the reckoning all whom thou hast known,&nbsp;<a></a>one after another. One man after burying another has been laid out dead,&nbsp;<a></a>and another buries him: and all this in a short time. To conclude, always&nbsp;<a></a>observe how ephemeral and worthless human things are, and what was yesterday&nbsp;<a></a>a little mucus to-morrow will be a mummy or ashes. Pass then through this&nbsp;<a></a>little space of time conformably to nature, and end thy journey in content,&nbsp;<a></a>just as an olive falls off when it is ripe, blessing nature who produced&nbsp;<a></a>it, and thanking the tree on which it grew.<a></a></p>



<p>Be like the promontory against which the waves continually break,&nbsp;but it stands firm and tames the fury of the water around&nbsp;it.</p>



<p>Unhappy am I because this has happened to me.- Not so, but happy&nbsp;<a></a>am I, though this has happened to me, because I continue free from pain,&nbsp;<a></a>neither crushed by the present nor fearing the future. For such a thing&nbsp;<a></a>as this might have happened to every man; but every man would not have&nbsp;<a></a>continued free from pain on such an occasion. Why then is that rather a&nbsp;<a></a>misfortune than this a good fortune? And dost thou in all cases call that&nbsp;<a></a>a man&#8217;s misfortune, which is not a deviation from man&#8217;s nature? And does&nbsp;<a></a>a thing seem to thee to be a deviation from man&#8217;s nature, when it is not&nbsp;<a></a>contrary to the will of man&#8217;s nature? Well, thou knowest the will of nature.&nbsp;<a></a>Will then this which has happened prevent thee from being just, magnanimous,&nbsp;<a></a>temperate, prudent, secure against inconsiderate opinions and falsehood;&nbsp;<a></a>will it prevent thee from having modesty, freedom, and everything else,&nbsp;<a></a>by the presence of which man&#8217;s nature obtains all that is its own? Remember&nbsp;<a></a>too on every occasion which leads thee to vexation to apply this principle:&nbsp;<a></a>not that this is a misfortune, but that to bear it nobly is good&nbsp;<a></a>fortune.<a></a></p>



<p>It is a vulgar, but still a useful help towards contempt of death,&nbsp;<a></a>to pass in review those who have tenaciously stuck to life. What more then&nbsp;<a></a>have they gained than those who have died early? Certainly they lie in&nbsp;<a></a>their tombs somewhere at last, Cadicianus, Fabius, Julianus, Lepidus, or&nbsp;<a></a>any one else like them, who have carried out many to be buried, and then&nbsp;<a></a>were carried out themselves. Altogether the interval is small between birth&nbsp;<a></a>and death; and consider with how much trouble, and in company with what&nbsp;<a></a>sort of people and in what a feeble body this interval is laboriously passed.&nbsp;<a></a>Do not then consider life a thing of any value. For look to the immensity&nbsp;<a></a>of time behind thee, and to the time which is before thee, another boundless&nbsp;<a></a>space. In this infinity then what is the difference between him who lives&nbsp;<a></a>three days and him who lives three generations?<a></a></p>



<p>Always run to the short way; and the short way is the natural:&nbsp;accordingly say and do everything in conformity with the soundest reason.&nbsp;For such a purpose frees a man from trouble, and warfare, and all artifice&nbsp;and ostentatious display.</p>



<p><strong>Book Five</strong></p>



<p>In the morning when thou risest unwillingly, let this thought be present-&nbsp;I am rising to the work of a human being. Why then am I dissatisfied if&nbsp;I am going to do the things for which I exist and for which I was brought&nbsp;into the world? Or have I been made for this, to lie in the bed-clothes&nbsp;and keep myself warm?</p>



<p>&#8230;Judge every word and deed which are according to nature to be fit for thee; and be not diverted by the blame which follows from any people nor by their words, but if a thing is good to be done or said, do not consider it unworthy of thee. For those persons have their peculiar leading principle and follow their peculiar movement; which things do not thou regard, but go straight on, following thy own nature and the common nature; and the way of both is one.</p>



<p>I go through the things which happen according to nature until&nbsp;I shall fall and rest, breathing out my breath into that element out of&nbsp;which I daily draw it in, and falling upon that earth out of which my father&nbsp;collected the seed, and my mother the blood, and my nurse the milk; out&nbsp;of which during so many years I have been supplied with food and drink;&nbsp;which bears me when I tread on it and abuse it for so many&nbsp;purposes&#8230;</p>



<p>Be not disgusted, nor discouraged, nor dissatisfied, if thou dost&nbsp;not succeed in doing everything according to right principles; but when&nbsp;thou bast failed, return back again, and be content if the greater part&nbsp;of what thou doest is consistent with man&#8217;s nature, and love this to which&nbsp;thou returnest; and do not return to philosophy as if she were a master,&nbsp;but act like those who have sore eyes and apply a bit of sponge and egg,&nbsp;or as another applies a plaster, or drenching with water. For thus thou&nbsp;wilt not fail to obey reason, and thou wilt repose in it. And remember&nbsp;that philosophy requires only the things which thy nature requires; but&nbsp;thou wouldst have something else which is not according to nature&#8230; For what is more agreeable than wisdom itself, when thou thinkest of the&nbsp;security and the happy course of all things which depend on the faculty&nbsp;of understanding and knowledge?</p>



<p>Things are in such a kind of envelopment that they have seemed&nbsp;to philosophers, not a few nor those common philosophers, altogether unintelligible;&nbsp;nay even to the Stoics themselves they seem difficult to understand. And&nbsp;all our assent is changeable; for where is the man who never changes? Carry&nbsp;thy thoughts then to the objects themselves, and consider how short-lived&nbsp;they are and worthless, and that they may be in the possession of a filthy&nbsp;wretch or a whore or a robber. Then turn to the morals of those who live&nbsp;with thee, and it is hardly possible to endure even the most agreeable&nbsp;of them, to say nothing of a man being hardly able to endure himself&#8230;</p>



<p>About what am I now employing my own soul? On every occasion I&nbsp;must ask myself this question, and inquire, what have I now in this part&nbsp;of me which they call the ruling principle? And whose soul have I now?&nbsp;That of a child, or of a young man, or of a feeble woman, or of a tyrant,&nbsp;or of a domestic animal, or of a wild beast?</p>



<p>&#8230;I am composed of the formal and the material; and neither of them will perish into non-existence, as neither of them came into existence out of non-existence. Every part of me then will be reduced by change into some part of the universe, and that again will change into another part of the universe, and so on for ever. And by consequence of such a change I too exist, and those who begot me, and so on for ever in the other direction. For nothing hinders us from saying so, even if the universe is administered according to definite periods of revolution.</p>



<p>Reason and the reasoning art (philosophy) are powers which are&nbsp;sufficient for themselves and for their own works. They move then from&nbsp;a first principle which is their own, and they make their way to the end&nbsp;which is proposed to them; and this is the reason why such acts are named&nbsp;catorthoseis or right acts, which word signifies that they proceed by the&nbsp;right road&#8230;</p>



<p>Now the good for the reasonable animal is society; for that&nbsp;<a></a>we are made for society has been shown above. Is it not plain that the&nbsp;<a></a>inferior exist for the sake of the superior? But the things which have&nbsp;<a></a>life are superior to those which have not life, and of those which have&nbsp;<a></a>life the superior are those which have reason.<a></a></p>



<p>To seek what is impossible is madness: and it is impossible that&nbsp;<a></a>the bad should not do something of this kind.<a></a></p>



<p>Nothing happens to any man which he is not formed by nature to&nbsp;<a></a>bear. The same things happen to another, and either because he does not&nbsp;<a></a>see that they have happened or because he would show a great spirit he&nbsp;<a></a>is firm and remains unharmed. It is a shame then that ignorance and conceit&nbsp;<a></a>should be stronger than wisdom.<a></a></p>



<p>Things themselves touch not the soul, not in the least degree;&nbsp;nor have they admission to the soul, nor can they turn or move the soul:&nbsp;but the soul turns and moves itself alone, and whatever judgements it may&nbsp;think proper to make, such it makes for itself the things which present&nbsp;themselves to it&#8230;</p>



<p>That which does no harm to the state, does no harm to the citizen.&nbsp;<a></a>In the case of every appearance of harm apply this rule: if the state is&nbsp;<a></a>not harmed by this, neither am I harmed. But if the state is harmed, thou&nbsp;<a></a>must not be angry with him who does harm to the state. Show him where his&nbsp;<a></a>error is.<a></a></p>



<p>Often think of the rapidity with which things pass by and disappear,&nbsp;<a></a>both the things which are and the things which are produced. For substance&nbsp;<a></a>is like a river in a continual flow, and the activities of things are in&nbsp;<a></a>constant change, and the causes work in infinite varieties; and there is&nbsp;<a></a>hardly anything which stands still. And consider this which is near to&nbsp;<a></a>thee, this boundless abyss of the past and of the future in which all things&nbsp;<a></a>disappear. How then is he not a fool who is puffed up with such things&nbsp;<a></a>or plagued about them and makes himself miserable? for they vex him only&nbsp;<a></a>for a time, and a short time.<a></a></p>



<p>Think of the universal substance, of which thou hast a very small&nbsp;<a></a>portion; and of universal time, of which a short and indivisible interval&nbsp;<a></a>has been assigned to thee; and of that which is fixed by destiny, and how&nbsp;<a></a>small a part of it thou art.<a></a></p>



<p>Does another do me wrong? Let him look to it. He has his own disposition,&nbsp;<a></a>his own activity. I now have what the universal nature wills me to have;&nbsp;<a></a>and I do what my nature now wills me to do.<a></a></p>



<p>Let the part of thy soul which leads and governs be undisturbed&nbsp;<a></a>by the movements in the flesh, whether of pleasure or of pain; and let&nbsp;<a></a>it not unite with them, but let it circumscribe itself and limit those&nbsp;<a></a>affects to their parts. But when these affects rise up to the mind by virtue&nbsp;<a></a>of that other sympathy that naturally exists in a body which is all one,&nbsp;<a></a>then thou must not strive to resist the sensation, for it is natural: but&nbsp;<a></a>let not the ruling part of itself add to the sensation the opinion that&nbsp;<a></a>it is either good or bad.<a></a></p>



<p>Live with the gods. And he does live with the gods who constantly&nbsp;shows to them, his own soul is satisfied with that which is assigned to&nbsp;him, and that it does all that the daemon wishes, which Zeus hath given&nbsp;to every man for his guardian and guide, a portion of himself. And this&nbsp;is every man&#8217;s understanding and reason&#8230;</p>



<p>The intelligence of the universe is social. Accordingly it has&nbsp;made the inferior things for the sake of the superior, and it has fitted&nbsp;the superior to one another&#8230;</p>



<p>Why do unskilled and ignorant souls disturb him who has skill and&nbsp;<a></a>knowledge? What soul then has skill and knowledge? That which knows beginning&nbsp;<a></a>and end, and knows the reason which pervades all substance and through&nbsp;<a></a>all time by fixed periods (revolutions) administers the&nbsp;<a></a>universe.<a></a></p>



<p>Soon, very soon, thou wilt be ashes, or a skeleton, and either&nbsp;a name or not even a name; but name is sound and echo. And the things which&nbsp;are much valued in life are empty and rotten and trifling, and like little&nbsp;dogs biting one another, and little children quarrelling, laughing, and&nbsp;then straightway weeping. But fidelity and modesty and justice and truth&nbsp;are fled&#8230;</p>



<p>But fortunate means that&nbsp;a man has assigned to himself a good fortune: and a good fortune is good&nbsp;disposition of the soul, good emotions, good actions.</p>



<p><strong>Book Six</strong></p>



<p>The substance of the universe is obedient and compliant; and the reason&nbsp;which governs it has in itself no cause for doing evil, for it has no malice,&nbsp;nor does it do evil to anything, nor is anything harmed by it. But all&nbsp;things are made and perfected according to this reason&#8230;</p>



<p>Look within. Let neither the peculiar quality of anything nor its&nbsp;<a></a>value escape thee.<a></a></p>



<p>All existing things soon change, and they will either be reduced&nbsp;<a></a>to vapour, if indeed all substance is one, or they will be&nbsp;<a></a>dispersed.<a></a></p>



<p>The reason which governs knows what its own disposition is, and&nbsp;<a></a>what it does, and on what material it works.<a></a></p>



<p>The best way of avenging thyself is not to become like the wrong&nbsp;doer&#8230;</p>



<p>Suppose&nbsp;then that thou hast given up this worthless thing called fame, what remains&nbsp;that is worth valuing? This in my opinion, to move thyself and to restrain&nbsp;thyself in conformity to thy proper constitution, to which end both all&nbsp;employments and arts lead. For every art aims at this, that the thing which&nbsp;has been made should be adapted to the work for which it has been made&#8230;</p>



<p>I do my duty: other things trouble me not; for they are either&nbsp;things without life, or things without reason, or things that have rambled&nbsp;and know not the way&#8230;</p>



<p>Take care that thou art not made into a Caesar, that thou art not&nbsp;dyed with this dye; for such things happen. Keep thyself then simple, good,&nbsp;pure, serious, free from affectation, a friend of justice, a worshipper&nbsp;of the gods, kind, affectionate, strenuous in all proper acts. Strive to&nbsp;continue to be such as philosophy wished to make thee. Reverence the gods,&nbsp;and help men. Short is life. There is only one fruit of this terrene life,&nbsp;a pious disposition and social acts&#8230;</p>



<p>I consist of a little body and a soul. Now to this little body&nbsp;<a></a>all things are indifferent, for it is not able to perceive differences.&nbsp;<a></a>But to the understanding those things only are indifferent, which are not&nbsp;<a></a>the works of its own activity. But whatever things are the works of its&nbsp;<a></a>own activity, all these are in its power. And of these however only those&nbsp;<a></a>which are done with reference to the present; for as to the future and&nbsp;<a></a>the past activities of the mind, even these are for the present&nbsp;<a></a>indifferent.<a></a></p>



<p>Neither the labour which the hand does nor that of the foot is&nbsp;<a></a>contrary to nature, so long as the foot does the foot&#8217;s work and the hand&nbsp;<a></a>the hand&#8217;s. So then neither to a man as a man is his labour contrary to&nbsp;<a></a>nature, so long as it does the things of a man. But if the labour is not&nbsp;<a></a>contrary to his nature, neither is it an evil to him.<a></a></p>



<p>How many pleasures have been enjoyed by robbers, patricides,&nbsp;tyrants&#8230;</p>



<p>Asia, Europe are corners of the universe: all the sea a drop in&nbsp;the universe; Athos a little clod of the universe: all the present time&nbsp;is a point in eternity. All things are little, changeable, perishable.&nbsp;All things come from thence, from that universal ruling power either directly&nbsp;proceeding or by way of sequence&#8230;</p>



<p>Asia, Europe are corners of the universe: all the sea a drop in&nbsp;the universe; Athos a little clod of the universe: all the present time&nbsp;is a point in eternity. All things are little, changeable, perishable.&nbsp;All things come from thence, from that universal ruling power either directly&nbsp;proceeding or by way of sequence&#8230;</p>



<p>Book Seven</p>



<p>What is badness? &#8230;How can our principles become dead, unless the impressions (thoughts) which correspond to them are extinguished?&#8230;How many after being celebrated by fame have been given up to oblivion; and how many who have celebrated the fame of others have long been dead&#8230;</p>



<p>All things are implicated with one another, and the bond is holy; and there is hardly anything unconnected with any other thing. For things have been co-ordinated, and they combine to form the same universe (order). For there is one universe made up of all things, and one God who pervades all things, and one substance, and one law, one common reason in all intelligent animals, and one truth&#8230;</p>



<p>Everything material soon disappears in the substance of the whole; and everything formal (causal) is very soon taken back into the universal reason; and the memory of everything is very soon overwhelmed in time&#8230;</p>



<p>Eudaemonia (happiness) is a good daemon, or a good thing&#8230;</p>



<p>&#8230;what can take place without change?</p>



<p>&#8230;How many a Chrysippus, how many a Socrates, how many an Epictetus has time already swallowed up?</p>



<p>&#8230;Near is thy forgetfulness of all things; and near the forgetfulness of thee by all&#8230;</p>



<p>The universal nature out of the universal substance, as if it were wax, now moulds a horse, and when it has broken this up, it uses the material for a tree, then for a man, then for something else; and each of these things subsists for a very short time&#8230;</p>



<p>Think not so much of what thou hast not as of what thou hast: but of the things which thou hast select the best, and then reflect how eagerly they would have been sought, if thou hadst them not&#8230;</p>



<p>Retire into thyself. The rational principle which rules has this&nbsp;<a></a>nature, that it is content with itself when it does what is just, and so&nbsp;<a></a>secures tranquility.<a></a></p>



<p>Wipe out the imagination. Stop the pulling of the strings. Confine thyself to the present. Understand well what happens either to thee or to another&#8230;</p>



<p>Adorn thyself with simplicity and modesty and with indifference towards the things which lie between virtue and vice. Love mankind. Follow God. The poet says that Law rules all. —And it is enough to remember that Law rules all.</p>



<p>About fame: Look at the minds of those who seek fame, observe what&nbsp;<a></a>they are, and what kind of things they avoid, and what kind of things they&nbsp;<a></a>pursue. And consider that as the heaps of sand piled on one another hide&nbsp;<a></a>the former sands, so in life the events which go before are soon covered&nbsp;<a></a>by those which come after.<a></a></p>



<p>From Plato: The man who has an elevated mind and takes a view of all time and of all substance, dost thou suppose it possible for him to think that human life is anything great? it is not possible, he said. — Such a man then will think that death also is no evil. — Certainly not&#8230;</p>



<p>Life must be reaped like the ripe ears of corn: One man is born; another dies&#8230;</p>



<p>No joining others in their wailing, no violent&nbsp;<a></a>emotion.<a></a></p>



<p>From Plato: But I would make this man a sufficient answer, which&nbsp;<a></a>is this: Thou sayest not well, if thou thinkest that a man who is good&nbsp;<a></a>for anything at all ought to compute the hazard of life or death, and should&nbsp;<a></a>not rather look to this only in all that he does, whether he is doing what&nbsp;<a></a>is just or unjust, and the works of a good or a bad&nbsp;<a></a>man.<a></a></p>



<p>For thus it is, men of Athens, in truth: wherever a man has placed&nbsp;<a></a>himself thinking it the best place for him, or has been placed by a commander,&nbsp;<a></a>there in my opinion he ought to stay and to abide the hazard, taking nothing&nbsp;<a></a>into the reckoning, either death or anything else, before the baseness&nbsp;<a></a>of deserting his post.<a></a></p>



<p>But, my good friend, reflect whether that which is noble and good&nbsp;<a></a>is not something different from saving and being saved; for as to a man&nbsp;<a></a>living such or such a time, at least one who is really a man, consider&nbsp;<a></a>if this is not a thing to be dismissed from the thoughts: and there must&nbsp;<a></a>be no love of life: but as to these matters a man must intrust them to&nbsp;<a></a>the deity and believe what the women say, that no man can escape his destiny,&nbsp;<a></a>the next inquiry being how he may best live the time that he has to&nbsp;<a></a>live.<a></a></p>



<p>Look round at the courses of the stars, as if thou wert going along&nbsp;<a></a>with them; and constantly consider the changes of the elements into one&nbsp;<a></a>another; for such thoughts purge away the filth of the terrene&nbsp;<a></a>life.<a></a></p>



<p>This is a fine saying of Plato: That he who is discoursing about&nbsp;<a></a>men should look also at earthly things as if he viewed them from some higher&nbsp;<a></a>place; should look at them in their assemblies, armies, agricultural labours,&nbsp;<a></a>marriages, treaties, births, deaths, noise of the courts of justice, desert&nbsp;<a></a>places, various nations of barbarians, feasts, lamentations, markets, a&nbsp;<a></a>mixture of all things and an orderly combination of&nbsp;<a></a>contraries.<a></a></p>



<p>Consider the past; such great changes of political supremacies.&nbsp;<a></a>Thou mayest foresee also the things which will be. For they will certainly&nbsp;<a></a>be of like form, and it is not possible that they should deviate from the&nbsp;<a></a>order of the things which take place now: accordingly to have contemplated&nbsp;<a></a>human life for forty years is the same as to have contemplated it for ten&nbsp;<a></a>thousand years. For what more wilt thou see?<a></a></p>



<p>That which has grown from the earth to the earth,<a></a><br>But that which has sprung from heavenly seed,<a></a><br>Back to the heavenly realms returns. This is either a dissolution of&nbsp;<a></a>the mutual involution of the atoms, or a similar dispersion of the unsentient&nbsp;<a></a>elements.<a></a></p>



<p>With food and drinks and cunning magic arts<a></a><br>Turning the channel&#8217;s course to &#8216;scape from death.<a></a><br>The breeze which heaven has sent<a></a><br>We must endure, and toil without complaining.<a></a></p>



<p>Another may be more expert in casting his opponent; but he is not&nbsp;<a></a>more social, nor more modest, nor better disciplined to meet all that happens,&nbsp;<a></a>nor more considerate with respect to the faults of his&nbsp;<a></a>neighbours.<a></a></p>



<p>Where any work can be done conformably to the reason which is common&nbsp;<a></a>to gods and men, there we have nothing to fear: for where we are able to&nbsp;<a></a>get profit by means of the activity which is successful and proceeds according&nbsp;<a></a>to our constitution, there no harm is to be suspected.<a></a></p>



<p>Everywhere and at all times it is in thy power piously to acquiesce&nbsp;<a></a>in thy present condition, and to behave justly to those who are about thee,&nbsp;<a></a>and to exert thy skill upon thy present thoughts, that nothing shall steal&nbsp;<a></a>into them without being well examined.<a></a></p>



<p>Do not look around thee to discover other men&#8217;s ruling principles,&nbsp;<a></a>but look straight to this, to what nature leads thee, both the universal&nbsp;<a></a>nature through the things which happen to thee, and thy own nature through&nbsp;<a></a>the acts which must be done by thee. But every being ought to do that which&nbsp;<a></a>is according to its constitution; and all other things have been constituted&nbsp;<a></a>for the sake of rational beings, just as among irrational things the inferior&nbsp;<a></a>for the sake of the superior, but the rational for the sake of one&nbsp;<a></a>another.<a></a></p>



<p>The prime principle then in man&#8217;s constitution is the social. And&nbsp;<a></a>the second is not to yield to the persuasions of the body, for it is the&nbsp;<a></a>peculiar office of the rational and intelligent motion to circumscribe&nbsp;<a></a>itself, and never to be overpowered either by the motion of the senses&nbsp;<a></a>or of the appetites, for both are animal; but the intelligent motion claims&nbsp;<a></a>superiority and does not permit itself to be overpowered by the others.&nbsp;<a></a>And with good reason, for it is formed by nature to use all of them. The&nbsp;<a></a>third thing in the rational constitution is freedom from error and from&nbsp;<a></a>deception. Let then the ruling principle holding fast to these things go&nbsp;<a></a>straight on, and it has what is its own.<a></a></p>



<p>Consider thyself to be dead, and to have completed thy life up&nbsp;<a></a>to the present time; and live according to nature the remainder which is&nbsp;<a></a>allowed thee.<a></a></p>



<p>Love that only which happens to thee and is spun with the thread&nbsp;<a></a>of thy destiny. For what is more suitable?<a></a></p>



<p>&#8230;Look within. Within is the fountain of good, and it will ever bubble up, if thou wilt ever dig.</p>



<p>The body ought to be compact, and to show no irregularity either&nbsp;<a></a>in motion or attitude. For what the mind shows in the face by maintaining&nbsp;<a></a>in it the expression of intelligence and propriety, that ought to be required&nbsp;<a></a>also in the whole body. But all of these things should be observed without&nbsp;<a></a>affectation.<a></a></p>



<p>The art of life is more like the wrestler&#8217;s art than the dancer&#8217;s,&nbsp;<a></a>in respect of this, that it should stand ready and firm to meet onsets&nbsp;<a></a>which are sudden and unexpected.<a></a></p>



<p>Constantly observe who those are whose approbation thou wishest&nbsp;<a></a>to have, and what ruling principles they possess. For then thou wilt neither&nbsp;<a></a>blame those who offend involuntarily, nor wilt thou want their approbation,&nbsp;<a></a>if thou lookest to the sources of their opinions and&nbsp;<a></a>appetites.<a></a></p>



<p>Every soul, the philosopher says, is involuntarily deprived of&nbsp;<a></a>truth; consequently in the same way it is deprived of justice and temperance&nbsp;<a></a>and benevolence and everything of the kind. It is most necessary to bear&nbsp;<a></a>this constantly in mind, for thus thou wilt be more gentle towards&nbsp;<a></a>all.<a></a></p>



<p>In every pain let this thought be present, that there is no dishonour&nbsp;<a></a>in it, nor does it make the governing intelligence worse, for it does not&nbsp;<a></a>damage the intelligence either so far as the intelligence is rational or&nbsp;<a></a>so far as it is social. Indeed in the case of most pains let this remark&nbsp;<a></a>of Epicurus aid thee, that pain is neither intolerable nor everlasting,&nbsp;<a></a>if thou bearest in mind that it has its limits, and if thou addest nothing&nbsp;<a></a>to it in imagination: and remember this too, that we do not perceive that&nbsp;<a></a>many things which are disagreeable to us are the same as pain, such as&nbsp;<a></a>excessive drowsiness, and the being scorched by heat, and the having no&nbsp;<a></a>appetite. When then thou art discontented about any of these things, say&nbsp;<a></a>to thyself, that thou art yielding to pain.<a></a></p>



<p>Take care not to feel towards the inhuman, as they feel towards&nbsp;<a></a>men.<a></a><br>How do we know if Telauges was not superior in character to Socrates?&nbsp;<a></a>For it is not enough that Socrates died a more noble death, and disputed&nbsp;<a></a>more skilfully with the sophists, and passed the night in the cold with&nbsp;<a></a>more endurance, and that when he was bid to arrest Leon of Salamis, he&nbsp;<a></a>considered it more noble to refuse, and that he walked in a swaggering&nbsp;<a></a>way in the streets- though as to this fact one may have great doubts if&nbsp;<a></a>it was true. But we ought to inquire, what kind of a soul it was that Socrates&nbsp;<a></a>possessed, and if he was able to be content with being just towards men&nbsp;<a></a>and pious towards the gods, neither idly vexed on account of men&#8217;s villainy,&nbsp;<a></a>nor yet making himself a slave to any man&#8217;s ignorance, nor receiving as&nbsp;<a></a>strange anything that fell to his share out of the universal, nor enduring&nbsp;<a></a>it as intolerable, nor allowing his understanding to sympathize with the&nbsp;<a></a>affects of the miserable flesh.<a></a></p>



<p>Nature has not so mingled the intelligence with the composition&nbsp;<a></a>of the body, as not to have allowed thee the power of circumscribing thyself&nbsp;<a></a>and of bringing under subjection to thyself all that is thy own; for it&nbsp;<a></a>is very possible to be a divine man and to be recognised as such by no&nbsp;<a></a>one. Always bear this in mind; and another thing too, that very little&nbsp;<a></a>indeed is necessary for living a happy life. And because thou hast despaired&nbsp;<a></a>of becoming a dialectician and skilled in the knowledge of nature, do not&nbsp;<a></a>for this reason renounce the hope of being both free and modest and social&nbsp;<a></a>and obedient to God.<a></a></p>



<p>It is in thy power to live free from all compulsion in the greatest&nbsp;<a></a>tranquility of mind, even if all the world cry out against thee as much&nbsp;<a></a>as they choose, and even if wild beasts tear in pieces the members of this&nbsp;<a></a>kneaded matter which has grown around thee. For what hinders the mind in&nbsp;<a></a>the midst of all this from maintaining itself in tranquility and in a just&nbsp;<a></a>judgement of all surrounding things and in a ready use of the objects which&nbsp;<a></a>are presented to it, so that the judgement may say to the thing which falls&nbsp;<a></a>under its observation: This thou art in substance (reality), though in&nbsp;<a></a>men&#8217;s opinion thou mayest appear to be of a different kind; and the use&nbsp;<a></a>shall say to that which falls under the hand: Thou art the thing that I&nbsp;<a></a>was seeking; for to me that which presents itself is always a material&nbsp;<a></a>for virtue both rational and political, and in a word, for the exercise&nbsp;<a></a>of art, which belongs to man or God. For everything which happens has a&nbsp;<a></a>relationship either to God or man, and is neither new nor difficult to&nbsp;<a></a>handle, but usual and apt matter to work on.<a></a></p>



<p>The perfection of moral character consists in this, in passing&nbsp;<a></a>every day as the last, and in being neither violently excited nor torpid&nbsp;<a></a>nor playing the hypocrite.<a></a></p>



<p>The gods who are immortal are not vexed because during so long&nbsp;<a></a>a time they must tolerate continually men such as they are and so many&nbsp;<a></a>of them bad; and besides this, they also take care of them in all ways.&nbsp;<a></a>But thou, who art destined to end so soon, art thou wearied of enduring&nbsp;<a></a>the bad, and this too when thou art one of them?<a></a></p>



<p>It is a ridiculous thing for a man not to fly from his own badness,&nbsp;<a></a>which is indeed possible, but to fly from other men&#8217;s badness, which is&nbsp;<a></a>impossible.<a></a></p>



<p>Whatever the rational and political (social) faculty finds to be&nbsp;<a></a>neither intelligent nor social, it properly judges to be inferior to&nbsp;<a></a>itself.<a></a></p>



<p>When thou hast done a good act and another has received it, why&nbsp;<a></a>dost thou look for a third thing besides these, as fools do, either to&nbsp;<a></a>have the reputation of having done a good act or to obtain a&nbsp;<a></a>return?<a></a></p>



<p>&#8230;the chief things towards which the ruling power of the universe directs its own movement are governed by no rational principle. If this is remembered it will make thee more tranquil in many things.</p>



<p><strong>Book Eight</strong></p>



<p>This reflection also tends to the removal of the desire of empty fame,&nbsp;<a></a>that it is no longer in thy power to have lived the whole of thy life,&nbsp;<a></a>or at least thy life from thy youth upwards, like a philosopher; but both&nbsp;<a></a>to many others and to thyself it is plain that thou art far from philosophy.&nbsp;<a></a>Thou hast fallen into disorder then, so that it is no longer easy for thee&nbsp;<a></a>to get the reputation of a philosopher; and thy plan of life also opposes&nbsp;<a></a>it. If then thou hast truly seen where the matter lies, throw away the&nbsp;<a></a>thought, How thou shalt seem to others, and be content if thou shalt live&nbsp;<a></a>the rest of thy life in such wise as thy nature wills. Observe then what&nbsp;<a></a>it wills, and let nothing else distract thee; for thou hast had experience&nbsp;<a></a>of many wanderings without having found happiness anywhere, not in syllogisms,&nbsp;<a></a>nor in wealth, nor in reputation, nor in enjoyment, nor anywhere. Where&nbsp;<a></a>is it then? In doing what man&#8217;s nature requires. How then shall a man do&nbsp;<a></a>this? If he has principles from which come his affects and his acts. What&nbsp;<a></a>principles? Those which relate to good and bad: the belief that there is&nbsp;<a></a>nothing good for man, which does not make him just, temperate, manly, free;&nbsp;<a></a>and that there is nothing bad, which does not do the contrary to what has&nbsp;<a></a>been mentioned.<a></a></p>



<p>On the occasion of every act ask thyself, How is this with respect&nbsp;<a></a>to me? Shall I repent of it? A little time and I am dead, and all is gone.&nbsp;<a></a>What more do I seek, if what I am now doing is work of an intelligent living&nbsp;<a></a>being, and a social being, and one who is under the same law with&nbsp;<a></a>God?</p>



<p>&#8230;This is the chief thing: Be not perturbed, for all things are according to the nature of the universal; and in a little time thou wilt be nobody and nowhere, like Hadrian and Augustus. In the next place having fixed thy eyes steadily on thy business look at it, and at the same time remembering that it is thy duty to be a good man, and what man&#8217;s nature demands, do that without turning aside; and speak as it seems to thee most just, only let it be with a good disposition and with modesty and without hypocrisy.</p>



<p>The nature of the universal has this work to do, to remove to that&nbsp;<a></a>place the things which are in this, to change them, to take them away hence,&nbsp;<a></a>and to carry them there. All things are change, yet we need not fear anything&nbsp;<a></a>new. All things are familiar to us; but the distribution of them still&nbsp;<a></a>remains the same.<a></a></p>



<p>Every nature is contented with itself when it goes on its way well;&nbsp;<a></a>and a rational nature goes on its way well, when in its thoughts it assents&nbsp;<a></a>to nothing false or uncertain, and when it directs its movements to social&nbsp;<a></a>acts only, and when it confines its desires and aversions to the things&nbsp;<a></a>which are in its power, and when it is satisfied with everything that is&nbsp;<a></a>assigned to it by the common nature. For of this common nature every particular&nbsp;<a></a>nature is a part, as the nature of the leaf is a part of the nature of&nbsp;<a></a>the plant; except that in the plant the nature of the leaf is part of a&nbsp;<a></a>nature which has not perception or reason, and is subject to be impeded;&nbsp;<a></a>but the nature of man is part of a nature which is not subject to impediments,&nbsp;<a></a>and is intelligent and just, since it gives to everything in equal portions&nbsp;<a></a>and according to its worth, times, substance, cause (form), activity, and&nbsp;<a></a>incident. But examine, not to discover that any one thing compared with&nbsp;<a></a>any other single thing is equal in all respects, but by taking all the&nbsp;<a></a>parts together of one thing and comparing them with all the parts together&nbsp;<a></a>of another.<a></a></p>



<p>Thou hast not leisure or ability to read. But thou hast leisure or ability to check arrogance: thou hast leisure to be superior to pleasure and pain: thou hast leisure to be superior to love of fame, and not to be vexed at stupid and ungrateful people, nay even to care for them&#8230;</p>



<p>Turn it (the body) inside out, and see what kind of thing it is;&nbsp;<a></a>and when it has grown old, what kind of thing it becomes, and when it is&nbsp;<a></a>diseased.<a></a></p>



<p>Short-lived are both the praiser and the praised, and the rememberer and the remembered: and all this in a nook of this part of the world; and not even here do all agree, no, not any one with himself: and the whole earth too is a point&#8230;</p>



<p>Turn it (the body) inside out, and see what kind of thing it is;&nbsp;<a></a>and when it has grown old, what kind of thing it becomes, and when it is&nbsp;<a></a>diseased.<a></a></p>



<p>Short-lived are both the praiser and the praised, and the rememberer and the remembered: and all this in a nook of this part of the world; and not even here do all agree, no, not any one with himself: and the whole earth too is a point&#8230;</p>



<p>Such as bathing appears to thee — oil, sweat, dirt, filthy water, all things disgusting — so is every part of life and everything.</p>



<p>Lucilla saw Verus die, and then Lucilla died. Secunda saw Maximus die, and then Secunda died. Epitynchanus saw Diotimus die, and Epitynchanus died. Antoninus saw Faustina die, and then Antoninus died. Such is everything. Celer saw Hadrian die, and then Celer died. And those sharp-witted men, either seers or men inflated with pride, where are they? For instance the sharp-witted men, Charax and Demetrius the Platonist and Eudaemon, and any one else like them. All ephemeral, dead long ago. Some indeed have not been remembered even for a short time, and others have become the heroes of fables, and again others have disappeared even from fables. Remember this then, that this little compound, thyself, must either be dissolved, or thy poor breath must be extinguished, or be removed and placed elsewhere&#8230;</p>



<p>Pain is either an evil to the body — then let the body say what it thinks of it — or to the soul; but it is in the power of the soul to maintain its own serenity and tranquility, and not to think that pain is an evil. For every judgement and movement and desire and aversion is within, and no evil ascends so high.</p>



<p>Wipe out thy imaginations by often saying to thyself: now it is in my power to let no badness be in this soul, nor desire nor any perturbation at all; but looking at all things I see what is their nature, and I use each according to its value. — Remember this power which thou hast from nature&#8230;</p>



<p>Augustus&#8217; court, wife, daughter, descendants, ancestors, sister, Agrippa, kinsmen, intimates, friends, Areius, Maecenas, physicians and sacrificing priests — the whole court is dead. Then turn to the rest, not considering the death of a single man, but of a whole race, as of the Pompeii; and that which is inscribed on the tombs — The last of his race. Then consider what trouble those before them have had that they might leave a successor; and then, that of necessity some one must be the last. Again here consider the death of a whole race.</p>



<p>It is thy duty to order thy life well in every single act; and if every act does its duty, as far as is possible, be content; and no one is able to hinder thee so that each act shall not do its duty. — But something external will stand in the way. — Nothing will stand in the way of thy acting justly and soberly and considerately. — But perhaps some other active power will be hindered. — Well, but by acquiescing in the hindrance and by being content to transfer thy efforts to that which is allowed, another opportunity of action is immediately put before thee in place of that which was hindered, and one which will adapt itself to this ordering of which we are speaking.</p>



<p>Receive wealth or prosperity without arrogance; and be ready to let it go&#8230;</p>



<p>As the nature of the universal has given to every rational being&nbsp;<a></a>all the other powers that it has, so we have received from it this power&nbsp;<a></a>also. For as the universal nature converts and fixes in its predestined&nbsp;<a></a>place everything which stands in the way and opposes it, and makes such&nbsp;<a></a>things a part of itself, so also the rational animal is able to make every&nbsp;<a></a>hindrance its own material, and to use it for such purposes as it may have&nbsp;<a></a>designed.<a></a></p>



<p>Do not disturb thyself by thinking of the whole of thy life. Let not thy thoughts at once embrace all the various troubles which thou mayest expect to befall thee: but on every occasion ask thyself, What is there in this which is intolerable and past bearing? For thou wilt be ashamed to confess. In the next place remember that neither the future nor the past pains thee, but only the present. But this is reduced to a very little, if thou only circumscribest it, and chidest thy mind, if it is unable to hold out against even this&#8230;</p>



<p>If thou canst see sharp, look and judge wisely, says the&nbsp;<a></a>philosopher.<a></a></p>



<p>In the constitution of the rational animal I see no virtue which is opposed to justice; but I see a virtue which is opposed to love of pleasure, and that is temperance&#8230;</p>



<p>It is not fit that I should give myself pain, for I have never&nbsp;<a></a>intentionally given pain even to another.<a></a></p>



<p>Different things delight different people. But it is my delight&nbsp;<a></a>to keep the ruling faculty sound without turning away either from any man&nbsp;<a></a>or from any of the things which happen to men, but looking at and receiving&nbsp;<a></a>all with welcome eyes and using everything according to its&nbsp;<a></a>value.<a></a></p>



<p>See that thou secure this present time to thyself: for those who rather pursue posthumous fame do consider that the men of after time will be exactly such as these whom they cannot bear now; and both are mortal. And what is it in any way to thee if these men of after time utter this or that sound, or have this or that opinion about thee?</p>



<p>See that thou secure this present time to thyself: for those who&nbsp;<a></a>rather pursue posthumous fame do consider that the men of after time will&nbsp;<a></a>be exactly such as these whom they cannot bear now; and both are mortal.&nbsp;<a></a>And what is it in any way to thee if these men of after time utter this&nbsp;<a></a>or that sound, or have this or that opinion about thee?<a></a></p>



<p>Take me and cast me where thou wilt; for there I shall keep my divine part tranquil, that is, content, if it can feel and act conformably to its proper constitution&#8230;</p>



<p>Nothing can happen to any man which is not a human accident, nor&nbsp;<a></a>to an ox which is not according to the nature of an ox, nor to a vine which&nbsp;<a></a>is not according to the nature of a vine, nor to a stone which is not proper&nbsp;<a></a>to a stone. If then there happens to each thing both what is usual and&nbsp;<a></a>natural, why shouldst thou complain? For the common nature brings nothing&nbsp;<a></a>which may not be borne by thee.<a></a></p>



<p>If thou art pained by any external thing, it is not this thing that disturbs thee, but thy own judgement about it. And it is in thy power to wipe out this judgement now&#8230; Take thy departure then from life contentedly, just as he dies who is in full activity, and well pleased too with the things which are obstacles.</p>



<p>Remember that the ruling faculty is invincible, when self-collected it is satisfied with itself, if it does nothing which it does not choose to do, even if it resist from mere obstinacy. What then will it be when it forms a judgement about anything aided by reason and deliberately? Therefore the mind which is free from passions is a citadel, for man has nothing more secure to which he can fly for, refuge and for the future be inexpugnable. He then who has not seen this is an ignorant man; but he who has seen it and does not fly to this refuge is unhappy&#8230;</p>



<p>A cucumber is bitter. — Throw it away. — There are briars in the road. — Turn aside from them. — This is enough&#8230; the universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter and her own art.</p>



<p>Neither in thy actions be sluggish nor in thy conversation without&nbsp;<a></a>method, nor wandering in thy thoughts, nor let there be in thy soul inward&nbsp;<a></a>contention nor external effusion, nor in life be so busy as to have no&nbsp;<a></a>leisure.<a></a></p>



<p>Suppose that men kill thee, cut thee in pieces, curse thee. What&nbsp;<a></a>then can these things do to prevent thy mind from remaining pure, wise,&nbsp;<a></a>sober, just? For instance, if a man should stand by a limpid pure spring,&nbsp;<a></a>and curse it, the spring never ceases sending up potable water; and if&nbsp;<a></a>he should cast clay into it or filth, it will speedily disperse them and&nbsp;<a></a>wash them out, and will not be at all polluted. How then shalt thou possess&nbsp;<a></a>a perpetual fountain and not a mere well? By forming thyself hourly to&nbsp;<a></a>freedom conjoined with contentment, simplicity and modesty.<a></a></p>



<p>He who does not know what the world is, does not know where he is. And he who does not know for what purpose the world exists, does not know who he is, nor what the world is. But he who has failed in any one of these things could not even say for what purpose he exists himself&#8230;</p>



<p>No longer let thy breathing only act in concert with the air which&nbsp;<a></a>surrounds thee, but let thy intelligence also now be in harmony with the&nbsp;<a></a>intelligence which embraces all things. For the intelligent power is no&nbsp;<a></a>less diffused in all parts and pervades all things for him who is willing&nbsp;<a></a>to draw it to him than the aerial power for him who is able to respire&nbsp;<a></a>it.<a></a></p>



<p>Generally, wickedness does no harm at all to the universe; and&nbsp;<a></a>particularly, the wickedness of one man does no harm to another. It is&nbsp;<a></a>only harmful to him who has it in his power to be released from it, as&nbsp;<a></a>soon as he shall choose.<a></a></p>



<p>To my own free will the free will of my neighbour is just as indifferent as his poor breath and flesh. For though we are made especially for the sake of one another, still the ruling power of each of us has its own office, for otherwise my neighbour&#8217;s wickedness would be my harm, which God has not willed in order that my unhappiness may not depend on another&#8230;</p>



<p>He who fears death either fears the loss of sensation or a different&nbsp;<a></a>kind of sensation. But if thou shalt have no sensation, neither wilt thou&nbsp;<a></a>feel any harm; and if thou shalt acquire another kind of sensation, thou&nbsp;<a></a>wilt be a different kind of living being and thou wilt not cease to&nbsp;<a></a>live.<a></a></p>



<p>Men exist for the sake of one another. Teach them then or bear&nbsp;<a></a>with them.<a></a></p>



<p>In one way an arrow moves, in another way the mind. The mind indeed,&nbsp;<a></a>both when it exercises caution and when it is employed about inquiry, moves&nbsp;<a></a>straight onward not the less, and to its object.<a></a></p>



<p>Enter into every man&#8217;s ruling faculty; and also let every other man enter into thine.</p>



<p><strong>Book Nine</strong></p>



<p>He sho acts unjustly acts impiously. For since the universal nature has made rational animals for the sake of one another to help one another according to their deserts, but in no way to injure one another, he who transgresses her will, is clearly guilty of impiety towards the highest divinity. And he too who lies is guilty of impiety to the same divinity; for the universal nature is the nature of things that are; and things that are have a relation to all things that come into existence. And further, this universal nature is named truth, and is the prime cause of all things that are true. He then who lies intentionally is guilty of impiety inasmuch as he acts unjustly by deceiving; and he also who lies unintentionally, inasmuch as he is at variance with the universal nature, and inasmuch as he disturbs the order by fighting against the nature of the world; for he fights against it, who is moved of himself to that which is contrary to truth, for he had received powers from nature through the neglect of which he is not able now to distinguish falsehood from truth. And indeed he who pursues pleasure as good, and avoids pain as evil, is guilty of impiety. For of necessity such a man must often find fault with the universal nature, alleging that it assigns things to the bad and the good contrary to their deserts, because frequently the bad are in the enjoyment of pleasure and possess the things which procure pleasure, but the good have pain for their share and the things which cause pain. And further, he who is afraid of pain will sometimes also be afraid of some of the things which will happen in the world, and even this is impiety. And he who pursues pleasure will not abstain from injustice, and this is plainly impiety. Now with respect to the things towards which the universal nature is equally affected- for it would not have made both, unless it was equally affected towards both- towards these they who wish to follow nature should be of the same mind with it, and equally affected. With respect to pain, then, and pleasure, or death and life, or honour and dishonour, which the universal nature employs equally, whoever is not equally affected is manifestly acting impiously. And I say that the universal nature employs them equally, instead of saying that they happen alike to those who are produced in continuous series and to those who come after them by virtue of a certain original movement of Providence, according to which it moved from a certain beginning to this ordering of things, having conceived certain principles of the things which were to be, and having determined powers productive of beings and of changes and of such like successions.</p>



<p>It would be a man&#8217;s happiest lot to depart from mankind without&nbsp;<a></a>having had any taste of lying and hypocrisy and luxury and pride. However&nbsp;<a></a>to breathe out one&#8217;s life when a man has had enough of these things is&nbsp;<a></a>the next best voyage, as the saying is. Hast thou determined to abide with&nbsp;<a></a>vice, and has not experience yet induced thee to fly from this pestilence?&nbsp;<a></a>For the destruction of the understanding is a pestilence, much more indeed&nbsp;<a></a>than any such corruption and change of this atmosphere which surrounds&nbsp;<a></a>us. For this corruption is a pestilence of animals so far as they are animals;&nbsp;<a></a>but the other is a pestilence of men so far as they are&nbsp;<a></a>men.<a></a></p>



<p>Do not despise death, but be well content with it, since this too&nbsp;<a></a>is one of those things which nature wills. For such as it is to be young&nbsp;<a></a>and to grow old, and to increase and to reach maturity, and to have teeth&nbsp;<a></a>and beard and grey hairs, and to beget, and to be pregnant and to bring&nbsp;<a></a>forth, and all the other natural operations which the seasons of thy life&nbsp;<a></a>bring, such also is dissolution. This, then, is consistent with the character&nbsp;<a></a>of a reflecting man, to be neither careless nor impatient nor contemptuous&nbsp;<a></a>with respect to death, but to wait for it as one of the operations of nature.&nbsp;<a></a>As thou now waitest for the time when the child shall come out of thy wife&#8217;s&nbsp;<a></a>womb, so be ready for the time when thy soul shall fall out of this envelope.&nbsp;<a></a>But if thou requirest also a vulgar kind of comfort which shall reach thy&nbsp;<a></a>heart, thou wilt be made best reconciled to death by observing the objects&nbsp;<a></a>from which thou art going to be removed, and the morals of those with whom&nbsp;<a></a>thy soul will no longer be mingled. For it is no way right to be offended&nbsp;<a></a>with men, but it is thy duty to care for them and to bear with them gently;&nbsp;<a></a>and yet to remember that thy departure will be not from men who have the&nbsp;<a></a>same principles as thyself. For this is the only thing, if there be any,&nbsp;<a></a>which could draw us the contrary way and attach us to life, to be permitted&nbsp;<a></a>to live with those who have the same principles as ourselves. But now thou&nbsp;<a></a>seest how great is the trouble arising from the discordance of those who&nbsp;<a></a>live together, so that thou mayest say, Come quick, O death, lest perchance&nbsp;<a></a>I, too, should forget myself.<a></a></p>



<p>He who does wrong does wrong against himself. He who acts unjustly&nbsp;<a></a>acts unjustly to himself, because he makes himself bad.<a></a></p>



<p>He often acts unjustly who does not do a certain thing; not only he who does a certain thing&#8230;</p>



<p>If thou art able, correct by teaching those who do wrong; but if thou canst not, remember that indulgence is given to thee for this purpose&#8230;</p>



<p>Labour not as one who is wretched, nor yet as one who would be pitied or admired: but direct thy will to one thing only, to put thyself in motion and to check thyself, as the social reason requires&#8230;</p>



<p>All things are the same, familiar in experience, and ephemeral in time, and worthless in the matter. Everything now is just as it was in the time of those whom we have buried&#8230;</p>



<p>Not in passivity, but in activity lie the evil and the good of the rational social animal, just as his virtue and his vice lie not in passivity, but in activity&#8230;</p>



<p>All things are changing: and thou thyself art in continuous mutation and in a manner in continuous destruction, and the whole universe too&#8230;</p>



<p>As thou thyself art a component part of a social system, so let every act of thine be a component part of social life. Whatever act of thine then has no reference either immediately or remotely to a social end, this tears asunder thy life, and does not allow it to be one, and it is of the nature of a mutiny, just as when in a popular assembly a man acting by himself stands apart from the general agreement&#8230;</p>



<p>When another blames thee or hates thee, or when men say about thee anything injurious, approach their poor souls, penetrate within, and see what kind of men they are. Thou wilt discover that there is no reason to take any trouble that these men may have this or that opinion about thee. However thou must be well disposed towards them, for by nature they are friends. And the gods too aid them in all ways, by dreams, by signs, towards the attainment of those things on which they set a value&#8230;</p>



<p>In a word, if there is a god, all is well; and if chance rules, do not thou also be governed by it&#8230;</p>



<p>&#8230;how worthless are all these poor people who are engaged in matters political, and, as they suppose, are playing the philosopher! All drivellers. Well then, man: do what nature now requires. Set thyself in motion, if it is in thy power, and do not look about thee to see if any one will observe it; nor yet expect Plato&#8217;s Republic: but be content if the smallest thing goes on well, and consider such an event to be no small matter&#8230;</p>



<p>All that thou seest will quickly perish, and those who have been spectators of its dissolution will very soon perish too. And he who dies at the extremest old age will be brought into the same condition with him who died prematurely&#8230;</p>



<p>Loss is nothing else than change. But the universal nature delights in change, and in obedience to her all things are now done well, and from eternity have been done in like form, and will be such to time without end&#8230;</p>



<p>Either all things proceed from one intelligent source and come&nbsp;<a></a>together as in one body, and the part ought not to find fault with what&nbsp;<a></a>is done for the benefit of the whole; or there are only atoms, and nothing&nbsp;<a></a>else than mixture and dispersion. Why, then, art thou disturbed? Say to&nbsp;<a></a>the ruling faculty, Art thou dead, art thou corrupted, art thou playing&nbsp;<a></a>the hypocrite, art thou become a beast, dost thou herd and feed with the&nbsp;<a></a>rest?<a></a></p>



<p>Either the gods have no power or they have power. If, then, they have no power, why dost thou pray to them? &#8230;is it not better to use what is in thy power like a free man than to desire in a slavish and abject way what is not in thy power? </p>



<p><strong>Book Ten</strong></p>



<p>Observe what thy nature requires, so far as thou art governed by&nbsp;<a></a>nature only: then do it and accept it, if thy nature, so far as thou art&nbsp;<a></a>a living being, shall not be made worse by it.<a></a></p>



<p>And next thou must observe what thy nature requires so far as thou&nbsp;<a></a>art a living being. And all this thou mayest allow thyself, if thy nature,&nbsp;<a></a>so far as thou art a rational animal, shall not be made worse by it. But&nbsp;<a></a>the rational animal is consequently also a political (social) animal. Use&nbsp;<a></a>these rules, then, and trouble thyself about nothing&nbsp;<a></a>else.<a></a></p>



<p>Everything which happens either happens in such wise as thou art&nbsp;<a></a>formed by nature to bear it, or as thou art not formed by nature to bear&nbsp;<a></a>it. If, then, it happens to thee in such way as thou art formed by nature&nbsp;<a></a>to bear it, do not complain, but bear it as thou art formed by nature to&nbsp;<a></a>bear it. But if it happens in such wise as thou art not formed by nature&nbsp;<a></a>to bear it, do not complain, for it will perish after it has consumed thee.&nbsp;<a></a>Remember, however, that thou art formed by nature to bear everything, with&nbsp;<a></a>respect to which it depends on thy own opinion to make it endurable and&nbsp;<a></a>tolerable, by thinking that it is either thy interest or thy duty to do&nbsp;<a></a>this.<a></a></p>



<p>If a man is mistaken, instruct him kindly and show him his error.&nbsp;<a></a>But if thou art not able, blame thyself, or blame not even&nbsp;<a></a>thyself.<a></a></p>



<p>Whatever may happen to thee, it was prepared for thee from all eternity&#8230;</p>



<p>Whether the universe is a concourse of atoms, or nature is a system,&nbsp;<a></a>let this first be established, that I am a part of the whole which is governed&nbsp;<a></a>by nature;</p>



<p>And remember that the term Rational was intended to signify a discriminating attention to every several thing and freedom from negligence; and that Equanimity is the voluntary acceptance of the things which are assigned to thee by the common nature; and that Magnanimity is the elevation of the intelligent part above the pleasurable or painful sensations of the flesh, and above that poor thing called fame, and death, and all such things. If, then, thou maintainest thyself in the possession of these names, without desiring to be called by these names by others, thou wilt be another person and wilt enter on another life. For to continue to be such as thou hast hitherto been, and to be tom in pieces and defiled in such a life, is the character of a very stupid man and one overfond of his life, and like those half-devoured fighters with wild beasts, who though covered with wounds and gore, still intreat to be kept to the following day, though they will be exposed in the same state to the same claws and bites. Therefore fix thyself in the possession of these few names: and if thou art able to abide in them, abide as if thou wast removed to certain islands of the Happy&#8230;</p>



<p>Acquire the contemplative way of seeing how all things change into one another, and constantly attend to it, and exercise thyself about this part of philosophy. For nothing is so much adapted to produce magnanimity&#8230;</p>



<p>Short is the little which remains to thee of life. Live as on a&nbsp;<a></a>mountain. For it makes no difference whether a man lives there or here,&nbsp;<a></a>if he lives everywhere in the world as in a state (political community).&nbsp;<a></a>Let men see, let them know a real man who lives according to nature. If&nbsp;<a></a>they cannot endure him, let them kill him. For that is better than to live&nbsp;<a></a>thus as men do.<a></a></p>



<p>No longer talk at all about the kind of man that a good man ought&nbsp;<a></a>to be, but be such.<a></a></p>



<p>Constantly contemplate the whole of time and the whole of substance,&nbsp;<a></a>and consider that all individual things as to substance are a grain of&nbsp;<a></a>a fig, and as to time, the turning of a gimlet.<a></a></p>



<p>Look at everything that exists, and observe that it is already&nbsp;<a></a>in dissolution and in change, and as it were putrefaction or dispersion,&nbsp;<a></a>or that everything is so constituted by nature as to&nbsp;<a></a>die.<a></a></p>



<p>Consider what men are when they are eating, sleeping, generating,&nbsp;<a></a>easing themselves and so forth. Then what kind of men they are when they&nbsp;<a></a>are imperious and arrogant, or angry and scolding from their elevated place.&nbsp;<a></a>But a short time ago to how many they were slaves and for what things;&nbsp;<a></a>and after a little time consider in what a condition they will&nbsp;<a></a>be.<a></a></p>



<p>That is for the good of each thing, which the universal nature brings to each. And it is for its good at the time when nature brings it&#8230;</p>



<p>He who flies from his master is a runaway; but the law is master, and he who breaks the law is a runaway. And he also who is grieved or angry or afraid, is dissatisfied because something has been or is or shall be of the things which are appointed by him who rules all things, and he is Law, and assigns to every man what is fit. He then who fears or is grieved or is angry is a runaway&#8230;</p>



<p>Constantly consider how all things such as they now are, in time&nbsp;<a></a>past also were; and consider that they will be the same again. And place&nbsp;<a></a>before thy eyes entire dramas and stages of the same form, whatever thou&nbsp;<a></a>hast learned from thy experience or from older history; for example, the&nbsp;<a></a>whole court of Hadrian, and the whole court of Antoninus, and the whole&nbsp;<a></a>court of Philip, Alexander, Croesus; for all those were such dramas as&nbsp;<a></a>we see now, only with different actors.<a></a></p>



<p>Imagine every man who is grieved at anything or discontented to&nbsp;<a></a>be like a pig which is sacrificed and kicks and screams.<a></a></p>



<p>Like this pig also is he who on his bed in silence laments the bonds in which we are held. And consider that only to the rational animal is it given to follow voluntarily what happens; but simply to follow is a necessity imposed on all&#8230;</p>



<p>To him who is penetrated by true principles even the briefest precept is sufficient, and any common precept, to remind him that he should be free from grief and fear&#8230;</p>



<p>Thou wilt consider this then when thou art dying, and thou wilt depart more contentedly by reflecting thus: I am going away from such a life, in which even my associates in behalf of whom I have striven so much, prayed, and cared, themselves wish me to depart, hoping perchance to get some little advantage by it. Why then should a man cling to a longer stay here? Do not however for this reason go away less kindly disposed to them, but preserving thy own character, and friendly and benevolent and mild, and on the other hand not as if thou wast torn away; but as when a man dies a quiet death, the poor soul is easily separated from the body, such also ought thy departure from men to be, for nature united thee to them and associated thee. But does she now dissolve the union? Well, I am separated as from kinsmen, not however dragged resisting, but without compulsion; for this too is one of the things according to nature&#8230;</p>



<p>Remember that this which pulls the strings is the thing which is hidden within: this is the power of persuasion, this is life, this, if one may so say, is man&#8230;</p>



<p><strong>Book Eleven</strong></p>



<p>These are the properties of the rational soul: it sees itself, analyses itself, and makes itself such as it chooses&#8230; This too is a property of the rational soul, love of one&#8217;s neighbour, and truth and modesty, and to value nothing more more than itself, which is also the property of Law. Thus then right reason differs not at all from the reason of justice&#8230;</p>



<p>What a soul that is which is ready, if at any moment it must be&nbsp;<a></a>separated from the body, and ready either to be extinguished or dispersed&nbsp;<a></a>or continue to exist; but so that this readiness comes from a man&#8217;s own&nbsp;<a></a>judgement, not from mere obstinacy, as with the Christians, but considerately&nbsp;<a></a>and with dignity and in a way to persuade another, without tragic&nbsp;<a></a>show.<a></a></p>



<p>Have I done something for the general interest? Well then I have&nbsp;<a></a>had my reward. Let this always be present to thy mind, and never stop doing&nbsp;<a></a>such good.<a></a></p>



<p>What is thy art? To be good. And how is this accomplished well&nbsp;<a></a>except by general principles, some about the nature of the universe, and&nbsp;<a></a>others about the proper constitution of man?</p>



<p>&#8230;Life&#8217;s harvest reap like the wheat&#8217;s fruitful ear. And other things of the same kind&#8230;</p>



<p>There is no nature which is inferior to art, for the arts imitate the nature of things. But if this is so, that nature which is the most perfect and the most comprehensive of all natures, cannot fall short of the skill of art. Now all arts do the inferior things for the sake of the superior; therefore the universal nature does so too. And, indeed, hence is the origin of justice, and in justice the other virtues have their foundation: for justice will not be observed, if we either care for middle things (things indifferent), or are easily deceived and careless and changeable&#8230;</p>



<p>But I&nbsp;<a></a>will be mild and benevolent towards every man, and ready to show even him&nbsp;<a></a>his mistake, not reproachfully, nor yet as making a display of my endurance,&nbsp;<a></a>but nobly and honestly, like the great Phocion, unless indeed he only assumed&nbsp;<a></a>it. For the interior parts ought to be such, and a man ought to be seen&nbsp;<a></a>by the gods neither dissatisfied with anything nor complaining. For what&nbsp;<a></a>evil is it to thee, if thou art now doing what is agreeable to thy own&nbsp;<a></a>nature, and art satisfied with that which at this moment is suitable to&nbsp;<a></a>the nature of the universe, since thou art a human being placed at thy&nbsp;<a></a>post in order that what is for the common advantage may be done in some&nbsp;<a></a>way?<a></a></p>



<p>Men despise one another and flatter one another; and men wish to raise themselves above one another, and crouch before one another&#8230;</p>



<p>The man who is honest and good ought&nbsp;<a></a>to be exactly like a man who smells strong, so that the bystander as soon&nbsp;<a></a>as he comes near him must smell whether he choose or not. But the affectation&nbsp;<a></a>of simplicity is like a crooked stick. Nothing is more disgraceful than&nbsp;<a></a>a wolfish friendship (false friendship). Avoid this most of all. The good&nbsp;<a></a>and simple and benevolent show all these things in the eyes, and there&nbsp;<a></a>is no mistaking.<a></a></p>



<p>As to living in the best way, this power is in the soul, if it be indifferent to things which are indifferent&#8230;</p>



<p>Sixth, consider when thou art much vexed or grieved, that man&#8217;s&nbsp;<a></a>life is only a moment, and after a short time we are all laid out&nbsp;<a></a>dead.<a></a></p>



<p>Seventh, that it is not men&#8217;s acts which disturb us, for those acts have their foundation in men&#8217;s ruling principles, but it is our own opinions which disturb us. Take away these opinions then, and resolve to dismiss thy judgement about an act as if it were something grievous, and thy anger is gone..</p>



<p>Ninth, consider that a good disposition is invincible, if it be genuine, and not an affected smile and acting a part&#8230;</p>



<p>Think of the country mouse and of the town mouse, and of the alarm and trepidation of the town mouse&#8230;</p>



<p>Neither in writing nor in reading wilt thou be able to lay down rules for others before thou shalt have first learned to obey rules thyself. Much more is this so in life&#8230;<br>No man can rob us of our free will&#8230;</p>



<p><strong>Book Twelve</strong></p>



<p>&#8230;And let neither another man&#8217;s wickedness hinder thee, nor opinion nor voice, nor yet the sensations of the poor flesh which has grown about thee&#8230;</p>



<p>God sees the minds (ruling principles) of all men bared of the&nbsp;<a></a>material vesture and rind and impurities. For with his intellectual part&nbsp;<a></a>alone he touches the intelligence only which has flowed and been derived&nbsp;<a></a>from himself into these bodies. And if thou also usest thyself to do this,&nbsp;<a></a>thou wilt rid thyself of thy much trouble. For he who regards not the poor&nbsp;<a></a>flesh which envelops him, surely will not trouble himself by looking after&nbsp;<a></a>raiment and dwelling and fame and such like externals and&nbsp;<a></a>show.<a></a></p>



<p>The things are three of which thou art composed, a little body, a little breath (life), intelligence. Of these the first two are thine, so far as it is thy duty to take care of them; but the third alone is properly thine&#8230;</p>



<p>All round, and in its joyous rest reposing; and if thou shalt strive to live only what is really thy life, that is, the present — then thou wilt be able to pass that portion of life which remains for thee up to the time of thy death, free from perturbations, nobly, and obedient to thy own daemon (to the god that is within thee)&#8230;</p>



<p>What a power man has to do nothing except what God will approve,&nbsp;<a></a>and to accept all that God may give him.<a></a></p>



<p>With respect to that which happens conformably to nature, we ought&nbsp;<a></a>to blame neither gods, for they do nothing wrong either voluntarily or&nbsp;<a></a>involuntarily, nor men, for they do nothing wrong except involuntarily.&nbsp;<a></a>Consequently we should blame nobody.<a></a></p>



<p>How ridiculous and what a stranger he is who is surprised at anything which happens in life.</p>



<p>Either there is a fatal necessity and invincible order, or a kind Providence, or a confusion without a purpose and without a director (Book IV). If then there is an invincible necessity, why dost thou resist? But if there is a Providence which allows itself to be propitiated, make thyself worthy of the help of the divinity&#8230;</p>



<p>And everything which is useful to the universal&nbsp;<a></a>is always good and in season. Therefore the termination of life for every&nbsp;<a></a>man is no evil, because neither is it shameful, since it is both independent&nbsp;<a></a>of the will and not opposed to the general interest, but it is good, since&nbsp;<a></a>it is seasonable and profitable to and congruent with the universal. For&nbsp;<a></a>thus too he is moved by the deity who is moved in the same manner with&nbsp;<a></a>the deity and moved towards the same things in his mind.<a></a></p>



<p>These three principles thou must have in readiness. In the things&nbsp;<a></a>which thou doest do nothing either inconsiderately or otherwise than as&nbsp;<a></a>justice herself would act; but with respect to what may happen to thee&nbsp;<a></a>from without, consider that it happens either by chance or according to&nbsp;<a></a>Providence, and thou must neither blame chance nor accuse Providence. Second,&nbsp;<a></a>consider what every being is from the seed to the time of its receiving&nbsp;<a></a>a soul, and from the reception of a soul to the giving back of the same,&nbsp;<a></a>and of what things every being is compounded and into what things it is&nbsp;<a></a>resolved. Third, if thou shouldst suddenly be raised up above the earth,&nbsp;<a></a>and shouldst look down on human things, and observe the variety of them&nbsp;<a></a>how great it is, and at the same time also shouldst see at a glance how&nbsp;<a></a>great is the number of beings who dwell around in the air and the aether,&nbsp;<a></a>consider that as often as thou shouldst be raised up, thou wouldst see&nbsp;<a></a>the same things, sameness of form and shortness of duration. Are these&nbsp;<a></a>things to be proud of?<a></a></p>



<p>&#8230;When thou art troubled about anything, thou hast forgotten this, that all things happen according to the universal nature; and forgotten this, that a man&#8217;s wrongful act is nothing to thee; and further thou hast forgotten this, that everything which happens, always happened so and will happen so, and now happens so everywhere; forgotten this too, how close is the kinship between a man and the whole human race, for it is a community, not of a little blood or seed, but of intelligence. And thou hast forgotten this too, that every man&#8217;s intelligence is a god, and is an efflux of the deity; and forgotten this, that nothing is a man&#8217;s own, but that his child and his body and his very soul came from the deity; forgotten this, that everything is opinion; and lastly thou hast forgotten that every man lives the present time only, and loses only this.</p>



<p>Constantly bring to thy recollection those who have complained greatly about anything, those who have been most conspicuous by the greatest fame or misfortunes or enmities or fortunes of any kind: then think where are they all now? &#8230;and in fine think of the eager pursuit of anything conjoined with pride; and how worthless everything is after which men violently strain; and how much more philosophical it is for a man in the opportunities presented to him to show.</p>



<p class="has-text-align-center"><strong>THE END</strong></p>



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<p>The post <a href="https://philosophyforumlgbt.org/marcus-aurelius-the-meditations/">Marcus Aurelius: The Meditations</a> appeared first on <a href="https://philosophyforumlgbt.org">Philosophy Forum LGBT</a>.</p>
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		<title>&#8220;The Madeleine &#038; Descartes&#8221;</title>
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					<description><![CDATA[<p>The Madeleine and Descartes by Sharon GirardCitations are to: Swann&#8217;s Way by Marcel Proust, Vol I/VI, tr. by Moncrieff,Kilmartin, Enright , pub. by Modern Library 2003 Meditations on First Philosophy by René Descartes, tr byCottingham, pub. by Cambridge Univ. Press, 1986Part I &#8211; AbstractThe philosopher is Descartes; the scene is the famous Madeleine dipped in &#8230; </p>
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1014" height="900" src="https://philosophyforumlgbt.org/wp-content/uploads/2020/11/Proust-22À-la-recherche-du-temps-perdu22-1.jpg" alt="" class="wp-image-135" srcset="https://philosophyforumlgbt.org/wp-content/uploads/2020/11/Proust-22À-la-recherche-du-temps-perdu22-1.jpg 1014w, https://philosophyforumlgbt.org/wp-content/uploads/2020/11/Proust-22À-la-recherche-du-temps-perdu22-1-300x266.jpg 300w, https://philosophyforumlgbt.org/wp-content/uploads/2020/11/Proust-22À-la-recherche-du-temps-perdu22-1-768x682.jpg 768w" sizes="(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px" /></figure>



<p>The Madeleine and Descartes by Sharon Girard<br>Citations are to:</p>



<ul><li>Swann&#8217;s Way by Marcel Proust, Vol I/VI, tr. by Moncrieff,<br>Kilmartin, Enright , pub. by Modern Library 2003</li><li>Meditations on First Philosophy by René Descartes, tr by<br>Cottingham, pub. by Cambridge Univ. Press, 1986<br>Part I &#8211; Abstract<br>The philosopher is Descartes; the scene is the famous Madeleine dipped in a teacup. The scene is usually summarized as a unified whole and as a paradigm for memory of the involuntary kind. It is glossed as memory precipitated unexpectedly, out of the blue, aroused by the raw sensual taste and smell of the madeleine. But, in that summary emphasizing just the initial rush and joy, some<br>critical moves are overlooked. Right away, a careful reading discloses that the madeleine incident comprises not one but three, separate stages. In the first stage, Marcel tastes the tea where he has dipped the Madeleine and experiences a rush of<br>pure feeling, inchoate and indeterminate; there is an “all-powerful joy”. No memory has appeared, just a joy. Marcel does not know origin of the feeling. At the second stage, M engages a disciplined and difficult project to find &#8220;the truth&#8221; of this felicity, to seek out the source of the feeling and to repeat it. He decides that the answers will not be found in the external world but in his own mind. He prepares his mind. He find his labours difficult and dangerous. He is prone to fall into the abyss, to sink back into the darkness of the unknown. Yet, with determination he essays his task many times — at least ten! In the third and final stage, at last comes the sought-for repetition of joy and truth; this time memory arises not inchoate but with all its desired detail and knowledge.<br>My interest and theory concerns this second stage of trying to recover the joy and the truth that attended the initial inchoate memory. I claim, that this stage is exactly modeled on the first few Meditations of Descartes. To convince you of this theory of mine, I invite you to think about the Cartesian project for demolishing<br>mere opinion and for gaining undeniable truth. Cast your mind back to Philosophy. </li><li>You may remember Descartes’ project to cast out mere opinion and to gain certain truth. That project entailed a method and a mood and it is the method and mood that hover in shadow as Marcel quests for the truth &#8211; in what I&#8217;ve called the second stage. Descartes&#8217; method for seeking the truth is one of disciplined introspection. He will eradicate doubt, demolish mere opinion and seek truth through the inspection of his own mind; he looks within; his method is an </li></ul>



<p>p. 2</p>



<p>introspective search. His search will be conducted as a meditation &#8211; quiet, solitary, disciplined and focused. Now, all meditations require preparation to allow clarity and truth to reveal themselves; a purging of all extraneous thought and sensation must take place. One doesn&#8217;t just sit right down in the middle and din of, say, a wine and cheese reception, and immediately begin to meditate and seek. Descartes carefully prepares for his labours in the quiet and solitude of his attic. He clears his mind. He purges distracting sights and sounds. Only then can he quietly and determinedly begin to inspect his mind. Once launched in the meditation, he finds the process arduous; it is a struggle and fraught with danger. There is the danger of sliding down into the darkness of opinion. There is the fear of falling, of getting sucked into the whirlpool of uncertainty. Thus a kind of vigilance and courage is needed. These are some aspects of the method and mood of Descartes’ Meditations on first Philosophy. (But no summary can ever do justice to this monument of — dare I tempt censure by PC police — our Western tradition. A remarkable treat is in store for you if you will pull down from your shelves what you probably put up there years ago. In just a few pages, you will have before you the sea-change in philosophy that was written by Descartes — and with a grace and clarity hardly ever again equaled.)<br>Part II. Citations from the texts.<br>After the first rush of happiness, Marcel enters the second stage of the madeleine scene where he prepares for its repetition, truth and origin. The parallels between the method and mood of Marcel’s search to Descartes’ are striking. To be very clear, I am not comparing results of the search. Descartes finds his quarry in the clear and distinct ideas of pure cold reason. Marcel’s is not so clearly spelled out. I claim here an identity in the method and the mood &#8211; Marcel’s method is the meditative method and atmosphere of Descartes. Here are some significant citations.<br>1.) Seeking truth within. Both Marcel and Descartes are seeking truth. That truth is to be found not outside in the external world, in objects out there, but within ourselves. Therefore the route to truth is for Marcel, as for Descartes, within the dark region of introspection. Marcel says:<br>&#8220;It is plain that the truth I am seeking lies not in the cup but in myself. The drink has called it into being, but does not know it …I put down the cup and examine my own mind.<br>It alone can discover the truth.&#8221; [SW pg 61.1<br>The region is dark because the seeker and the sought are the same:<br>“… when it, the seeker, is at the same time the dark region through which it must go seeking …” [SW pg 61.1] 2 of 33</p>



<p>p. 3</p>



<p>2.) Clearing the mind. A requisite step in beginning a meditation is to disencumber the mind of its quotidian preoccupations, its sorrows and its joys.<br>&#8220;So today I have expressly rid my mind of all worries and arranged for myself a stretch of free time.&#8221; [Meditation I, pg. 12.1]<br>&#8220;And then, for the second time, I clear an empty space in front of [my mind].&#8221; [SW pg. 62.1]<br>3.) Removing visual and audio distractions. For meditation, all distracting obstacles must be purged.<br>&#8220;I will now shut my eyes, stop my ears, and withdraw all my senses. I will eliminate from my thoughts all images of bodily things. [Meditation III, pg. 24.1]<br>&#8220;And so that nothing may interrupt [my mind] in its course I shut out every obstacle, every extraneous idea, I stop my ears and inhibit all attention against the sounds from the next room.&#8221; [SW, pg. 61.2<br>4.) The dangers, the whirlpool, the abyss. Meditation is not secure. The danger of falling into untruth and uncertainty is ever-present.<br>&#8220;It feels as if I have fallen unexpectedly into a deep whirlpool which tumbles me around so that I can neither stand on the bottom nor swim up to the top&#8221;. [Meditation II, pg. 16.1]<br>&#8220;Ten times over I must essay the task, must lean down over the abyss.&#8221; [SW, pg. 63.1]<br>&#8220;What an abyss of uncertainty, whenever the mind feels overtaken by itself; when it, the seeker, is at the same time the dark region through which it must go seeking …&#8221; [SW, pg. 61.2<br>5) The darkness of not having the truth. Light/dark is a common metaphor for truth/ignorance.<br>&#8220;… amid the inextricable darkness of the problems I have now raised&#8221; [Meditation I, p 15.3]]<br>&#8220;… it has stopped, has perhaps sunk back into its darkness &#8220;… [SW, pg. 62.3]<br>6) Procrastination; reasons for delay or even abandonment of the search. A search for the truth is not easy. An assiduous commitment to the task must prevail over one’s fear of the abyss and awe of its difficulty.<br>3 of 33</p>



<p>p. 4</p>



<p>&#8220;Ten times over I must essay the task, must lean down over the abyss. And each time the cowardice that deters us from every difficult task, every important enterprise, has urged me to leave the thing alone, to drink my tea and to think merely of the worries of to-day and my hopes for to-morrow, which can be brooded over painlessly.&#8221; [SW, pg. 63.1]<br>&#8220;This led me to put the project off for so long that I would now be to blame if by pondering over it any further I wasted the time still left for carrying it out.&#8221; [Meditation I, pg. 12.1]<br>&#8220;I am like a prisoner who is enjoying an imaginary freedom while asleep; as he begins to suspect that he is asleep, he dreads being woken up, and goes along with the pleasant illusion as long as he can. In the same way I happily slide back into my old opinions and<br>dread being shaken out of them, for fear that my peaceful sleep may be followed by hard labour when I wake, and that I shall have to toil not in the light, but amid the inextricable darkness of the problems I have now raised.&#8221; [Meditation I, pg. 15.3]<br>Part III — Some thoughts about the Madeleine scene<br>Does it matter that Descartes shadows Marcel in this very early scene of the novel?<br>I think the answer is yes; it&#8217;s not just a clever and covert nod to belles lettres. The connection launches some important leitmotifs concerning the mind and philosophy that ripple throughout.<br>Marcel seeks &#8220;the truth.&#8221; Truth will often be presented as a hidden reality behind suspicion in love and jealousy. The importance of the senses in seeking truth and meaning is paramount but never excludes the intellect, the mind &#8211; there is always an inextricable interplay of mind and senses. The senses triggered his search for<br>the truth behind the madeleine, but his mind propelled it forward. Truths in a teacup are usually handled by a woman with a bandana and lots of lipstick; those leaves capture the future with questions like “will I marry?” “will I come into fortune?” “when will I die?” Here the leaves in the teacup reverse the usual, they consider the past. They set the stage for considering went into the chrysalis of that<br>“I” that now meditates on itself.<br>This early scene shows immediately that portraying Marcel as a hothouse flower, a teapot or an effete aesthete is reductive and wrong. Yes, the taste and smell of the madeleine causes Combray ultimately to rise in the teacup. But, look at the hard meditative work that went into coaxing the memory to repeat and disclose itself.<br>That hard work was a labor of pure intellect.<br>Finally, the second stage of the madeleine scene augurs the resonance of philosophy and philosophers that will sound throughout The Search. This resonance sounds now as reverence, now as ridicule. Sometimes the philosopher&#8217;s lucubrations and tortured reasonings are such that you risk falling over your chair </p>



<p>4 of 33</p>



<p>p. 5</p>



<p>convulsed with laughter if you continue to read. Other times there is pure reverence and acknowledgement. This latter tone is sounded, I think, in the madeleine scene.<br>A teeny note about that rush of happiness is dropped within parentheses so that the first-time reader will quickly glide over and almost unconsciously park that tantalizing puzzle in some back alley for future consideration.<br>“…(although I did not yet know and must long postpone the discovery of why this memory made me so happy) …” [SW, pg. 64.2]<br>The experienced reader has been well-trained to take note of teeny jokes, hints, puzzles and foreshadowings and to treat them as watchwords in the many pages to come.<br>5 of 33</p>



<p>p. 6 (p. 58 of &#8220;Swann&#8217;s Way&#8221; by Marcel Proust, translated by Moncrieff/Kilmartin/Enright, Modern Library, vol. 1/6) </p>



<p>My aching heart was soothed; I let myself be borne upon the current of this gentle night on which I had my mother by my side. I knew that such a night could not be repeated; that the strongest desire I had in the world, namely, to keep my mother in my room through the sad hours of darkness, ran too much counter to general<br>requirements and to the wishes of others for such a concession as had been granted me this evening to be anything but a rare and artificial exception. Tomorrow<br>night my anguish would return and Mamma would not stay by my side. But when my anguish was assuaged, I could no longer understand it; besides, tomorrow was still<br>a long way off; I told myself that I should still have time to take preventive action, although that time could bring me no access of power since these things were in no way dependent upon the exercise of my will, and seemed not quite inevitable only because they were still separated from me by this short interval. And so it was that, for a long time afterwards, when I lay awake at night and revived old memories of Combray, I saw no more of it than this sort of luminous panel, sharply defined against a vague and shadowy background, like the panels which the glow of a Bengal light or a searchlight beam will cut out and illuminate in a building the other parts of which remain plunged in darkness: broad enough at its base, the little parlour, the dining room, the opening of the dark path from which M. Swann, the unwitting author of my sufferings, would emerge, the hall through which I would journey to the first step of that staircase, so painful to climb, which constituted, all by itself, the slender cone of this irregular pyramid; and, at </p>



<p>(Swann&#8217;s Way by Marcel Proust tr by Moncrieff/Kilmartin/Enright, Modern<br>Library vol 1/6)<br>6 of 33</p>



<p>p. 7 (COMBRAY, p. 59)</p>



<p>the summit, my bedroom, with the little passage through whose glazed door Mamma would enter; in a word, seen always at the same evening hour, isolated from all its<br>possible surroundings, detached and solitary against the dark background, the bare minimum of scenery necessary (like the décor one sees prescribed on the title-page of an<br>old play, for its performance in the provinces) to the drama of my undressing; as though all Combray had consisted of but two floors joined by a slender staircase, and as though there had been no time there but seven o’clock at night. I must own that I could have assured any<br>questioner that Combray did include other scenes and did exist at other hours than these. But since the facts which I should then have recalled would have been prompted only<br>by voluntary memory, the memory of the intellect, and since the pictures which that kind of memory shows us preserve nothing of the past itself, I should never have had any wish to ponder over this residue of Combray. To me it was in reality all dead. Permanently dead? Very possibly. There is a large element of chance in these matters, and a second chance occurrence, that of our own death, often prevents us from awaiting for any length of time the favours of the first.<br>I feel that there is much to be said for the Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object, and thus effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognised them </p>



<p>7 of 33</p>



<p>p. 8 (p. 60, SWANN’S WAY)</p>



<p><br>the spell is broken. Delivered by us, they have overcome death and return to share our life.<br>And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.<br>Many years had elapsed during which nothing of Combray, except what lay in the theatre and the drama of my going to bed there, had any existence for me, when one day in winter, on my return home, my mother, seeing that I was cold, offered me some tea, a thing I did not ordinarily take. I declined at first, and then, for no particular reason, changed my mind. She sent for one of those squat, plump little cakes called &#8216;petites madeleines,&#8217; which look as though they had been moulded in the fluted valve of a scallop shell. And soon, mechanically, dispirited after a dreary day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid mixed with the crumbs touched my palate than a shiver ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory — this new sensation having had the effect, which love has, of filling me with a precious essence; or<br>8 of 33</p>



<p>p. 9 (p. 61, COMBRAY)</p>



<p><br>rather this essence was not in me, it was me. I had ceased now to feel mediocre, contingent, mortal. Whence could it have come to me, this all-powerful joy? I sensed that it was connected with the taste of the tea and the cake, but that it infinitely transcended those savours, could not, indeed, be of the same nature. Where did it come from? What did it mean? How could I seize and apprehend it? I drink a second mouthful, in which I find nothing more than in the first, then a third, which gives me rather less than the second. It is time to stop; the potion is losing its virtue. It is plain that the truth I am seeking lies not in<br>the cup but in myself. The drink has called it into being, but does not know it, and can only repeat indefinitely, with a progressive diminution of strength, the same message which I cannot interpret, though I hope at least to be able to call it forth again and to find it there presently, intact and at my disposal, for my final enlightenment. I put down the cup and examine my own mind. It alone can discover the truth. But how? What an abyss of<br>uncertainty, whenever the mind feels overtaken by itself; when it, the seeker, is at the same time the dark region through which it must go seeking and where all its equipment will avail it nothing. Seek? More than that: create. It is face to face with something which does not yet exist, which it alone can make actual, which it alone can bring into the light of day.<br>And I begin again to ask myself what it could have been, this unremembered state which brought with it no logical proof, but the indisputable evidence, of its felicity, its reality, and in whose presence other states of consciousness melted and vanished. I want to try to make<br>it reappear. I retrace my thoughts to the moment at which<br>9 of 33</p>



<p>p. 10 (p. 62, SWANN’S WAY)</p>



<p><br>I drank the first spoonful of tea. I rediscover the same state, illuminated by no fresh light. I ask my mind to make one further effort, to bring back once more the fleeting sensation. And so that nothing may interrupt it in its course I shut out every obstacle, every extraneous idea, I stop my ears and screen my attention from the sounds from the next room. And then, feeling that my mind is tiring itself without having any success to report, I compel it for a change to enjoy the distraction which I have just denied it, to think of other things, to rest and refresh itself before making a final effort. And then for the second time<br>I clear an empty space in front of it; I place in position before my mind’s eye the still recent taste of that first mouthful, and I feel something start within me, something that leaves its resting-place and attempts to rise, something that has been anchored at a great depth; I do<br>not know yet what it is, but I can feel it mounting slowly; I can measure the resistance, I can hear the echo of great spaces traversed.<br>Undoubtedly what is thus palpitating in the depths of my being must be the image, the visual memory which, being linked to that taste, is trying to follow it into my conscious mind. But its struggles are too far off, too confused and chaotic; scarcely can I perceive the neutral glow into which the elusive whirling medley of stirred-up colours is fused, and I cannot distinguish its form, cannot invite it, as the one possible interpreter, to translate for me the evidence of its contemporary, its inseparable paramour, the taste, cannot ask it to inform me what special circumstance is in question, from what period in my past life.<br>10 of 33</p>



<p>p. 11 ( p. 63, COMBRAY)</p>



<p><br>Will it ultimately reach the clear surface of my consciousness, this memory, this old, dead moment which the magnetism of an identical moment has travelled so far to importune, to disturb, to raise up out of the very depths of my being? I cannot tell. Now I feel nothing; it has stopped, has perhaps sunk back into its darkness, from which who can say whether it will ever rise again? Ten times over I must essay the task, must lean down over the abyss. And each time the cowardice that deters us from every difficult task, every important enterprise, has urged me to leave the thing alone, to drink my tea and to think merely of the worries of today and my hopes for tomorrow, which can be brooded over painlessly.<br>And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings at Combray (because on those mornings I did<br>not go out before mass), when I went to say good morning to her in her bedroom, my aunt Léonie used to give me, dipping it first in her own cup of tea or tisane. The sight of<br>the little madeleine had recalled nothing to my mind before I tasted it; perhaps because I had so often seen such things in the meantime, without tasting them, on the trays<br>in pastry-cooks’ windows, that their image had dissociated itself from those Combray days to take its place among others more recent; perhaps because, of those memories so<br>long abandoned and put out of mind, nothing now survived, everything was scattered; the shapes of things, including that of the little scallop-shell of pastry, so richly sensual under its severe, religious folds, were either obliterated or had been so long dormant as to have lost the power of expansion which would have allowed them to resume their place in my consciousness. But when from a<br>11 of 33</p>



<p>p. 12, (p. 64, SWANN’S WAY)</p>



<p><br>long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more<br>immaterial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in<br>the tiny and almost impalpable drop of their essence, the vast structure of recollection.<br>And as soon as I had recognised the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me (although I did not yet<br>know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like a<br>stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents (the isolated segment which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the Square where I used to be sent before lunch, the streets along which I used to run errands, the country roads we took when it was fine. And as in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann’s park, and the waterlilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity,<br>12 of 33</p>



<p>p. 13 (p. 65, COMBRAY)</p>



<p><br>sprang into being, town and gardens alike, from my cup of tea.</p>



<p>II</p>



<p>Combray at a distance, from a twenty-mile radius, as we used to see it from the railway when we arrived there in the week before Easter, was no more than a church<br>epitomising the town, representing it, speaking of it and for it to the horizon, and as one drew near, gathering close about its long, dark cloak, sheltering from the wind, on the<br>open plain, as a shepherdess gathers her sheep, the woolly grey backs of its huddled houses, which the remains of its mediaeval ramparts enclosed, here and there, in an outline<br>as scrupulously circular as that of a little town in a primitive painting. To live in, Combray was a trifle depressing, like its streets, whose houses, built of the blackened stone of the country, fronted with outside steps, capped with gables which projected long shadows<br>downwards, were so dark that as soon as the sun began to go down one had to draw back the curtains in the sittingroom windows; streets with the solemn names of saints, not a few of whom figured in the history of the early lords of Combray, such as the Rue Saint-Hilaire, the Rue Saint-Jacques, in which my aunt’s house stood, the Rue Sainte-Hildegarde, which ran past her railings, and the Rue du Saint-Esprit, on to which the little garden gate<br>opened; and these Combray streets exist in so remote a corner of my memory, painted in colours so different from those in which the world is decked for me today, that in<br>fact one and all of them, and the church which towered above them in the Square, seem to me now more unreal<br>13 of 33</p>



<p>p. 14</p>



<p>sacrificed them always to one woman after another; so that, had fate granted me another hundred years of life and sound health as well, it would merely have added a series of extensions to an already tedious existence, which there seemed to be no point in prolonging at all, still less for any great length of time. As for the “joys of the intelligence,”<br>could I call by that name those cold observations which my clairvoyant eye or my power of accurate ratiocination made without any pleasure and which remained always infertile? But it is sometimes just at the moment when we think that everything is lost that the intimation arrives which may save us; one has knocked at all the doors which lead nowhere, and then one stumbles without knowing it on the only door through which one can enter—which one<br>might have sought in vain for a hundred years—and it opens of its own accord.<br>Revolving the gloomy thoughts which I have just recorded, I had entered the courtyard of the Guermantes mansion and in my absentminded state I had failed to see a car which was coming towards me; the chauffeur gave a shout and I just had time to step out of the way, but as I moved sharply backwards I tripped against the uneven pavingstones in front of the coach-house. And at the moment when, recovering my balance, I put my foot on a stone which was slightly lower than its neighbour, all my discouragement vanished and in its place was that same happiness which at various epochs of my life had been given to me by the sight of trees which I had thought that I recognised in the course of a drive near Balbec, by the sight of the twin steeples of Martinville, by the flavour of a madeleine dipped in tea, and by all those other sensations of which I have spoken and of which the last works of Vinteuil had seemed to me to combine the quintessential character. Just as, at the moment when I tasted the madeleine, all anxiety about the future, all intellectual doubts had disappeared, so now those that a few seconds ago had assailed me on the subject of the reality of my literary gifts, the reality even of literature, were removed as if by magic.<br></p>



<p>Time Regained by Marcel Proust translated by Moncrieff/Kilmartin/Mayor, Vol 1/6, Modern Library<br>14 of 33</p>



<p>p. 15</p>



<p>I had followed no new train of reasoning, discovered no decisive argument, but the difficulties which had seemed insoluble a moment ago had lost all importance. The happiness which I had just felt was unquestionably the same as that which I had felt when I tasted the madeleine soaked in tea. But if on that occasion I had put off the task of searching for the profounder causes of my emotion, this time I was determined not to resign myself to a failure to understand them. The emotion was the same; the difference, purely material, lay in the images evoked: a profound azure intoxicated my eyes, impressions of coolness, of dazzling light, swirled round me and in my desire to seize them — as afraid to move as I had been on the earlier occasion when I had continued to savour the taste of the madeleine while I tried to draw into my consciousness whatever it was that it recalled to me — I continued, ignoring the evident amusement of the great crowd of chauffeurs, to stagger as I had staggered a few seconds ago, with one foot on the higher paving-stone and the other on the lower. Every time that I merely repeated this physical movement, I achieved nothing; but if I succeeded, forgetting the Guermantes party, in recapturing what I had felt when I first placed my feet on the ground in this way, again the<br>dazzling and indistinct vision fluttered near me, as if to say: “Seize me as I pass if you can, and try to solve the riddle of happiness which I set you.” And almost at once I recognised the vision: it was Venice, of which my efforts to describe it and the supposed snapshots taken by my memory had never told me anything, but which the sensation which I had once experienced as I stood upon two uneven stones in the baptistery of St Mark’s had, recurring a moment ago, restored to me complete with all the other sensations linked on that day to that particular sensation, all of which had been waiting in their place — from which with imperious suddenness a chance happening had caused them to emerge — in the series of forgotten days. In the same way the taste of the little madeleine had recalled Combray to me. But why had the images of Combray and of Venice, at these two different moments,<br>given me a joy which was like a certainty and which sufficed, without any other proof, to make death a matter of indifference to me? Still asking myself this question, and determined today to find the answer to it, I entered the Guermantes mansion, because always we give </p>



<p>15 of 33</p>



<p>p. 16</p>



<p>precedence over the inner task that we have to perform to the outward role which we are playing, which was, for me at this moment, that of guest. But when I had gone upstairs, a butler requested me to wait for a few minutes in a little sittingroom used as a library, next to the room where the refreshments were being served, until the end of the piece of music which was being played, the Princess having given orders for the doors to be kept shut during its performance. And at that very moment a second intimation came to reinforce the one which had been given to me by the two uneven paving-stones and to exhort me to persevere in my task. A servant, trying unsuccessfully not to make a noise, chanced<br>to knock a spoon against a plate and again that same species of happiness which had come to me from the uneven paving-stones poured into me; the sensation was again of great heat, but entirely different: heat combined with a whiff of smoke and relieved by the cool smell of a forest background; and I recognised that what seemed to me now so delightful was that same row of trees which I had found tedious both to observe and to describe but which I had just now for a moment, in a sort of daze — I seemed to be in the railway carriage again, opening a bottle of beer — supposed to be before my eyes, so forcibly had the identical noise of the spoon knocking against the plate given me, until I had had time to remember where I was, the illusion of the noise of the hammer with which a railwayman had done something to a wheel of the train while we stopped near the little wood. And then it seemed as though the signs which were to bring me, on this day of all days, out of my<br>disheartened state and restore to me my faith in literature, were thronging eagerly about me, for, a butler who had long been in the service of the Prince de Guermantes having recognised me and brought to me in the library where I was waiting, so that I might not have to go to the buffet, a selection of petits fours and a glass of orangeade, I wiped my mouth with the napkin which he had given me; and instantly, as though I had been the character in the Arabian Nights who unwittingly accomplishes the very rite which can cause to appear, visible to him alone, a docile genie ready to convey him to a great<br>distance, a new vision of azure passed before my eyes, but an azure that this time was pure and saline and swelled into blue and bosomy undulations, and so strong was this impression that the moment to which I was transported seemed to me to be the present moment: more </p>



<p>16 of 33</p>



<p>p. 17</p>



<p>bemused than on the day when I had wondered whether I was really going to be received by the Princesse de Guermantes or whether everything round me would not collapse, I thought that the servant had just opened the window on to the beach and that all things invited me to go down and stroll along the promenade while the tide was high, for the<br>napkin which I had used to wipe my mouth had precisely the same degree of stiffness and starchedness as the towel with which I had found it so awkward to dry my face as I stood in front of the window on the first day of my arrival at Balbec, and this napkin now, in the library of the Prince de Guermantes’s house, unfolded for me — concealed within its smooth surfaces and its folds—the plumage of an ocean green and blue like the tail of a peacock. And what I found myself enjoying was not merely these colours but a whole instant of my life on whose summit they rested, an instant which had been no doubt an aspiration towards them and which some feeling of fatigue or sadness had perhaps<br>prevented me from enjoying at Balbec but which now, freed from what is necessarily imperfect in external perception, pure and disembodied, caused me to swell with happiness. The piece of music which was being played might end at any moment,<br>and I might be obliged to enter the drawing-room. So I forced myself to try as quickly as possible to discern the essence of the identical pleasures which I had just experienced three times within the space of a few minutes, and having done so to extract the lesson which they might be made to yield. The thought that there is a vast difference between the<br>real impression which we have had of a thing and the artificial impression of it which we form for ourselves when we attempt by an act of will to imagine it did not long detain me. Remembering with what relative indifference Swann years ago had been able to speak of<br>the days when he had been loved, because what he saw beneath the words was not in fact those days but something else, and on the other hand the sudden pain which he had been caused by the little phrase of Vinteuil when it gave him back the days themselves, just as they were when he had felt them in the past, I understood clearly that what the sensation of the uneven paving-stones, the stiffness of the napkin, the taste of the madeleine had reawakened in me had no connexion with what I frequently tried to recall to myself of Venice, Balbec, Combray, </p>



<p>17 of 33</p>



<p>p. 18</p>



<p>with the help of an undifferentiated memory; and I understood that the reason why life may be judged to be trivial although at certain moments it seems to us so beautiful is that we form our judgment, ordinarily, on the evidence not of life itself but of those quite different images which preserve nothing of life — and therefore we judge it disparagingly. At<br>most I noticed cursorily that the differences which exist between every one of our real impressions — differences which explain why a uniform depiction of life cannot bear much resemblance to the reality — derive probably from the following cause: the slightest word that we have said, the most insignificant action that we have performed at any one epoch<br>of our life was surrounded by, and coloured by the reflexion of, things which logically had no connexion with it and which later have been separated from it by our intellect which could make nothing of them for its own rational purposes, things, however, in the midst of which—here the pink reflexion of the evening upon the flower-covered wall of a country restaurant, a feeling of hunger, the desire for women, the pleasure of luxury; there the blue volutes of the morning sea and, enveloped in them, phrases of music half emerging like the shoulders of water-nymphs — the simplest act or gesture remains immured as within a thousand sealed vessels, each one of them filled with things of a colour, a scent, a temperature that are absolutely different one from another, vessels, moreover, which being disposed over the whole range of our years, during which we have never ceased to change if only in<br>our dreams and our thoughts, are situated at the most various moral altitudes and give us the sensation of extraordinarily diverse atmospheres. It is true that we have accomplished these changes imperceptibly; but between the memory which brusquely returns to us<br>and our present state, and no less between two memories of different years, places, hours, the distance is such that it alone, even without any specific originality, would make it impossible to compare one with the other. Yes: if, owing to the work of oblivion, the returning memory can throw no bridge, form no connecting link between itself and the present minute, if it remains in the context of its own place and date, if it keeps its distance, its isolation in the hollow of a valley or upon the highest peak of a mountain summit, for this very reason it causes us suddenly to breathe a new air, an air which is new precisely because we have breathed it in the past, that purer air which the poets have vainly tried to </p>



<p>18 of 33</p>



<p>p. 19</p>



<p>situate in paradise and which could induce so profound a sensation of renewal only if it had been breathed before, since the true paradises are the paradises that we have lost. And I observed in passing that for the work of art which I now, though I had not yet reached a conscious resolution, felt myself ready to undertake, this distinctness of different events would entail very considerable difficulties. For I should have to execute the successive<br>parts of my work in a succession of different materials; what would be suitable for mornings beside the sea or afternoons in Venice would be quite wrong if I wanted to depict those evenings at Rivebelle when, in the dining-room that opened on to the garden, the heat began to resolve into fragments and sink back into the ground, while a sunset glimmer<br>still illumined the roses on the walls of the restaurant and the last watercolours of the day were still visible in the sky — this would be a new and distinct material, of a transparency and a sonority that were special, compact, cool after warmth, rose-pink. Over all these thoughts I skimmed rapidly, for another inquiry demanded my attention more imperiously, the inquiry, which on previous occasions I had postponed, into the cause of this felicity which I had just experienced, into the character of the certitude with which it imposed itself. And this cause I began to divine as I compared these diverse happy impressions, diverse yet with this in common, that I experienced them at the present moment and at the same time in the context of a distant moment, so that the past was made to encroach upon the present and I was made to doubt whether I was in the one or the other. The truth surely was that the being within me which had enjoyed these impressions had enjoyed them because they had in them something that was common to a day long past and to the present, because in some way they were extra-temporal, and this being made its appearance only when, through one of these identifications of the present with the past, it was likely to find itself in the one and only medium in which it could exist and enjoy the essence of things, that is to say: outside time. This explained why it was that my anxiety on the subject of my death had ceased at the moment when I had unconsciously recognised the taste of the little madeleine, since the </p>



<p>19 of 33</p>



<p>p. 20</p>



<p>being which at that moment I had been was an extratemporal being and therefore unalarmed by the vicissitudes of the future. This being had only come to me, only manifested itself outside of activity and immediate enjoyment, on those rare occasions when the miracle of an analogy had made me escape from the present. And only this being had the power to perform that task which had always defeated the efforts of my memory and my intellect, the power to make me rediscover days that were long past, the Time that was Lost.<br>And perhaps, if just now I had been disposed to think Bergotte wrong when he spoke of the life of the mind and its joys, it was because what I thought of at that moment as “the life of the mind” was a species of logical reasoning which had no connexion with it or with what existed in me at this moment — an error like the one which had made me find society and life itself tedious because I judged them on the evidence of untrue recollections, whereas now, now that three times in succession there had been reborn within me a veritable moment of the past, my appetite for life was immense.<br>A moment of the past, did I say? Was it not perhaps very much more: something that, common both to the past and to the present, is much more essential than either of them? So often, in the course of my life, reality had disappointed me because at the instant when my senses perceived it my imagination, which was the only organ that I possessed for the enjoyment of beauty, could not apply itself to it, in virtue of that ineluctable law which ordains that we can only imagine what is absent. And now, suddenly, the effect of this harsh law had been neutralised, temporarily annulled, by a marvellous expedient of nature which had caused a sensation—the noise made both by the spoon and by the hammer, for instance—to be mirrored at one and the same time in the past, so that my imagination was permitted to savour it, and in the present, where the actual shock to my senses of the noise, the touch of the linen napkin, or whatever it might be, had added to the dreams of<br>the imagination the concept of “existence” which they usually lack, and through this subterfuge had made it possible for my being to secure, to isolate, to immobilise — for a moment brief as a flash of lightning — what normally it never apprehends: a fragment of time in the pure state. </p>



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<p>p. 21</p>



<p>The being which had been reborn in me when with a sudden shudder of happiness I had heard the noise that was common to the spoon touching the plate and the hammer striking the wheel, or had felt, beneath my feet, the unevenness that was common to the paving-stones of the Guermantes courtyard and to those of the baptistery of St Mark’s, this being is nourished only by the essences of things, in these alone does it find its sustenance and delight. In the observation of the present, where the senses cannot feed it with this food, it languishes, as it does in the consideration of a past made arid by the intellect or in the anticipation of a future which the will constructs with fragments of the present and the past, fragments whose reality it still further reduces by preserving of them only what is suitable for the utilitarian, narrowly human purpose for which it intends them. But let a noise or a scent, once heard or once smelt, be heard or smelt again in the present and at the same time in the past, real without being actual, ideal without being abstract, and<br>immediately the permanent and habitually concealed essence of things is liberated and our true self, which seemed — had perhaps for long years seemed—to be dead but was not altogether dead, is awakened and reanimated as it receives the celestial nourishment that is brought to it.</p>



<p>A minute freed from the order of time has re-created in us, to feel it, the man freed from the order of time. And one can understand that this man should have confidence in his joy, even if the simple taste of a madeleine does not seem logically to contain within it the reasons for this joy, one can understand that the word “death” should have no meaning for him; situated outside time, why should he fear the future?<br>But this species of optical illusion, which placed beside me a moment of the past that was incompatible with the present, could not last for long. The images presented to us by the voluntary memory can, it is true, be prolonged at will, for the voluntary memory requires no more exertion on our part than turning over the pages of a picture-book. On the day, for instance, long ago, when I was to visit the Princesse de Guermantes for the first time, I had from the sun-drenched courtyard of our house in Paris idly regarded, according to my whim, now the Place de l’Eglise at Combray, now the beach at Balbec, as if I had been<br>choosing illustrations for that particular day from an album of watercolours depicting the various places where I had been; and with the </p>



<p>21 of 33</p>



<p>p. 22</p>



<p>egotistical pleasure of a collector, I had said to myself as I catalogued these illustrations stored in my memory: “At least I have seen some lovely things in my life.” And of course my memory had affirmed that each one of these sensations was quite unlike the others, though in fact all it was doing was to make varied patterns out of elements that were<br>homogeneous. But my recent experience of the three memories was something utterly different. These, on the contrary, instead of giving me a more flattering idea of myself, had almost caused me to doubt the reality, the existence of that self. And just as on the day when I had dipped the madeleine in the hot tea, in the setting of the place where I happened at the time to be—on that first day my room in Paris, today at this moment the library of the Prince de Guermantes, a few minutes earlier the courtyard of his house—there had been, inside me and irradiating a little area outside me, a sensation (the taste of the madeleine dipped in the tea, a metallic sound, a step of a certain kind) which was common both to my actual surroundings and also to another place (my aunt Léonie’s bedroom, the railway carriage, the baptistery of St Mark’s). And now again, at the very moment when I was making these reflexions, the shrill noise of water running through a pipe, a noise exactly like those long-drawn-out whistles which sometimes on summer<br>evenings one heard the pleasuresteamers emit as they approached Balbec from the sea, made me feel—what I had once before been made to feel in Paris, in a big restaurant, by the sight of a luxurious diningroom, half-empty, summery and hot — something that was not merely a sensation similar to the one I used to have at the end of the afternoon in<br>Balbec when, the tables already laid and glittering with linen and silver, the vast window-bays still open from one end to the other on to the esplanade without a single interruption, a single solid surface of glass or stone, while the sun slowly descended upon the sea and the steamers in the bay began to emit their cries, I had, if I had wished to join Albertine and her friends who were walking on the front, merely to step over the low wooden frame not much higher than my ankle, into a groove in which the whole continuous range of windows had been wound down so that the air could come into the hotel. (The painful recollection of<br>having loved Albertine was, however, absent from my present sensation. Painful recollections are always of the dead. And the dead decompose rapidly, and there remains even in the proximity of their </p>



<p>22 of 33</p>



<p>p. 23</p>



<p>tombs nothing but the beauty of nature, silence, the purity of the air.) Besides, it was not only an echo, a duplicate of a past sensation that I was made to feel by the noise of the water in the pipe, it was that past sensation itself. And in this case as in all the others, the sensation common to past and present had sought to re-create the former scene around itself, while the actual scene which had taken the former one’s place opposed with all the resistance of material inertia this incursion into a house in Paris of a Normandy beach or a railway embankment. The marine dining-room of Balbec, with its damask linen prepared like so many altar-cloths to receive the setting sun, had sought to shatter the solidity of the Guermantes mansion, to force open its doors, and for an instant had made the sofas around me sway and tremble as on another occasion it had done to the tables of the restaurant in Paris. Always, when these resurrections took place, the distant scene engendered around the common sensation had for a moment grappled, like a wrestler, with the present scene. Always the present scene had come off victorious, and always the vanquished one had appeared to me the more beautiful of the two, so beautiful that I had remained in a state of ecstasy on the uneven paving-stones or before the cup of tea,<br>endeavouring to prolong or to reproduce the momentary appearances of the Combray or the Balbec or the Venice which invaded only to be driven back, which rose up only at once to abandon me in the midst of the new scene which somehow, nevertheless, the past had been able to permeate. And if the present scene had not very quickly been victorious,<br>I believe that I should have lost consciousness; for so complete are these resurrections of the past during the second that they last, that they not only oblige our eyes to cease to see the room which is near them in order to look instead at the railway bordered with trees or the rising tide, they even force our nostrils to breathe the air of places which are in fact a great distance away, and our will to choose between the various projects which those distant places suggest to us, they force our whole self to believe that it is surrounded by these places or at least to waver doubtfully between them and the places where we now are, in a dazed uncertainty such as we feel sometimes when an indescribably beautiful<br>vision presents itself to us at the moment of our falling asleep.<br>23 of 33</p>



<p>p. 24</p>



<p>Fragments of existence withdrawn from Time: these then were perhaps what the being three times, four times brought back to life within me had just now tasted, but the contemplation, though it was of eternity, had been fugitive. And yet I was vaguely aware that the pleasure which this contemplation had, at rare intervals, given me in my life, was the only genuine and fruitful pleasure that I had known. The unreality of the others is indicated clearly enough — is it not? — either by their inability to satisfy us, as is the case with social pleasures, the only consequence of which is likely to be the discomfort provoked by the ingestion of unwholesome food, or with friendship, which is a simulacrum, since, for whatever moral reasons he may do it, the artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which<br>travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive), or else by the sadness which<br>follows their satisfaction, a sadness which I had felt, for instance, on the day when I had been introduced to Albertine, at having taken pains (not even in fact very great pains) in order to achieve something — getting to know this girl — which seemed to me trivial simply because I had achieved it. And even a more profound pleasure, like the pleasure which<br>I might have hoped to feel when I was in love with Albertine, was in fact only experienced inversely, through the anguish which I felt when she was not there, for when I was sure that she would soon be with me, as on the day when she had returned from the Trocadéro, I had seemed to experience no more than a vague dissatisfaction, whereas my exaltation and my joy grew steadily greater as I probed more and more deeply into the noise of the spoon on the plate or the taste of the tea which had brought into my bedroom in Paris the bedroom of my aunt Léonie and in its train all Combray and the two ways of our walks. To this contemplation of the essence of things I had decided therefore that in future I must attach myself, so as somehow to immobilise it. But how, by what means, was I to do this? Naturally, at the moment when the stiffness of the napkin had restored Balbec to me and for an instant </p>



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<p>p. 25</p>



<p>caressed my imagination not only with the sight of the sea as it had been that morning but with the smell of my room, the speed of the wind, the sensation of looking forward to lunch, of wondering which of the different walks I should take (all this being attached to the feel of<br>the linen like those thousand wings of the angels which revolve a thousand times in a minute), or at the moment when the unevenness of the two paving-stones had extended in every direction and dimension the desiccated and insubstantial images which I normally had of Venice and St Mark’s and of all the sensations which I had felt there, reuniting<br>the piazza to the cathedral, the landingstage to the piazza, the canal to the landingstage, and to all that the eyes see the world of desires which is seen only by the mind—naturally at those moments I had been tempted, if not, because of the time of the year, to go and walk once more through the watery streets of Venice which for me were above all associated with the spring, at least to return to Balbec. But this thought did not for an instant detain me. I knew for one thing that countries were not such as their names painted them to my imagination, so that now it was scarcely ever except in my dreams, while I was asleep, that a<br>place could lie spread before me wrought in that pure matter which is entirely distinct from the matter of the common things that we see and touch but of which, when I had imagined these common things without ever having seen them, they too had seemed to me to be composed: and I knew also that the same was true of that other species of image which is formed by the memory, so that not only had I failed to discover the beauty of Balbec as I had imagined it when I had gone there for the first time, I had failed also when I went back the second time to rediscover the remembered beauty which that first visit had left me. Experience had taught me only too well the impossibility of attaining in the real world to what lay deep within myself; I knew that Lost Time was not to be found again on the piazza of St Mark’s any more than I had found it again on my second visit to Balbec or on my return to Tansonville to see Gilberte, and that travel, which merely dangled once more before me the illusion that these vanished impressions existed outside myself, could not be the means which I sought. And I did not want to let myself be sidetracked once more, for the task before me was to discover at long last whether or no it was possible to attain to what — disappointed as I had always been by the actuality of places and people—I had, although </p>



<p>25 of 33</p>



<p>p. 26</p>



<p>once the septet of Vinteuil had seemed to point to the contrary conclusion, come to think of as unrealisable. I did not intend, then, to make yet another experiment in a direction which I had long known could lead nowhere. Impressions such as those to which I wished to<br>give permanence could not but vanish at the touch of a direct enjoyment which had been powerless to engender them. The only way to savour them more fully was to try to get to know them more completely in the medium in which they existed, that is to say within myself, to try to make them translucid even to their very depths. I had not known pleasure at Balbec any more than I had known pleasure when I lived with Albertine, for the pleasure of living with her had been perceptible to me only in retrospect. When I recapitulated the disappointments of my life as a lived life, disappointments which made me believe that its<br>reality must reside elsewhere than in action, what I was doing was not merely to link different disappointments together in a purely fortuitous manner and in following the circumstances of my personal existence. I saw clearly that the disappointment of travel and the disappointment of love were not different disappointments at all but the varied aspects<br>which are assumed, according to the particular circumstances which bring it into play, by our inherent powerlessness to realise ourselves in material enjoyment or in effective action. And thinking again of the extra-temporal joy which I had been made to feel by the sound of the spoon or the taste of the madeleine, I said to myself: “Was this perhaps<br>that happiness which the little phrase of the sonata promised to Swann and which he, because he was unable to find it in artistic creation, mistakenly assimilated to the pleasures of love, was this the happiness of which long ago I was given a presentiment — as something more supraterrestrial even than the mood evoked by the little phrase of the sonata — by the call, the mysterious, rubescent call of that septet which Swann was never privileged to hear, having died like so many others before the truth that was made for him had been revealed? A truth that in any case he could not have used, for though the phrase perhaps symbolised a call, it was incapable of creating new powers and making<br>Swann the writer that he was not.” And then, after I had dwelt for some little time upon these resurrections of the memory, the thought came to me that in another fashion certain </p>



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<p>p. 27</p>



<p>obscure impressions, already even at Combray on the Guermantes way, had solicited my attention in a fashion somewhat similar to these reminiscences, except that they concealed within them not a sensation dating from an earlier time, but a new truth, a precious image which I had sought to uncover by efforts of the same kind as those that we make to recall something that we have forgotten, as if our finest ideas were like tunes which, as it were, come back to us although we have never heard them before and which we have to make an effort to hear and to transcribe. I remembered — with pleasure because it showed me that<br>already in those days I had been the same and that this type of experience sprang from a fundamental trait in my character, but with sadness also when I thought that since that time I had never progressed — that already at Combray I used to fix before my mind for its attention some image which had compelled me to look at it, a cloud, a triangle, a church spire, a flower, a stone, because I had the feeling that perhaps beneath these signs there lay something of a quite different kind which I must try to discover, some thought which they translated after the fashion of those hieroglyphic characters which at first one might suppose to represent only material objects. No doubt the process of decipherment was difficult, but only by accomplishing it could one arrive at whatever truth there was to read. For the truths which the intellect apprehends directly in the world of full and unimpeded light have something less profound, less necessary than those which life communicates to us against our will in an impression which is material because it enters us through the senses but yet has a spiritual meaning which it is possible for us to extract. In fact, both in the one case and in the other, whether I was concerned with impressions like the one which<br>I had received from the sight of the steeples of Martinville or with reminiscences like that of the unevenness of the two steps or the taste of the madeleine, the task was to interpret the given sensations as signs of so many laws and ideas, by trying to think — that is to say, to draw forth from the shadow — what I had merely felt, by trying to convert it into its<br>spiritual equivalent. And this method, which seemed to me the sole method, what was it but the creation of a work of art? Already the consequences came flooding into my mind: first, whether I considered reminiscences of the kind evoked by the noise of the spoon or the taste of the madeleine, or those truths written with the aid of shapes for </p>



<p>27 of 33</p>



<p>p. 28</p>



<p>whose meaning I searched in my brain, where — church steeples or wild grass growing in a wall — they composed a magical scrawl, complex and elaborate, their essential character was that I was not free to choose them, that such as they were they were given to me. And I realised that this must be the mark of their authenticity. I had not gone in search of<br>the two uneven paving-stones of the courtyard upon which I had stumbled. But it was precisely the fortuitous and inevitable fashion in which this and the other sensations had been encountered that proved the trueness of the past which they brought back to life, of the images which they released, since we feel, with these sensations, the effort that<br>they make to climb back towards the light, feel in ourselves the joy of rediscovering what is real. And here too was the proof of the trueness of the whole picture formed out of those contemporaneous impressions which the first sensation brings back in its train, with those unerring proportions of light and shade, emphasis and omission, memory and forgetfulness to which conscious recollection and conscious observation will never know how to attain.<br>As for the inner book of unknown symbols (symbols carved in relief they might have been, which my attention, as it explored my unconscious, groped for and stumbled against and followed the contours of, like a diver exploring the ocean-bed), if I tried to read them no one could help me with any rules, for to read them was an act of creation in which no one can do our work for us or even collaborate with us. How many for this reason turn aside from writing! What tasks do men not take upon themselves in order to evade this task! Every<br>public event, be it the Dreyfus case, be it the war, furnishes the writer with a fresh excuse for not attempting to decipher this book: he wants to ensure the triumph of justice, he wants to restore the moral unity of the nation, he has no time to think of literature. But these are mere excuses, the truth being that he has not or no longer has genius, that is to say instinct. For instinct dictates our duty and the intellect supplies us with pretexts for evading it. But excuses have no place in art and intentions count for nothing: at every moment the artist has to listen to his instinct, and it is this that makes art the most real of all things, the most austere school of life, the true last judgment. This book, more laborious to<br>decipher than any other, is also the only one which has been dictated to </p>



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<p>us by reality, the only one of which the “impression” has been printed in us by reality itself. When an idea—an idea of any kind — is left in us by life, its material pattern, the outline of the impression that it made upon us, remains behind as the token of its necessary truth. The ideas formed by the pure intelligence have no more than a logical, a possible truth, they are arbitrarily chosen. The book whose hieroglyphs are patterns not traced by us is the only book that really belongs to us. Not that the ideas which we form for ourselves cannot be correct in logic; that they may well be, but we cannot know whether they are true. Only the impression, however trivial its material may seem to be, however faint its traces, is a criterion of truth and deserves for that reason to be apprehended by the mind, for the mind, if it succeeds in extracting this truth, can by the impression and by nothing else be brought to a state of greater perfection and given a pure joy. The impression is for the writer what experiment is for the scientist, with the difference that in the scientist the work of the intelligence precedes the experiment and in the writer it comes after the impression. What we have not had to decipher, to elucidate by our own efforts, what was clear before we looked at it, is not ours. From ourselves comes only that which we drag forth from the obscurity which lies within us, that which to others is unknown. (A level ray of the setting sun recalls to me instantaneously an episode in my early childhood to which I had never since that time given a thought: my aunt Léonie had a fever which Doctor Percepied feared<br>might be typhoid and for a week I was made to sleep in Eulalie’s little room looking out on the Place de l’Eglise, which had nothing but rush mats on the floor and over the window a muslin curtain that was always buzzing with a sunshine to which I was not accustomed. And seeing how the recollection of this little old-fashioned servant’s bedroom suddenly added to my past life a long stretch of time so different from the rest and so delicious, I thought by contrast of the nullity of the impressions which had been contributed to it by the most sumptuous entertainments in the most princely mansions. The only thing at all sad about this room of Eulalie’s was that at night, because the viaduct was so near, one heard the hooting of the trains. But as I knew that these were bellowings produced by machines under human control, they did not terrify me as, in a prehistoric age, I might have been terrified by the </p>



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<p>p. 30</p>



<p>ululations of a neighbouring mammoth taking a free and unco-ordinated stroll.) I had arrived then at the conclusion that in fashioning a work of art we are by no means free, that we do not choose how we shall make it but that it pre-exists us and therefore we are obliged, since it is both necessary and hidden, to do what we should have to do if it were a law of nature — to discover it. But this discovery which art obliges us to make, is it not, I thought, really the discovery of what, though it ought to be more precious to us than anything in the world, yet remains ordinarily for ever unknown to us, the discovery of our true life, of reality as we have felt it to be, which differs so greatly from what we think it is that when a chance happening brings us an authentic memory of it we are filled with an immense happiness? In this conclusion I was confirmed by the thought of the falseness of so-called realist art, which would not be so untruthful if we had not in life acquired the habit of giving to what we feel a form of expression which differs so much from, and which we nevertheless after a little time take to be, reality itself. I began to perceive that I should not have to trouble myself with the various literary theories which had at moments perplexed me — notably those which practitioners of criticism had developed at the time of the Dreyfus case and had taken up again during the war, according to which “the artist must be made to leave his ivory tower” and the themes chosen by the writer ought to be not frivolous or sentimental but rather such things as great working-class movements or — in default of crowds—at least no longer as in the past unimportant men of leisure (“must confess that the depiction of these useless characters rather bores me,” Bloch had been fond of saying), but noble intellectuals or men of heroic stature. In any case, quite apart from what I might think of the logical propositions which they contained, these theories seemed to me to indicate very clearly the inferiority of those who upheld them — my<br>reaction was that of the truly well-brought-up child who, lunching in a strange house and hearing his hosts say: “We are frank, we don’t hide our light under a bushel here,” feels that the remark indicates a moral quality inferior to right conduct pure and simple, which says nothing. </p>



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<p>p. 31</p>



<p>Authentic art has no use for proclamations of this kind, it accomplishes its work in silence. Moreover, those who theorised in this way used hackneyed phrases which had a curious resemblance to those of the idiots whom they denounced. And it is perhaps as much by the quality of his language as by the species of aesthetic theory which he advances that one may judge of the level to which a writer has attained in the moral and intellectual part of his work. Quality of language, however, is something the critical theorists think that they can do without, and those who admire them are easily persuaded that it is no proof of intellectual merit, for this is a thing which they cannot infer from the beauty of an image but can recognise only when they see it directly expressed. Hence the temptation for the writer to write intellectual works — a gross impropriety. A work in which there are theories is like an object which still has its price-tag on it. (And as to the choice of theme, a frivolous theme will serve as well as a serious one for a study of the laws of character, in the same way that a prosector can study the laws of anatomy as well in the body of an imbecile as in that of a man of talent, since the great moral laws, like the laws of the circulation of the blood or of renal elimination, vary scarcely at all with the intellectual merit of individuals.) A writer reasons, that is to say he goes astray, only when he has not the strength to force himself to make an impression pass through all the successive states which will culminate in its fixation, its expression. The reality that he has to express resides, as I now began to understand, not in the superficial appearance of his subject but at a depth at which that appearance matters little; this truth had been symbolised for me by that clink of a spoon against a plate, that starched stiffness of a napkin, which had been of more value to me for my spiritual renewal than innumerable conversations of a humanitarian or patriotic or internationalist or metaphysical kind. “Enough of style,” had been the cry, “enough of literature, let us have life!” And one may well imagine how since the beginning of the war even the simple theories of M. de Norpois, his denunciations of the “flute-players,” had<br>enjoyed a second vogue. For plenty of people who lack the artistic sense, who lack, that is to say, the faculty of submitting to the reality within themselves, may yet possess the ability to expatiate upon the theory of art until the crack of doom. And if they happen to be<br>diplomats or financiers to boot, involved in the “realities” of the present </p>



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<p>p. 32</p>



<p>age, they are likely to believe that literature is an intellectual game destined in the future to be progressively eliminated. (Some critics now liked to regard the novel as a sort of procession of things upon the screen of a cinematograph. This comparison was absurd. Nothing is further from what we have really perceived than the vision that the<br>cinematograph presents.)<br>The idea of a popular art, like that of a patriotic art, if not actually dangerous seemed to me ridiculous. If the intention was to make art accessible to the people by sacrificing refinements of form, on the ground that they are “all right for the idle rich” but not for anybody else, I had seen enough of fashionable society to know that it is there<br>that one finds real illiteracy and not, let us say, among electricians. In fact, an art that was “popular” so far as form was concerned would have been better suited to the members of the Jockey Club than to those of the General Confederation of Labour — and as for subject, the working classes are as bored by novels of popular life as children are by the books which are written specially for them. When one reads, one likes to be transported into a new world, and working men have as much curiosity about princes as princes about working men. At the beginning of the war M. Barrès had said that the artist (he happened to be talking about Titian) must first and foremost serve the glory of his country. But this he can do only by being an artist, which means only on condition that, while in his own sphere he is studying laws, conducting experiments, making discoveries which are as delicate as those of science, he shall think of nothing — not even his country — but the truth which is before him. Let us not imitate the revolutionaries who out of “civic sense” despised, if they did not destroy, the works of Watteau and La Tour, painters who have brought more honour upon France than all those of the Revolution. Anatomy is not perhaps the occupation that a kind-hearted man would choose, if he or any artist had the possibility of choice, and  ertainly it was not the kindness of a virtuous heart though he was a truly kind man) that made Choderlos de Laclos write Les Liaisons dangereuses, nor was it any affection for the lower or upper bourgeoisie that made Flaubert choose the themes of Madame Bovary and L’Education sentimentale—but this is no valid criticism of the work of these writers. </p>



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<p>p. 33</p>



<p>Some people were also saying that the art of an age of haste would be brief, just as many people before the war had predicted that it would be short. The railway, according to this mode of thinking, was destined to kill contemplation and there was no sense in regretting the age of the diligence. But in fact the car has taken over its function and once more<br>deposits tourists outside forgotten churches.<br>As I entered the library where I had been pursuing this train of thought I had remembered what the Goncourts say about the magnificent first editions which it contains and I had promised myself that I would look at them while I was waiting. And all this while, without paying very much attention to what I was doing, I had been taking first one and then another of the precious volumes from the shelves, when suddenly, at the moment when I carelessly opened one of them — it was George Sand’s François le Champi — I felt myself unpleasantly struck by an impression which seemed at first to be utterly out of harmony with the thoughts that were passing through my mind, until a moment later, with an emotion so strong that tears came to my eyes, I recognised how very much in harmony with them it was. Imagine a room in which a man has died, a man who has rendered great services to his country; the undertaker’s men are getting ready to take the coffin downstairs and the dead man’s son is holding out his hand to the last friends who are filing<br>past it; suddenly the silence is broken by a flourish of trumpets beneath the windows and he feels outraged, thinking that this must be some plot to mock and insult his grief; but presently this man who until this moment has mastered his emotions dissolves into tears, for he realises that what he hears is the band of a regiment which has come to share in<br>his mourning and to pay honour to his father’s corpse. Like this dead man’s son, I had just recognised how completely in harmony with the thoughts in my mind was the painful impression which I had experienced when I had seen this title on the cover of a book in the<br>library of the Prince de Guermantes, for it was a title which after a moment’s hesitation had given me the idea that literature did really offer us that world of mystery which I had ceased to find in it. And yet the book was not a very extraordinary one, it was François le Champi.<br>But that name, like the name Guermantes, was for me unlike the names which I had heard for the first time only in later life. The memory of </p>



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<p>The post <a href="https://philosophyforumlgbt.org/the-madeleine-descartes/">&#8220;The Madeleine &#038; Descartes&#8221;</a> appeared first on <a href="https://philosophyforumlgbt.org">Philosophy Forum LGBT</a>.</p>
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